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Siddheshvara Temple
The Siddhesvara Temple (also spelt Siddheshvara or Siddheshwara and locally called ''Purada Siddeshwara'' ) is located in the town of Haveri in Haveri district, Karnataka state, India. It is considered an ornate example of 12th century Western Chalukyan art and is well known for the many loose sculptures of Hindu deities that exist in it. However, inscriptional evidence would suggest that the initial consecration of the temple was in late 11th century.Foekema (2003), p. 56 An interesting aspect about the temple is that it faces west, instead of facing the rising sun in the east–a standard in Chalukyan constructions.Cousens (1926), p. 85 Though it is currently used as a Shaiva temple dedicated to God Shiva, historians are unsure by which faith or sect the temple was originally consecrated and to which deity. This uncertainty perhaps stems from the many loose sculptures of deities that exist and the degradation of primary wall images. Temple plan The Siddheshvara temple, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haveri
Haveri is a city in Karnataka, India. It is the administrative headquarters of Haveri district. Haveri is famous for its cardamom garlands and Byadagi red chillies. Around 25 km away, there is a place called Bada, which is the birthplace of the poet Kanakadasa. The name Haveri is derived from the Kannada words ''haavu'' and ''keri'', which means ''place of snakes''. ''Hukkeri Math'' is a famous matha located . Haveri is 7 hours away from Bengaluru by train. By road, it is about 340 km from Bengaluru on NH-48 towards Mumbai. It is located 307 km north of the port city Mangalore. Tourist attractions of Haveri * Siddheshvara Temple The centre of Western Chalukya architectural developments was the region including present-day Bagalkot, Gadag, Koppal, Haveri and Dharwad districts; '' Siddheshwara temple'' at Haveri a staggered square plan with ''dravida'' articulation and superstructure, 11th century CE. Miniature decorative ''dravida'' and ''nagara'' style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtimukha
Kirtimukha (Sanskrit: कीर्तिमुख ,', also ', a bahuvrihi compound translating to "glorious face") is the name of a swallowing fierce monster face with huge fangs, and gaping mouth, very common in the iconography of Hindu temple architecture in India and Southeast Asia, and often also found in Buddhist architecture. Unlike other Hindu legendary creatures, for example the makara sea-monster, the kirtimukha is essentially an ornamental motif in art, which has its origin in a legend from the Skanda Purana and Shiva Purana - Yuddha khand of Rudra Samhita. Origin and characteristics The word ''mukha'' in Sanskrit refers to the face while ''kīrti'' means "fame, glory". The story of Kirtimukha begins when a great king Jalandhara, who "by virtue of extraordinary austerities ... accumulated to himself irresistible powers." In a burst of pride, he sent forth his messenger, the monster Rahu, whose main task is eclipsing the moon, to challenge Shiva. "The challenge ... was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kartikeya
Kartikeya ( sa, कार्त्तिकेय, Kārttikeya), also known as Skanda, Subrahmanya, Shanmukha (), and Murugan ( ta, முருகன்), is the Hindu god of war. He is the son of Parvati and Shiva, the brother of Ganesha and a god whose legends have many versions in Hinduism. Kartikeya has been an important deity in the Indian subcontinent since ancient times, worshipped as Mahasena and Kumara in North India and is predominantly worshipped in the state of Tamil Nadu and other parts of South India, Sri Lanka, Singapore, and Malaysia as Murugan. Murugan is widely regarded as the "God of the Tamil people". It has been postulated that the Tamil deity of Murugan was syncretised with the Vedic deity of Subrahmanya following the Sangam era. Both Muruga and Subrahmanya refer to Kartikeya. The iconography of Kartikeya varies significantly; he is typically represented as an ever-youthful man, riding or near an Indian peafowl, called Paravani, bearing a vel and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganapati
Ganesha ( sa, गणेश, ), also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most worshipped deities in the Hindu pantheon and is the Supreme God in Ganapatya sect. His image is found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and includes Nepal, Sri Lanka, Thailand, Indonesia (Java and Bali), Singapore, Malaysia, Philippines, and Bangladesh and in countries with large ethnic Indian populations including Fiji, Guyana, Mauritius, and Trinidad and Tobago. Although Ganesha has many attributes, he is readily identified by his elephant head. He is widely revered, more specifically, as the remover of obstacles and thought to bring good luck; the patron of arts and sciences; and the deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked as a patron of letters and le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nāga
