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Side Trips
''Side Trips'' is the 1967 debut studio album by American band Kaleidoscope. It was released in June 1967, on Epic Records BN 26304, and re-released on vinyl by Sundazed Records (2007). The album has a raw, non-limited instrumental mentality, for each member played many instruments; for example, David Lindley played guitar, banjo, fiddle, and mandolin, and Solomon Feldthouse played saz, bouzouki, dobro, vina, oud, doumbek, dulcimer, fiddle, guitar, and vocals. Background After forming in 1966, the group known then as The Kaleidoscope, won a recording contract with Epic Records. They first recorded a single "Please" backed by a non-album track "Elevator Man", that was released in December 1966. The album ''Side Trips'' was released in June 1967, and an additional single was released with album cut "Why Try" backed by non-album track "Little Orphan Nannie". The album combined rock & roll with roots and world music, and contained several traditional songs including Charlie Poole's ...
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Kaleidoscope (US Band)
Kaleidoscope (originally the Kaleidoscope) was an American psychedelic folk and ethnic band, who recorded four albums and several singles for Epic Records between 1966 and 1970. The band membership included David Lindley, who later released numerous solo albums and won additional renown as a multi-instrumentalist session musician, and Chris Darrow who later performed and recorded with a number of groups including the Nitty Gritty Dirt Band. History Formation The group was formed in 1966. The original members were: : David Lindley (born March 21, 1944, Los Angeles, California) : Solomon Feldthouse (born David Earle Scaff; January 20, 1940, Pingree, Idaho, died December 12, 2021) :Chris Darrow (born July 30, 1944, Sioux Falls, South Dakota, died January 15, 2020) :Chester Crill (a.k.a. Max Budda, Max Buda, Fenrus Epp, Templeton Parcely) (born Oklahoma City, Oklahoma) :John Vidican (born Los Angeles, California) Lindley was an experienced performer on a variety of stringed instru ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Goblet Drum
The goblet drum (also chalice drum, tarabuka, tarabaki, darbuka, darabuka, derbake, debuka, doumbek, dumbec, dumbeg, dumbelek, toumperleki, tumbak, or zerbaghali; arz, دربوكة / Romanized: ) is a single-head membranophone with a goblet-shaped body. It is most commonly used in the traditional music of Egypt, where it is considered the National symbol of Egyptian Shaabi Music. The instrument is also featured in traditional music from West Asia, North Africa, South Asia, and Eastern Europe. The African djembe is also a goblet membranophone. This article focuses on the Middle Eastern and North African goblet drum. History The origin of the term ''Darbuka'' probably lies in the Arabic word "daraba" ("to strike"). Goblet drums have been around for thousands of years and were used in Mesopotamian and Ancient Egyptian cultures. They were also seen in Babylonia and Sumer from as early as 1100 BCE. On Sulawesi, large goblet drums are used as temple instruments and placed on the f ...
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Resonator Guitar
A resonator guitar or resophonic guitar is an acoustic guitar that produces sound by conducting string vibrations through the bridge to one or more spun metal cones (resonators), instead of to the guitar's sounding board (top). Resonator guitars were originally designed to be louder than regular acoustic guitars, which were overwhelmed by horns and percussion instruments in dance orchestras. They became prized for their distinctive tone, however, and found life with bluegrass music and the blues well after electric amplification solved the problem of inadequate volume. Resonator guitars are of two styles: * Square-necked guitars played in lap steel guitar style * Round-necked guitars played in conventional guitar style or steel guitar style There are three main resonator designs: * The ''tricone'', with three metal cones, designed by the first National company * The single-cone "biscuit" design of other National instruments * The single inverted-cone design (also known as ...
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Harp Guitar
The harp guitar is a guitar-based stringed instrument generally defined as a "guitar, in any of its accepted forms, with any number of additional unstopped strings that can accommodate individual plucking." The word "harp" is used in reference to its harp-like unstopped open strings. A harp guitar must have at least one unfretted string lying off the main fretboard, typically played as an open string. This family consists of many varieties of instrument configurations. Most readily identified are American harp guitars with either hollow arms, double necks or harp-like frames for supporting extra bass strings, and European bass guitars (or contraguitars). Other harp guitars feature treble or mid-range floating strings, or various combinations of multiple floating string banks along with a standard guitar neck. Electric harp guitars While most players of harp guitars play on acoustic instruments, a few of them also work with electric instruments. Notable artists who played elec ...
