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Silencio (Rafael Hernández Song)
"Silencio" (Spanish for "silence") is a bolero written in 1932 by Puerto Rican musician and composer Rafael Hernández Marín, Rafael Hernández. It has become a standard of the Latin music (genre), Latin music repertoire, with notable performances by artists such as Cuarteto Machín, Daniel Santos (singer), Daniel Santos, Noro Morales and Ibrahim Ferrer. This bolero should not be confused with the omelenkó of the same name composed by Elsa Angulo Macías and recorded by Celia Cruz with La Sonora Matancera in 1953. Recordings Buena Vista Social Club Recorded by various artists in the world of Hispanic music, it came to wider prominence when it was included in the 72nd Academy Awards, Oscar-nominated soundtrack of the 1999 documentary film Buena Vista Social Club (film), Buena Vista Social Club, set in Cuba and directed by Wim Wenders. The song was sung by well-known singers Ibrahim Ferrer and Omara Portuondo, and conducted by Juan de Marcos González, featuring Ry Cooder on guit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omara Portuondo
Omara Portuondo Peláez (born 29 October 1930) is a Cuban singer and dancer. A founding member of the popular vocal group Cuarteto d'Aida, Portuondo has collaborated with many important Cuban musicians during her long career, including Julio Gutiérrez, Juanito Márquez and Chucho Valdés. Although primarily known for her rendition of boleros, she has recorded in a wide range of styles from jazz to son cubano. Since 1996, she has been part of the Buena Vista Social Club project, touring extensively and recording several albums with the ensemble. She won a Latin Grammy Award for Best Contemporary Tropical Album in 2009 and a Latin Grammy Lifetime Achievement Award in 2019, and she received three Grammy Award nominations. Early life and career Born on 29 October 1930 in the Cayo Hueso neighborhood of Havana, Portuondo had three sisters. Her mother, Esperanza Peláez, came from a wealthy family of Spanish ancestry, and had created a scandal by running off with and marrying a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boleros
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conceit
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle). These implications are repeatedly emphasized, discovered, rediscovered, and progressed in new ways. History of meaning In the Renaissance, the term (which is related to the word concept) indicated the idea that informed a literary work--its theme. Later, it came to stand for the extended and heightened metaphor common in Renaissance poetry, and later still it came to denote the even more elaborate metaphors of 17th century poetry. The Renaissance conceit, given its importance in Petrarch's ''Il Canzoniere'', is also referred to as Petrarchan conceit. It is a comparison in which human experiences are described in terms of an outsized met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agave Amica
''Agave amica'', formerly ''Polianthes tuberosa'', the tuberose, is a perennial plant in the family Asparagaceae, subfamily Agavoideae, extracts of which are used as a note in perfumery. Now widely grown as an ornamental plant, the species was originally native to Mexico. Etymology The common name derives from the Latin ''tuberosa'' through French ''tubéreuse'', meaning swollen or tuberous in reference to its root system. Description The tuberose is herbaceous, growing from underground tubers or tuberous roots. It produces offsets. The leaves are a dull green and about long and up to wide at the base. They are slightly succulent. The inflorescence is a spike, reaching up to high, with pure white waxy flowers. The flowers are tubular, with a tube up to long, separating into six flaring segments (tepals) at the end, and are strongly fragrant. There are six stamens, inserted into the tube of the flower, and a three-part stigma. The double-flowered cultivar 'The Pearl' has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballroom Rumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Circuit (record Label)