The Nagas (IAST: ''nāga''; Devanāgarī: नाग) are a divine, or semi-divine, race of half-human, half-serpent beings that reside in the netherworld (Patala), and can occasionally take human or part-human form, or are so depicted in art. A female naga is called a Nagi, or a Nagini. According to legend, they are the children of the sage Kashyapa and Kadru. Rituals devoted to these supernatural beings have been taking place throughout South Asia for at least 2,000 years. They are principally depicted in three forms: as entirely human with snakes on the heads and necks, as common serpents, or as half-human, half-snake beings in Hinduism, Buddhism, and Jainism. ''Nagaraja'' is the title given to the king of the nagas. Narratives of these beings hold cultural significance in the mythological traditions of many South Asian and Southeast Asian cultures, and within Hinduism and Buddhism, they are the ancestral origins of the Nagavanshi Kshatriyas. Etymology In Sanskrit, a () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parvati
Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi in her complete form. She is also revered in her appearances as Durga and Kali.Suresh Chandra (1998), Encyclopedia of Hindu Gods and Goddesses, , pp 245–246 She is one of the central deities of the goddess-oriented sect called Shaktism, and the chief goddess in Shaivism. Along with Lakshmi and Saraswati, she forms the Tridevi. Parvati is the wife of the Hindu god Shiva. She is the reincarnation of Sati, the first wife of Shiva who immolated herself during a yajna (fire-sacrifice).Edward Balfour, , The Encyclopaedia of India and of Eastern and Southern Asia, pp 153 Parvati is the daughter of the mountain-king Himavan and queen Mena.H.V. Dehejia, Parvati: Goddess of Love, Mapin, , pp 11 Parvati is the mother of the Hindu deities Ganesha and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open Mantapa Facing Sanctum In The Siddhesvara Temple At Haveri
Open or OPEN may refer to: Music * Open (band), Australian pop/rock band * The Open (band), English indie rock band * ''Open'' (Blues Image album), 1969 * ''Open'' (Gotthard album), 1999 * ''Open'' (Cowboy Junkies album), 2001 * ''Open'' (YFriday album), 2001 * ''Open'' (Shaznay Lewis album), 2004 * ''Open'' (Jon Anderson EP), 2011 * ''Open'' (Stick Men album), 2012 * ''Open'' (The Necks album), 2013 * ''Open'', a 1967 album by Julie Driscoll, Brian Auger and the Trinity * ''Open'', a 1979 album by Steve Hillage * "Open" (Queensrÿche song) * "Open" (Mýa song) * "Open", the first song on The Cure album ''Wish'' Literature * ''Open'' (Mexican magazine), a lifestyle Mexican publication * ''Open'' (Indian magazine), an Indian weekly English language magazine featuring current affairs * ''OPEN'' (North Dakota magazine), an out-of-print magazine that was printed in the Fargo, North Dakota area of the U.S. * Open: An Autobiography, Andre Agassi's 2009 memoir Comput ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtimukha Relief Between Half Pilasters In The Siddhesvara Temple At Haveri
Kirtimukha (Sanskrit: कीर्तिमुख ,', also ', a bahuvrihi compound translating to "glorious face") is the name of a swallowing fierce monster face with huge fangs, and gaping mouth, very common in the iconography of Hindu temple architecture in India and Southeast Asia, and often also found in Buddhist architecture. Unlike other Hindu legendary creatures, for example the makara sea-monster, the kirtimukha is essentially an ornamental motif in art, which has its origin in a legend from the Skanda Purana and Shiva Purana - Yuddha khand of Rudra Samhita. Origin and characteristics The word ''mukha'' in Sanskrit refers to the face while ''kīrti'' means "fame, glory". The story of Kirtimukha begins when a great king Jalandhara, who "by virtue of extraordinary austerities ... accumulated to himself irresistible powers." In a burst of pride, he sent forth his messenger, the monster Rahu, whose main task is eclipsing the moon, to challenge Shiva. "The challenge ... w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aedicule
In ancient Roman religion, an ''aedicula'' (plural ''aediculae'') is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3077 Accessed 29 September 2020."aedicule, n." ''OED Online'', Oxford University Press, September 2020www.oed.com/view/Entry/3079 Accessed 29 September 2020 the early Christian ones sometimes contained funeral urns. Aediculae are also represented in art as a form of ornamentation. The word ''aedicula'' is the diminutive of the Latin ''aedes'', a temple building or dwelling place. The Latin word has been Anglicised as "aedicule" and as "edicule". Classical aediculae Many aediculae were household shrines (lararia) that held small altars or statues of the Lares and Di Penates. The Lares were Roman deities protecting the house and the family household gods. The P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
