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Slapping Bass
Slapping and popping are ways to produce percussive sounds on a stringed instrument. It is primarily used on the double bass or bass guitar. Slapping on bass guitar involves using the edge of one's knuckle, where it is particularly bony, to quickly strike the string against the fretboard. On bass guitars, this is commonly done with the thumb, while on double bass, the edge of the hand or index finger may be used. Popping refers to pulling the string away from the fretboard and quickly releasing it so it snaps back against the fretboard. On bass guitar, the two techniques are commonly used together in alternation, though either may be used separately. Overview On the double bass, the technique was developed by jazz bands in New Orleans in the early 1900s, and later spread to other genres, including western swing, rockabilly, and other offshoots of those styles. On the bass guitar, the technique is widely credited to Larry Graham, an electric bassist playing with Sly and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funky Slap Bass Line
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first beat of eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pizzicato
Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument : * On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow. This produces a very different sound from bowing, short and percussive rather than sustained. * On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Toru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the strings known collectively as "string piano". * On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively short ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scotty Moore
Winfield Scott Moore III (December 27, 1931 – June 28, 2016) was an American guitarist who formed The Blue Moon Boys in 1954, Elvis Presley's backing band. He was studio and touring guitarist for Presley between 1954 and 1968. Rock critic Dave Marsh credits Moore with inventing power chords, on the 1957 Elvis hit " Jailhouse Rock", the intro of which Moore and drummer D.J. Fontana, according to the latter, "copped from a '40s swing version of 'The Anvil Chorus"." Moore was ranked 29th in ''Rolling Stone'' magazine's list of 100 Greatest Guitarists of All Time in 2011. He was inducted into the Rock and Roll Hall of Fame in 2000, the Musicians Hall of Fame and Museum in 2007, and the Memphis Music Hall of Fame in 2015. Rolling Stones' lead guitarist Keith Richards said of Moore:When I heard "Heartbreak Hotel", I knew what I wanted to do in life. It was as plain as day. All I wanted to do in the world was to be able to play and sound like the way Scotty Moore did. Everyone want ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elvis Presley
Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "Honorific nicknames in popular music, King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a civil rights movement, transformative era in race relations, led him to both great success and Cultural impact of Elvis Presley#Danger to American culture, initial controversy. Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on rhythm acoustic guitar, and accompanied by lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Black
William Patton Black Jr. (September 17, 1926 – October 21, 1965) was an American musician and bandleader who is noted as one of the pioneers of rock and roll. He played in Elvis Presley's early trio. Black later formed Bill Black's Combo. Early life and career William Patton Black Jr. was born on September 17, 1926, in Memphis, Tennessee, to a motorman for the Memphis Street Railway Co. He was the oldest of nine children. His father played popular songs on the banjo and fiddle to entertain the family. Black learned to play music at the age of 14 on an instrument made by his father—a cigar box with a board nailed to it and strings attached. At the age of sixteen, Black was performing "honky-tonk" music on acoustic guitar in local bars. During World War II, Black was stationed with the U.S. Army at Fort Lee in Virginia. While in the Army, he met Evelyn, who played guitar as a member of a musical family. They married in 1946 and returned to Memphis. Black worked at the Fires ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie-woogie
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from piano, to piano duo and trio, guitar, big band, country and western music, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly associated with dancing (although not the competitive dance known as boogie-woogie, a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll. Musical features Boogie-woogie is characterized by a regular left-hand bass figure, which is transposed following the chord changes. : : Boogie-woogie is not strictly a solo piano style; it can accompany singers and be featured in orchestras and small combos. It is sometimes called ''"eight to the bar"'', as much of it is written in common time () time using eighth notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Swing
Western swing music is a subgenre of American country music that originated in the late 1920s in the Western United States, West and Southern United States, South among the region's Western music (North America), Western string bands. It is dance music, often with an up-tempo beat, which attracted huge crowds to dance halls and clubs in Texas, Oklahoma and California during the 1930s and 1940s until a federal war-time nightclub tax in 1944 contributed to the genre's decline.''Stomping the Blues''. Albert Murray. Da Capo Press. 2000. page 109, 110. , The movement was an outgrowth of jazz. The music is an amalgamation of American roots music, rural, Western music (North America), cowboy, polka, Old-time music, old-time, Dixieland jazz, and blues blended with swing music, swing; and played by a Musical improvisation, hot string band often augmented with drums, saxophones, pianos and, notably, the steel guitar. The electrically amplified stringed instruments, especially the steel g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chester Zardis
Chester Zardis (May 27, 1900, New Orleans, Louisiana, United States - August 14, 1990, New Orleans) was an American jazz double-bassist. Zardis played bass from a young age, and studied without his disapproving mother's knowledge, under Billy Marrero of the Superior Orchestra. In his teens he was involved in a fistfight at a New Orleans theater, which resulted in his being sent to the Jones Waif Home. While there he began playing with another of the Home's residents, Louis Armstrong. He joined Buddy Petit's orchestra at age 16, and worked as a bassist in nightclubs and a tubist in brass bands in New Orleans in the 1920s, playing with Kid Rena, A.J. Piron, Punch Miller, Kid Howard, Jack Carey, Fate Marable, and Duke Dejan's Dixie Rhythm Band. He was given the nickname "Little Bear" by Fats Pichon, a bandleader with whom Zardis played on the riverboat ''S.S. Capital'' in the 1930s. During that decade he also played with Count Basie in New York City, and recorded with George Lewis (c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pops Foster
George Murphy "Pops" Foster (May 19, 1892 – October 30, 1969) was an American jazz musician, best known for his vigorous slap bass playing of the string bass. He also played the tuba and trumpet professionally. Biography Foster was born to Charley and Annie Foster, who "was nearly fullblooded Cherokee," on a plantation near McCall in Ascension Parish near Donaldsonville in south Louisiana, United States. His family moved to New Orleans when he was about 10 years of age. His older brother, Willard Foster, began playing banjo and guitar; George started out on a cello then switched to string bass. Foster married twice: to Bertha Foster in 1912 and Alma Foster in 1936. Pops Foster was playing professionally by 1907 and worked with Jack Carey, Kid Ory, Armand Piron, King Oliver and other prominent hot bands of the era. In 1921, he moved to St. Louis, Missouri, to play with the Charlie Creath and Dewey Jackson bands, in which he would be active for much of the decade. He also jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wellman Braud
Wellman Braud (January 25, 1891 – October 29, 1966) was an American jazz upright bassist. His family sometimes spelled their last name "Breaux", pronounced "Bro". Born in St. James Parish, Louisiana, St. James Parish, Louisiana, Braud settled in New Orleans, in his early teens. He was playing the violin and the upright bass and leading a trio in venues in the Storyville, New Orleans, Storyville District before 1910. He moved to Chicago, Illinois in 1917. In 1923, he visited London with the Plantation Orchestra, in which he doubled on bass and trombone. Next, he moved to New York City, where he played with Wilber Sweatman's band before joining Duke Ellington. It has been observed by Branford Marsalis that Braud was the first to utilize the walking bass style, that has been a mainstay in modern jazz, as opposed to the 'two-beat' pattern the tuba plays in the New Orleans style. His vigorous melodic bass playing, alternately plucking, slapping, and bowing, was an important feature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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