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Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ...
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Clarence Gaskill
Clarence Gaskill (February 2, 1892 – April 29, 1948) was an American composer and lyricist active during the 1920s to early 1930s. His most well-known songs include, ''Doo-Wacka-Doo'' (1921). ''I Can't Believe That You're in Love with Me'' (1926), and '' Prisoner of Love'' (1932). His first hit came in 1919 with ''I Love You Just the Same, Sweet Adeline''. Personal life Gaskill was born on February 2, 1892, in Philadelphia, Pennsylvania. He attended St. John's School and Friends School in Pennsylvania. Gaskill's first music teacher was his mother, but he was later taught by private teachers. Gaskill died on April 29, 1948, in New Brighton, New York City. Career At the age of 16, Gaskill was employed at a local theatre, working as a pianist. By the age of 21, he had founded his own music publishing firm. During World War I, he served as a machine gunner. For his service, he earned the Purple Heart. Gaskill also entertained troops during the war, and even wrote the war song, ...
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Traditional Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk reviv ...
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Dock Boggs
Moran Lee "Dock" Boggs (February 7, 1898 – February 7, 1971) was an American old-time singer, songwriter and banjo player. His style of banjo playing, as well as his singing, is considered a unique combination of Appalachian folk music and African-American blues. Contemporary folk musicians and performers consider him a seminal figure, at least in part because of the appearance of two of his recordings from the 1920s, "Sugar Baby" and "Country Blues", on Harry Smith's 1952 collection ''Anthology of American Folk Music''. Boggs was first recorded in 1927 and again in 1929, although he worked primarily as a coal miner for most of his life. He was rediscovered during the folk music revival of the 1960s and spent much of his later life playing at folk music festivals and recording for Folkways Records.Marcus, Greil (1998). "Dock Boggs." ''The Encyclopedia of Country Music: The Ultimate Guide to the Music''. New York: Oxford University Press. pp. 42–43. Biography Early life Bo ...
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Oh Death
"O Death", also known as "O, Death", "Oh Death" and "Conversations with Death", is a traditional Appalachian folk song, listed as number 4933 in the Roud Folk Song Index. The song is generally attributed to the musician and Baptist preacher Lloyd Chandler, but it was likely taken or adapted from folk songs already existing in the region. Variants The original version, as performed by Lloyd Chandler and members of the Wallin family: A modified version with a chorus and different tune, performed by Dock Boggs, Nimrod Workman, Ralph Stanley and others: Origin In 2004, the '' Journal of Folklore Research'' asserted that "O, Death" is Lloyd Chandler's song "A Conversation with Death", which Chandler performed in the 1920s while preaching in Appalachia. Chandler's daughter-in-law, Barbara, asserted that "O, Death" was based on Chandler's composition. However, Chandler seems to have taken the song from another source or at least based it on an older version. In 1913, the ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Minnie The Moocher
"Minnie the Moocher" is a jazz- scat song first recorded in 1931 by Cab Calloway and His Orchestra, selling over a million copies. "Minnie the Moocher" is most famous for its nonsensical ad libbed (" scat") lyrics (for example, "Hi De Hi De Hi De Ho"). In performances, Calloway would have the audience and the band members participate by repeating each scat phrase in a form of call and response, until making it too fast and complicated for the audience to replicate it. Released by Brunswick Records, the song was the biggest chart-topper of 1931. Calloway publicized and then celebrated a "12th birthday" for the song on June 17, 1943, while performing at New York's Strand Theatre. He reported that he was then singing the song at both beginning and end of four performances daily, and then estimated his total performances to date: "she's kicked the gong around for me more than 40,000 times." In 1978, Calloway recorded a disco version of "Minnie the Moocher" on RCA Records which re ...
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