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Shimooka Renjō
was a Japanese photographer''328 Outstanding Japanese Photographers'' / ''Nihon shashinka jiten'' (). Kyoto: Tankōsha, 2000. . Despite the alternative title in English, this book is in Japanese only. and was one of the first professional photographers in Japan. He opened the first commercial photography studio in Yokohama, and in Japan he is widely considered the father of Japanese photography.Bennett, Terry. (2006). ''Photography in Japan 1853–1912.'' North Clarendon, VT: Tuttle Publishing. Early life He was born with the name Sakurada Hisanosuke Tucker, A. W., et al. (2003). ''The history of Japanese photography.'' Houston, TX: Yale University Press and The Museum of Fine Arts, Houston. . in Shimoda on the Izu Peninsula in central Honshū to a samurai family. When he was thirteen years old he moved to Edo (Tokyo) to study painting and serve as an apprentice to a stock merchant. In 1843 he served in the Shimoda artillery battery where he may have been first introduc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shimoda, Shizuoka
270px, Shimoda City Hall is a city and port located in Shizuoka Prefecture, Japan. , the city had an estimated population of 21,402 in 10,787 households, and a population density of 200 persons per km2. The total area of the city is . In the 1850s, Japan was in political crisis over its increasing inability to maintain its national seclusion policy and the issue of what relations, if any, it should have with foreign powers. For a few years, Shimoda was central to this debate. Geography Shimoda is located at the southern tip of the Izu Peninsula about 100 kilometres southwest of Tokyo. Shimoda's location, with the Amagi Mountains to the north, and the warm Kuroshio Current to the south give the city a humid, sub-tropical climate. Surrounding Municipalities *Shizuoka Prefecture **Minamiizu ** Kawazu ** Matsuzaki Demographics Per Japanese census data, the population of Shimoda has been in slow decline over the past 40 years. Climate The city has a climate characterized by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panorama
A panorama (formed from Greek πᾶν "all" + ὅραμα "view") is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images, or 3D modeling. The word was originally coined in the 18th century by the English (Irish descent) painter Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term ''panning'' is derived from ''panorama''. A panoramic view is also purposed for multimedia, cross-scale applications to an outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces used to capture the larger scale. History The device of the panorama existed in painting, particularly in murals, as early as 20 A.D., in those found in Pompeii, as a means of generating an immersive "panoptic" experience of a vista. Cartographic experiments during the Enlightenment era prec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Photographers
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esaki Reiji
was a Japanese photographer A photographer (the Greek language, Greek φῶς (''phos''), meaning "light", and γραφή (''graphê''), meaning "drawing, writing", together meaning "drawing with light") is a person who makes photographs. Duties and types of photographe .... He was student of Shimooka Renjo in 1871. After a short training period he opened a photo studio in Tokyo the same year, and moved to Asakusa the following year to become one of Tokyo's top portrait studios during the late 19th century. He is the first Japanese photographer to use dry plate negatives which he imported in 1883 and made him a "quick photographer" specializing in family portraits. He succeeded in photographing fireworks in 1889. His photograph of a torpedo explosion in the Sumida River in 1883 became very famous. Another well-known of his photographs is "Collage of Babies: One Thousand and Seven Hundred Children That in Three Years Came to My Shop", ca. 1893. San Francisco Museum of Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yokoyama Matsusaburō
was a pioneering Japanese photographer, artist, lithographer and teacher. Yokoyama was born Yokoyama Bunroku () in Iturup (then under Japanese control) on 10 October 1838. Early in his life, Yokoyama and his family moved to Hakodate, where in 1854 he was first exposed to photography on seeing daguerreotypes by Eliphalet Brown, Jr. and A. F. Mozhaiskii. At the age of fifteen he was apprenticed to a kimono dealer, and during this time developed an interest in painting. A few years later, as an assistant to the Russian painter Lehman, he was exposed to Western painting styles and helped sketch the surroundings of the Russian Consulate in Hakodate. With a view to improving his landscape painting, Yokoyama started to learn photography. He travelled to Yokohama and studied photography under Shimooka Renjō, then returned to Hakodate and studied under the Russian consul, I. A. Goshkevich. In 1868 Yokoyama opened his own commercial photographic studio in Yokohama.Yokoe, 'Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shima Kakoku
was a pioneering Japanese photographer and artist. He was born in modern-day Tochigi Prefecture. Possibly inspired by his father, who was an avid painter, in 1847 he entered an art school in Edo (now Tokyo) where he met Ryū (surname unknown; 1823–1900), a fellow student. The two married in 1855 and soon began moving about the Kantō region, possibly exhibiting their works along the way. At this time Shima seems to have had some pictures published as book illustrations. At some point the couple learned photography, and in the spring of 1864 Ryu photographed Kakoku, thereby creating the earliest known photograph by a Japanese woman. A wet-plate print of this portrait remains in the Shima family archives. The Shimas operated a photographic studio in Edo in about 1865 to 1867, until Kakoku accepted a teaching position at Kaiseijo. Later, Shima worked at ''Daigaku Tōkō'' (, the predecessor of the School of Medicine, University of Tokyo), and while there invented the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uchida Kuichi
