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Shirakaba First Issue
The was an influential Japanese literary coterie, which published the literary magazine ''Shirakaba'', from 1910 to 1923. History In 1910, a loose association of alumni of the prestigious Gakushuin Peer’s School in Tokyo began a literary society. Members included writers, artists, literary critics and others who rejected Confucianism and the strictures of traditional Japanese literary and artistic styles. In particular, the group emphasized idealism, humanism and individualism, over the naturalism that had been the dominant trend in Japanese literature of the Taishō period. The ''Shirakaba-ha'' thought highly of Western aesthetics (particularly Expressionism and Post-Impressionism), and considered their mission to spread the ideas of Western art and Western literature into Japan. Unlike many other literary circles, The Shirakaba-ha did not limit their interest to literature, but also delved into other art forms. However, the group remained deeply interested in Japanese cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirakaba Gruppe C
The was an influential Japanese literary coterie, which published the literary magazine ''Shirakaba'', from 1910 to 1923. History In 1910, a loose association of alumni of the prestigious Gakushuin Peer’s School in Tokyo began a literary society. Members included writers, artists, literary critics and others who rejected Confucianism and the strictures of traditional Japanese literary and artistic styles. In particular, the group emphasized idealism, humanism and individualism, over the naturalism that had been the dominant trend in Japanese literature of the Taishō period. The ''Shirakaba-ha'' thought highly of Western aesthetics (particularly Expressionism and Post-Impressionism), and considered their mission to spread the ideas of Western art and Western literature into Japan. Unlike many other literary circles, The Shirakaba-ha did not limit their interest to literature, but also delved into other art forms. However, the group remained deeply interested in Japanese cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Art
The art of Europe, or Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the art of Ancient Israel and the Ancient Aegean civilizations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. However a consistent pattern of artistic development within Europe becomes clear only with the art of Ancient Greece, adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia. The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1923 Great Kantō Earthquake
The struck the Kantō Plain on the main Japanese island of Honshū at 11:58:44 JST (02:58:44 UTC) on Saturday, September 1, 1923. Varied accounts indicate the duration of the earthquake was between four and ten minutes. Extensive firestorms and even a fire whirl added to the death toll. Civil unrest after the disaster (i.e., the Kantō Massacre) has been documented. The earthquake had a magnitude of 7.9 on the moment magnitude scale (), with its focus deep beneath Izu Ōshima Island in Sagami Bay. The cause was a rupture of part of the convergent boundary where the Philippine Sea Plate is subducting beneath the Okhotsk Plate along the line of the Sagami Trough. Since 1960, September 1 has been designated by the Japanese government as , or a day in remembrance of and to prepare for major natural disasters including tsunami and typhoons. Drills, as well as knowledge promotion events, are centered around that date as well as awards ceremonies for people of merit. Earthquake T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tolstoy
Count Lev Nikolayevich TolstoyTolstoy pronounced his first name as , which corresponds to the romanization ''Lyov''. () (; russian: link=no, Лев Николаевич Толстой,In Tolstoy's day, his name was written as in pre-reformed Russian. ; ), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time. He received nominations for the Nobel Prize in Literature every year from 1902 to 1906 and for the Nobel Peace Prize in 1901, 1902, and 1909; the fact that he never won is a major controversy. Born to an aristocratic Russian family in 1828, Tolstoy's notable works include the novels ''War and Peace'' (1869) and ''Anna Karenina'' (1878), often cited as pinnacles of realist fiction. He first achieved literary acclaim in his twenties with his semi-autobiographical trilogy, ''Childhood'', '' Boyhood'', and ''Youth'' (1852–1856), and '' Sevastopol Sketches'' (1855), based upon his experiences in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Novel
The I-novel (, , ) is a literary genre in Japanese literature used to describe a type of confessional literature where the events in the story correspond to events in the author's life. This genre was founded based on the Japanese reception of naturalism during the Meiji period, and later influenced literature in other Asian countries as well. This genre of literature reflects greater individuality and a less constrained method of writing. From its beginnings, the I-novel has been a genre that also is meant to expose aspects of society or of the author's life. History Origin The first I-novels are believed to be ''The Broken Commandment'', written in 1906 by Tōson Shimazaki, and ''Futon'' (''The Quilt'') written by Katai Tayama in 1907. In ''Futon'', the protagonist confesses his affection for a female pupil. In ''The Broken Commandment'', Shimazaki described a male who was born a member of a discriminated segment of the population (''burakumin''), and how he decided to vio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagayo Yoshirō
is a town located in Nishisonogi District, Nagasaki Prefecture, Japan. Geography Nagayo is located within the southern part of Nagasaki prefecture and resides at the south of Ōmura Bay. Neighbouring municipalities * Nagasaki * Isahaya * Togitsu History In the Edo period of the late 18th century, Nagayo ware became established and produced until the end of the 19th century. Demographics As of March 1, 2017, the town has an estimated population of 42,570 and a density of 1,500 persons per km². The total area is 28.81 km². Sister city Nagayo have a sister city relationship with the town of Wethersfield from Connecticut since 1999. Transportation Railway * JR Kyushu - Nagasaki Main Line (Branch Line) ** Honkawachi - Nagayo - Kōda - Michinoo Highway * Japan National Route 207 is a highway in Japan on the island of Kyūshū which runs from Saga City in Saga Prefecture to Togitsu in Nagasaki Prefecture. From Kōhoku it runs along the Ariake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takeo Arishima