World Circuit is a British world-music record label, established in London in the mid-1980s, that specializes in Cuban and West African recording artists, among other international music stars. The label's founding principle was to be an artist-led company with all aspects of each release tailored to the artist. This continues to be the label's way of working. World Circuit celebrated its 20th anniversary in 2006 by releasing ''World Circuit Presents...'', a 2-disc retrospective compilation album. In 2018, World Circuit was acquired by BMG Rights Management. History 1986 to 1999 In 1986, the label released its first albums, María Rodríguez's ''La Tremenda'' and Abd El Gadir Salim's ''Sounds of Sudan Volume One''. World Circuit's first taste of major success came in 1993 with the teaming of Ali Farka Touré and American guitarist Ry Cooder on the Grammy award-winning album, '' Talking Timbuktu''. The album went on to sell over a million copies worldwide; a remarkable tot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buena Vista Social Club (album)
''Buena Vista Social Club'' is the debut album by the Buena Vista Social Club, an ensemble of Cuban musicians directed by Juan de Marcos González and American guitarist Ry Cooder. It was recorded at Havana's EGREM studios in March 1996 and released on September 16, 1997, on World Circuit. It is the only standard studio album exclusively credited to the Buena Vista Social Club. ''Buena Vista Social Club'' was recorded in parallel with ''A toda Cuba le gusta'' by the Afro-Cuban All Stars, a similar project also promoted by World Circuit executive Nick Gold and featuring largely the same lineup. In contrast to ''A toda Cuba le gusta'', which was conceived as a revival of the son ''conjunto'', ''Buena Vista Social Club'' was meant to bring back the traditional trova and filin, a mellower take on the Cuban son and bolero, as well as the danzón. A critical and commercial success, the album's release was followed by a short concert tour in Amsterdam and New York's Carnegie Hall in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compay Segundo
Máximo Francisco Repilado Muñoz Telles (18 November 1907 – 13 July 2003), known professionally as "Compay Segundo", was a Cuban trova guitarist, singer and composer. Biography Compay (meaning ''compadre'') Segundo, so called because he was always second voice in his musical partnerships, was born in Siboney, Cuba, and moved to Santiago de Cuba at the age of nine. His first engagement was in the Municipal Band of Santiago de Cuba, directed by his teacher, Enrique Bueno. In 1934, after a spell in a quintet, he moved to Havana, where he also played the clarinet in the Municipal Band. He also learned to play the guitar and the tres, which became his usual instruments. Compay Segundo also invented the armónico, a seven-stringed guitar-like instrument, to fill the harmonic jump between the Spanish guitar and the tres."Compay Segundo" [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ry Cooder
Ryland Peter "Ry" Cooder (born March 15, 1947) is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries. Cooder's solo work draws upon many genres. He has played with John Lee Hooker, Captain Beefheart, Taj Mahal, Gordon Lightfoot, Ali Farka Touré, Eric Clapton, The Rolling Stones, Van Morrison, Neil Young, Randy Newman, Linda Ronstadt, Vishwa Mohan Bhatt, David Lindley, The Chieftains, The Doobie Brothers, and Carla Olson and The Textones (on record and film). He formed the band Little Village, and produced the album ''Buena Vista Social Club'' (1997), which became a worldwide hit; Wim Wenders directed the documentary film of the same name (1999), which was nominated for an Academy Award in 2000. Cooder was ranked at No. 8 on ''Rolling Stone'' magazine's 2003 list ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Marcos González
Juan de Marcos González (born Juan de Marcos González-Cárdenas; January 29, 1954) is a Cuban bandleader, musician and actor, best known for his work with the Buena Vista Social Club and in the 2021 Sony Pictures Animation film '' Vivo'' as the voice of Vivo's owner, Andrés. Biography Juan de Marcos González was born in the Pueblo Nuevo barrio of Havana to a musical family. His father, Marcos González Mauriz (d March 1990), was a vocalist who performed with prominent bandleader Arsenio Rodríguez. He has two daughters, Gliceria and Laura Lidia González Abreu and one son, Juan de Marcos González Pérez. He studied classical and tres guitar at the Ignacio Cervantes Conservatory and with maestros Leopoldina Nuñez and Vicente "Gutun" Gonzalez. Later took courses on orchestral conduction and contemporary harmony at Goldsmith college, London. Growing up, González was a fan of American and British rock music before rediscovering his Cuban roots and establishing a "traditional" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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