Shippei
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Shippei
A is a bamboo staff which curves slightly, approximately 15 inches (or half a metreKoun, 205-206) long, which is used as a "symbol of a Zen master's authority" in Zen Buddhism.Baroni, 300 In contrast to the ''keisaku'', the shippei was often used as a disciplinary measure for meditating monks. It can often be found at the side of a Zen master in a zendo and is also "one of seven items that make up a Zen monk's equipment." It is fashioned out of two pieces of bamboo that are shaped into the form of a spatula (or short bow), wound with rattan, and lacquered. Sometimes curved in the shape of an S, the shippei may be elaborately decorated with a silk cord or have carvings. It is still "sometimes employed to hit monks".Hori, 701-702 See also *''Keisaku In Zen Buddhism, the ''keisaku'' (Japanese: 警策, Chinese: 香板, ''xiāng bǎn''; ''kyōsaku'' in the Soto school) is a flat wooden stick or slat used during periods of meditation to remedy sleepiness or lapses of concentration. ...
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Keisaku
In Zen Buddhism, the ''keisaku'' (Japanese: 警策, Chinese: 香板, ''xiāng bǎn''; ''kyōsaku'' in the Soto school) is a flat wooden stick or slat used during periods of meditation to remedy sleepiness or lapses of concentration. This is accomplished through a strike or series of strikes, usually administered on the meditator's back and shoulders in the muscular area between the shoulder and the spine. The keisaku itself is thin and somewhat flexible; strikes with it, though they may cause momentary sting if performed vigorously, are not injurious. Purpose The word "keisaku" may be translated as "warning stick", or "awakening stick", and is wielded by the jikijitsu. "Encouragement stick" is a common translation for "kyōsaku". In Soto Zen, the kyōsaku is always administered at the request of the meditator, by way of bowing one's head and putting the palms together in gassho, and then exposing each shoulder to be struck in turn. The kyōsaku may also be administered as a mean ...
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Keisaku
In Zen Buddhism, the ''keisaku'' (Japanese: 警策, Chinese: 香板, ''xiāng bǎn''; ''kyōsaku'' in the Soto school) is a flat wooden stick or slat used during periods of meditation to remedy sleepiness or lapses of concentration. This is accomplished through a strike or series of strikes, usually administered on the meditator's back and shoulders in the muscular area between the shoulder and the spine. The keisaku itself is thin and somewhat flexible; strikes with it, though they may cause momentary sting if performed vigorously, are not injurious. Purpose The word "keisaku" may be translated as "warning stick", or "awakening stick", and is wielded by the jikijitsu. "Encouragement stick" is a common translation for "kyōsaku". In Soto Zen, the kyōsaku is always administered at the request of the meditator, by way of bowing one's head and putting the palms together in gassho, and then exposing each shoulder to be struck in turn. The kyōsaku may also be administered as a mean ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ...
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Lacquer
Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity. Asian lacquerware, which may be called "true lacquer", are objects coated with the treated, dyed and dried sap of ''Toxicodendron vernicifluum'' or related trees, applied in several coats to a base that is usually wood. This dries to a very hard and smooth surface layer which is durable, waterproof, and attractive in feel and look. Asian lacquer is sometimes painted with pictures, inlaid with shell and other materials, or carved, as well as dusted with gold and given other further decorative treatments. In modern techniques, lacquer means a range of clear or pigmented coatings that dry by solvent evaporation to produce a hard, durable finish. The finish can be of any sheen level from ultra matte to high gloss, and it can be further polished as required. Lacquer finishes ...
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Wood Carving
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery. The making of sculpture in wood has been extremely widely practised, but doesn't survive undamaged as well as the other main materials like stone and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures. Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are the great majority of African sculpture and that of Oceania and ...
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Wisteria
''Wisteria'' is a genus of flowering plants in the legume family, Fabaceae (Leguminosae), that includes ten species of woody twining vines that are native to China, Japan, Korea, Vietnam, Southern Canada, the Eastern United States, and north of Iran. They were later introduced to France, Germany and various other countries in Europe. Some species are popular ornamental plants. The aquatic flowering plant commonly called wisteria or 'water wisteria' is in fact ''Hygrophila difformis'', in the family Acanthaceae. Etymology The botanist Thomas Nuttall said he named the genus ''Wisteria'' in memory of the American physician and anatomist Caspar Wistar (1761–1818). Both men were living in Philadelphia at the time, where Wistar was a professor in the School of Medicine at the University of Pennsylvania. Questioned about the spelling later, Nuttall said it was for "euphony", but his biographer speculated that it may have something to do with Nuttall's friend Charles Jones Wister S ...
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Rattan
Rattan, also spelled ratan, is the name for roughly 600 species of Old World climbing palms belonging to subfamily Calamoideae. The greatest diversity of rattan palm species and genera are in the closed-canopy old-growth tropical forests of Southeast Asia, though they can also be found in other parts of tropical Asia and Africa. Most rattan palms are ecologically considered lianas due to their climbing habits, unlike other palm species. A few species also have tree-like or shrub-like habits. Around 20% of rattan palm species are economically important and are traditionally used in Southeast Asia in producing wickerwork furniture, baskets, canes, woven mats, cordage, and other handicrafts. Rattan canes are one of the world's most valuable non-timber forest products. Some species of rattan also have edible scaly fruit and heart of palm. Despite increasing attempts in the last 30 years at commercial cultivation, almost all rattan products still come from wild-harvested plants. ...
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Bamboo
Bamboos are a diverse group of evergreen perennial flowering plants making up the subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family. The origin of the word "bamboo" is uncertain, but it probably comes from the Dutch or Portuguese language, which originally borrowed it from Malay or Kannada. In bamboo, as in other grasses, the internodal regions of the stem are usually hollow and the vascular bundles in the cross-section are scattered throughout the stem instead of in a cylindrical arrangement. The dicotyledonous woody xylem is also absent. The absence of secondary growth wood causes the stems of monocots, including the palms and large bamboos, to be columnar rather than tapering. Bamboos include some of the fastest-growing plants in the world, due to a unique rhizome-dependent system. Certain species of bamboo can grow within a 24-hour period, at a rate of almost an hour (equivalent to 1 mm every 90 seco ...
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Zen Master
Zen master is a somewhat vague English term that arose in the first half of the 20th century, sometimes used to refer to an individual who teaches Zen Buddhist meditation and practices, usually implying longtime study and subsequent authorization to teach and transmit the tradition themselves. China Until the Tang Dynasty, the term "Chánshī" (禅师; Dhyana Master) was regularly used for a monk who was a master of chan, or meditation, versus those who specialized in Dharma (scriptural teachings) and Vinaya (discipline and moral precepts). This included several important figures who were later not considered to be part of the "Chán Chan (; of ), from Sanskrit '' dhyāna'' (meaning " meditation" or "meditative state"), is a Chinese school of Mahāyāna Buddhism. It developed in China from the 6th century CE onwards, becoming especially popular during the Tang and ... school" per se, such as Tiantai Master Zhiyi. In contemporary China, the term "Chán" (禪), ...
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