was a Japanese novelist, short-story writer and essayist during the late Meiji and Taishō periods. His two younger brothers, and , were also authors. His son was the internationally known film and stage actor, Masayuki Mori. Early life Arishima was born in Tokyo, Japan into a wealthy family as the son of an ex-samurai official in the Ministry of Finance. He was first sent to a mission school in Yokohama, where he was taught English, after which he entered preparatory school of the prestigious Gakushuin peer's school, when he was 10 years old. After he graduated from the Gakushuin at age 19, he entered the Sapporo Agricultural College (the present-day Faculty of Agriculture at Hokkaido University). During his studies at the university, he attempted suicide with . The suicide failed, and Arishima subsequently became influenced by Uchimura Kanzō and became a Christian in 1901. Morimoto later went on to establish several women's schools around Japan. After graduation and a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satomi Ton
is a feminine Japanese given name which is also used as a surname. Possible writings Satomi can be written using different kanji characters and can mean: *里美, "hometown, beauty" *怜美, "wise, beauty" *聡美, "wise, beauty" *智美, "wisdom, beauty" *理美, "intelligence, beauty" *叡美, "intelligence, beauty" *聖美, "holy, beauty" The name can also be written in hiragana or katakana. *さと美, "''sato'',In hiragana. beauty"A real person with this name is Satomi Takasugi. *サト美, "''sato'',In katakana. beauty" ;as a surname *里見, "hometown, look" Satomi Clan *Satomi clan ( 里見氏), a Japanese clan originating in the Sengoku period *Satomi Yoshihiro (里美義弘, 1530-1578), a samurai of the Satomi clan *Satomi Yoshiyori (里見義頼, 1543-1587), the son of Yoshihiro *Satomi Yoshiyasu (里見義康, 1573-1603), the son of Yoshiyori and the father of Tadayoshi * Satomi Tadayoshi (里見忠義, 1594-1622), a retainer of the Okubo clan Places *Satomi, Ibara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yanagi Sōetsu
, also known as Yanagi Muneyoshi, was a Japanese art critic, philosopher, and founder of the ''mingei'' (folk craft) movement in Japan in the late 1920s and 1930s. Personal life Yanagi was born in 1889 to Yanagi Narayoshi, a hydrographer of the Imperial Navy and Katsuko. His son, Sori Yanagi, was a renowned industrial designer. Career In 1916, Yanagi made his first trip to Korea out of curiosity about Korean crafts. The trip led to the establishment of the Korean Folk Crafts Museum in 1924 and the coining of the term ''mingei'' by Yanagi, potters Hamada Shōji (1894–1978) and Kawai Kanjirō (1890–1966). His theory of the in Korean art has been said to have influenced the development of the Korean idea of ''han''. Following the March First Movement, Korea's independence movement in which thousands of Koreans died at the hands of the Japanese police and military, Yanagi wrote articles in 1919 and 1920, expressing sympathy for the Korean people and appreciation for Korean ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saneatsu Mushanokōji
was a Japanese novelist, playwright, poet, artist, and philosopher active during the late Taishō and Shōwa periods of Japan. Later on in life he requested that the pronunciation of his surname (as far as was concerned) be changed from the usual ''Mushanokōji'', to ''Mushakōji'', but without much success. He was nicknamed ''Musha'' and ''Futo-o'' by his colleagues. Early life Born in Kōjimachi, Chiyoda, Tokyo Saneatsu was the eighth son of Viscount Mushanokōji Saneyo, who died when Saneatsu was age two. Raised mostly by his mother. Saneatsu was a frail and sickly youth, unable to compete in the physical activities at the Gakushūin Peers' School. To compensate, he developed his debating skills and developed an interest in literature. During his time at this school he became friends with Naoya Shiga, and was introduced by his uncle to the Bible The Bible (from Koine Greek , , 'the books') is a collection of religious texts or scriptures that are held to be sacred in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiga Naoya
was a Japanese writer active during the Taishō and Shōwa periods of Japan, whose work was distinguished by its lucid, straightforward style and strong autobiographical overtones. Early life Shiga was born in Ishinomaki, Miyagi Prefecture, as the son of a banker and descendant of an aristocratic samurai family. In 1885, the family moved to Tokyo and Shiga given into his grandparents' custody. His mother died when he was twelve, an experience that marked the beginning of an obsession with and fear of death both on an individual and a collective level, and which stayed with him until his early thirties. At the same time, his relationship with his father became increasingly strained. One conflict resulted from Shiga's announcement to participate in the protests following the 1907 and his father's forbidding him to do so, as part of the family's wealth was owed to a past investment in the mine. Shiga's imagination was inspired by nature, and he was an avid reader of Thomas Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirakaba First Issue
The was an influential Japanese literary coterie, which published the literary magazine ''Shirakaba'', from 1910 to 1923. History In 1910, a loose association of alumni of the prestigious Gakushuin Peer’s School in Tokyo began a literary society. Members included writers, artists, literary critics and others who rejected Confucianism and the strictures of traditional Japanese literary and artistic styles. In particular, the group emphasized idealism, humanism and individualism, over the naturalism that had been the dominant trend in Japanese literature of the Taishō period. The ''Shirakaba-ha'' thought highly of Western aesthetics (particularly Expressionism and Post-Impressionism), and considered their mission to spread the ideas of Western art and Western literature into Japan. Unlike many other literary circles, The Shirakaba-ha did not limit their interest to literature, but also delved into other art forms. However, the group remained deeply interested in Japanese cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Apelles_painting_Campaspe_-_2.jpg "Click for more on -> Western Art")
