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Silenziosa Luna
is an album by the Italian composer Carlo Forlivesi. It was released in 2008 by ALM Records. "Silenziosa luna" is a quotation from Giacomo Leopardi's poem '' Canto notturno di un pastore errante dell'Asia''. Description The album includes works written by Forlivesi between 1999 and 2008. The 28-page booklet reflects the artistic and cultural concerns of the team about the recording, and the liner notes provide information about the musicians and lyrics and give details on the extent of each musical work, placing them in cultural and creative contexts. They were written in Italian originally and directly translated into Japanese and English, respectively by Japanese musicologist Mariko Kanemitsu and British composer/poet Jeremy Drake. Japanese ''jiuta-mai'' dancer Sayuri Uno, American academic Laura Hein (Northwestern University) and Italian philosopher Marco Forlivesi (University of Padua) also made a significant contribution to this process. The instrumental techniques develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Forlivesi
Carlo Forlivesi (born 23 October 1971) is an Italian composer, performer and researcher. Forlivesi was born in Faenza, Emilia-Romagna. He studied at Bologna Conservatory, Milan Conservatory and the Accademia Nazionale di Santa Cecilia of Rome. He then joined IRCAM (Institute de Recherche et Coordination Acoustique/Musique) and subsequently DIEM (Danish Institute of Electroacoustic Music), Tokyo College of Music, and Northwestern University, with fellowships from the governments of Italy, Denmark, Japan, and the United States (Fulbright Commission). His activity has mainly focused on new music in Europe, the United States, and Japan. Forlivesi has conducted extensive research in the field of traditional Japanese music and dance including the ethnic music of the Ainu. Beside contemporary music, he cultivates a particular interest in early music, which he studied and performed for several years. Forlivesi has collaborated with first-class performers and received numerous awards. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yukio Tanaka (biwa)
is a Japanese biwa player. He studied under the satsuma biwa master Kinshi Tsuruta, whose status he inherited as a leading figure of Japanese traditional music. His honours include First Prize at the Japanese Biwa Competition, the Minister of Education, Science and Culture Prize and the Japanese Broadcasting Corporation (NHK) Prize. Tanaka has released numerous CDs and recordings for films. He performs internationally both as soloist and with orchestras, including the Staatskapelle Berlin, the Tokyo Philharmonic Orchestra, the Houston Symphony Orchestra, the RAI Symphony Orchestra, and the Hespèrion XXI, under the baton of conductors such as Kent Nagano, Christoph Eschenbach and Jordi Savall. He is a professor at the Tokyo College of Music is a private music school in Toshima, Tokyo, Japan. It was founded as in Kanda, Tokyo, in 1907. History The college moved to Toshima in Tokyo in 1924 after the original campus was destroyed by the Great Kantō earthquake. Some notabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Carlo Forlivesi
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (Forlivesi)
Carlo Forlivesi (born 23 October 1971) is an Italian composer, performer and researcher. Forlivesi was born in Faenza, Emilia-Romagna. He studied at Bologna Conservatory, Milan Conservatory and the Accademia Nazionale di Santa Cecilia of Rome. He then joined IRCAM (Institute de Recherche et Coordination Acoustique/Musique) and subsequently DIEM (Danish Institute of Electroacoustic Music), Tokyo College of Music, and Northwestern University, with fellowships from the governments of Italy, Denmark, Japan, and the United States (Fulbright Commission). His activity has mainly focused on new music in Europe, the United States, and Japan. Forlivesi has conducted extensive research in the field of traditional Japanese music and dance including the ethnic music of the Ainu. Beside contemporary music, he cultivates a particular interest in early music, which he studied and performed for several years. Forlivesi has collaborated with first-class performers and received numerous awards. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (musical Instrument)
The is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , , , , , and so on. When read as , it indicates the Chinese instrument . The term is used today in the same way. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuhachi
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi. The Asahi ShimbunKotobank, Shakuhachi. The Asahi Shimbun A bamboo flute known as the , which is quite different from the current style of , was introduced to Japan from China in the 7th century and died out in the 10th century. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biwa
The is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794). Typically to in length, the instrument is constructed of a water drop-shaped body with a short neck, typically with four (though sometimes five) strings. In Japan, the is generally played with a instead of the fingers, and is often used to play . One of the 's most famous uses is for reciting ''The Tale of the'' , a war chronicle from the Kamakura period (1185–1333). In previous centuries, the predominant musicians would have been , who used the as musical accompaniment when reading scriptural texts. The 's Chinese predecessor was the (), which arrived in Japan in two forms; following its introduction to Japan, varieties of the quadrupled. Guilds supporting players, particularly the , helped prol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maki-e
is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware. The origin of the term ''maki-e'' is a compound word of ''maki'' meaning "sprinkling" and ''e'' meaning "picture" or "design". The term can also be used to refer to lacquerware made with this decorative technique. The term first appeared in the Heian period.Maki-e. This technique is the most used technique in Japanese lacquer decoration. The is often combined with other techniques such as in which a nacreous layer of shellfish is embedded or pasted in lacquer, in which metal or ivory is embedded in lacquer, and in which gold leaf or gold powder is embe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsukubai
In Japan, a is a washbasin provided at the entrance to a holy place for visitors to purify themselves by the ritual washing of hands and rinsing of the mouth. This type of ritual cleansing is the custom for guests attending a tea ceremony or visiting the grounds of a Buddhist temple. The name originates from the verb ', meaning "to crouch" or "to bow down", an act of humility. Guests attending a tea ceremony crouch and wash their hands in a ' set in the tea garden (roji) before entering the tearoom. ' are usually of stone, and are often provided with a small ladle, ready for use. A supply of water may be provided via a bamboo pipe called a '. The famous ' shown here stands in the grounds of the Ryōan-ji temple in Kyoto, and was donated by the feudal lord Tokugawa Mitsukuni. The kanji written on the surface of the stone are without significance when read alone. If each is read in combination with (kuchi), the shape of the central bowl, then the characters become which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shisen-dō
is a Buddhist temple of the Sōtō Zen sect in Sakyō-ku, Kyoto, Japan. It is registered as a historic site of Japan. It stands on the grounds of its founder, the Edo period intellectual Ishikawa Jōzan (1583–1672), who established the temple in 1641. A room in the main temple displays portraits of thirty-six Chinese poets. The selection of the poets was based on the opinion of Hayashi Razan. The portraits were executed by Kanō Tan'yū. This and some other parts of the building date to the time of Ishikawa Jōzan. The temple's gardens are considered masterworks of Japanese gardens. Retrieved on January 10, 2009 One of them includes a device called a ''sōzu'', a type of '''' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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