was a pioneering Japanese people, Japanese photographer from Nagasaki, Nagasaki, Nagasaki. He was greatly respected as a portrait photographer and was the only photographer granted a sitting to photograph the Emperor Meiji. Uchida was adopted at the age of 13, following his father's death, by the physician Matsumoto Jun (physician), Matsumoto Jun (formerly Matsumoto Ryōjun) (1832 - 1907), who was at that time studying photography with J. L. C. Pompe van Meerdervoort (1829 - 1908). Uchida studied photography under Ueno Hikoma in their native city of Nagasaki. When he was 16 years old, he purchased his first photographic equipment and by 1863, when he was 19, he was importing and selling photographic equipment. He opened his first photographic studio in 1865 with Morita Raizō in Osaka, the first studio in that city.Orto and Matsuda, 365. In 1866 Uchida moved his studio to Bashamichi in Yokohama, then in 1869 moved the studio again, this time to the district of Asakusa in Tokyo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagasaki
is the capital and the largest city of Nagasaki Prefecture on the island of Kyushu in Japan. It became the sole port used for trade with the Portuguese and Dutch during the 16th through 19th centuries. The Hidden Christian Sites in the Nagasaki Region have been recognized and included in the UNESCO World Heritage List. Part of Nagasaki was home to a major Imperial Japanese Navy base during the First Sino-Japanese War and Russo-Japanese War. Near the end of World War II, the American atomic bombings of Hiroshima and Nagasaki made Nagasaki the second and, to date, last city in the world to experience a nuclear attack (at 11:02 am, August 9, 1945 'Japan Standard Time (UTC+9)'). , the city has an estimated population of 407,624 and a population density of 1,004 people per km2. The total area is . History Nagasaki as a Jesuit port of call The first contact with Portuguese explorers occurred in 1543. An early visitor was Fernão Mendes Pinto, who came from Sagres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ueno Hikoma
was a pioneer Japanese photographer, born in Nagasaki. He is noted for his fine portraits, often of important Japanese and foreign figures, and for his excellent landscapes, particularly of Nagasaki and its surroundings. Ueno was a major figure in nineteenth-century Japanese photography as a commercially and artistically successful photographer and as an instructor. Background, youth, and preparation Ueno Hikoma's family background perhaps provided an early impetus for his eventual career. A number of family members had been portrait painters. Furthermore, he was the son of Ueno Toshinojō (also known as Ueno Shunnojō) (1790–1851), a merchant in the employ of the Shimazu clan who in 1848 imported possibly the first camera in the country, a daguerreotype camera for the Shimazu ''daimyō'', Nariakira. Ueno Hikoma first studied Chinese classics; then in 1852, not long after his father's death, he entered the Nagasaki Medical College with a view to studying chemistry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrotype
The ambrotype (from grc, ἀμβροτός — “immortal”, and — “impression”) also known as a collodion positive in the UK, is a positive photograph on glass made by a variant of the wet plate collodion process. Like a print on paper, it is viewed by reflected light. Like the daguerreotype, which it replaced, and like the prints produced by a Polaroid camera, each is a unique original that could only be duplicated by using a camera to copy it. The ambrotype was introduced in the 1850s. During the 1860s it was superseded by the tintype, a similar photograph on thin black-lacquered iron, hard to distinguish from an ambrotype if under glass. Process One side of a clean glass plate was coated with a thin layer of iodized collodion, then dipped in a silver nitrate solution. The plate was exposed in the camera while still wet. Exposure times varied from five to sixty seconds or more depending on the brightness of the lighting and the speed of the camera len ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukai Gyokusen
was a pioneering Japanese photographer. Although he is much less well known than his contemporaries Shimooka Renjō and Ueno Hikoma, he is important for being the first Japanese professional photographer, having established a photographic studio in Edo (now Tokyo) in 1860 or 1861. Ukai was born in what is now Ishioka, Ibaraki Prefecture, the youngest of four brothers. The family was well-off, Ukai's father being a finance commissioner for the ''daimyō'' Matsudaira Jijū Yorisaki. When Ukai was thirteen, he was adopted by the sake supplier to another daimyō, Mikawaya, and he thus became a merchant. Ukai developed an interest in art and antiques after coming to know the ''bunjinga'' painter Tani Bunchō, and in 1831 he left the sake business to become a full-time artist.Bennett, 61. In 1859, with the intention of learning photographic technique, Ukai travelled to Yokohama, one of the few Japanese cities to which foreigners had access and therefore (with Nagasaki) one of the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Period
The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samurai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
