Sheldonian Theatre Interior, Oxford, UK - Diliff
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Sheldonian Theatre Interior, Oxford, UK - Diliff
Sheldonian Theatre, located in Oxford, England, was built from 1664 to 1669 after a design by Christopher Wren for the University of Oxford. The building is named after Gilbert Sheldon, chancellor of the University at the time and the project's main financial backer. It is used for music concerts, lectures and University ceremonies, but not for drama until 2015 when the Christ Church Dramatic Society staged a production of ''The Crucible'' by Arthur Miller. History What came to be known as the Sheldonian Theatre was Wren's second work and was commissioned by Gilbert Sheldon, Archbishop of Canterbury. With the triumph of the Restoration and with it the Church of England, Dean Fell, Vice-Chancellor of the University, sought to revive a project proposed in the 1630s by the late William Laud, Archbishop of Canterbury: a separate building whose sole use would be graduation and degree ceremonies. In the past these increasingly rowdy occasions had taken place in the University Chur ...
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Broad Street, Oxford
Broad Street is a wide street in central Oxford, England, just north of the former city wall. The street is known for its bookshops, including the original Blackwell's bookshop at number 50, located here due to the University of Oxford. Among residents, the street is traditionally known as The Broad. Location In Broad Street are Balliol College, Trinity College, Exeter College (front entrance in the adjoining Turl Street). The Museum of the History of Science (in the original Ashmolean Museum building), the Clarendon Building, the Sheldonian Theatre and the Weston Library (renamed in 2015, part of the Bodleian Library, the main University library in Oxford) are important historical Oxford University buildings at the eastern end of the street. These buildings form the ''de facto'' centre of the University, since most academic buildings in the centre of Oxford are owned by individual (and autonomous) colleges rather than the University itself. To the west the street becomes G ...
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Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracul ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ...
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Matriculation
Matriculation is the formal process of entering a university, or of becoming eligible to enter by fulfilling certain academic requirements such as a matriculation examination. Australia In Australia, the term "matriculation" is seldom used now. In the late 1960s and early 1970s, all states replaced the matriculation examination with either a certificate, such as the Higher School Certificate (HSC) in Victoria and NSW, or a university entrance exam such as the Tertiary Entrance Exam in Western Australia. These have all been renamed (except in NSW) as a state-based certificate, such as the Victorian Certificate of Education (VCE) or the Western Australian Certificate of Education (WACE). Bangladesh In Bangladesh, the "Matriculation" is the Secondary School Examination (SSC) taken at year 10, and the Intermediate Exams is the Higher Secondary Examination (HSC) taken at year 12. Bangladesh, like the rest of Indian sub-continent, still uses terms such as Matriculation Exams and ...
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Romanes Lecture
The Romanes Lecture is a prestigious free public lecture given annually at the Sheldonian Theatre, Oxford, England. The lecture series was founded by, and named after, the biologist George Romanes, and has been running since 1892. Over the years, many notable figures from the Arts and Sciences have been invited to speak. The lecture can be on any subject in science, art or literature, approved by the Vice-Chancellor of the University. List of Romanes lecturers and lecture subjects 1890s *1892 William Ewart Gladstone — '' An Academic Sketch'' (report of the speechis available in the digital archive of The Nation.) *1893 Thomas Henry Huxley — '' Evolution and Ethics'' (See als a contemporary review of Huxley's lecture/small>) *1894 August Weismann — '' The Effect of External Influences upon Development'' *1895 Holman Hunt — '' The Obligations of the Universities towards Art'' *1896 Mandell Creighton — '' The English National Character'' *1897 John Morley ...
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Cupola
In architecture, a cupola () is a relatively small, most often dome-like, tall structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome. The word derives, via Italian, from lower Latin ''cupula'' (classical Latin ''cupella''), (Latin ''cupa''), indicating a vault resembling an upside-down cup. Background The cupola evolved during the Renaissance from the older oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. The chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret. Barns often have cupolas for ventilation. Cupolas can also appear as small buildings in their own right. The square, dome-like segment of a North American railroad train caboose that contains the seco ...
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Robert Streater
Robert Streater (1621–1679) (also known as Streeter), was an English landscape, history, still-life and portrait artist, architectural painter, and etcher. He was Serjeant Painter to King Charles II, and decorated the ceiling of Christopher Wren's Sheldonian Theatre in Oxford. Life and work Streater was born in Covent Garden, London, and is said to have been the son of a painter, and to have received his instruction in painting and drawing from an artist called Du Moulin. He was very industrious, and attained considerable ability in his art, which was highly praised by his contemporaries. His style was founded on that of the Baroque Italian painters. He excelled in architectural and decorative paintings on a large scale, especially those in which perspective and a knowledge of foreshortening were required. He painted landscapes, especially topographical, with skill, and also still life. Sir William Sanderson, in his ''Graphice'' (1658), spoke of "Streter, who indeed is a c ...
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Charles II Of England
Charles II (29 May 1630 – 6 February 1685) was King of Scotland from 1649 until 1651, and King of England, Scotland and Ireland from the 1660 Restoration of the monarchy until his death in 1685. Charles II was the eldest surviving child of Charles I of England, Scotland and Ireland and Henrietta Maria of France. After Charles I's execution at Whitehall on 30 January 1649, at the climax of the English Civil War, the Parliament of Scotland proclaimed Charles II king on 5 February 1649. But England entered the period known as the English Interregnum or the English Commonwealth, and the country was a de facto republic led by Oliver Cromwell. Cromwell defeated Charles II at the Battle of Worcester on 3 September 1651, and Charles fled to mainland Europe. Cromwell became virtual dictator of England, Scotland and Ireland. Charles spent the next nine years in exile in France, the Dutch Republic and the Spanish Netherlands. The political crisis that followed Cromwell's death in 1 ...
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Ceiling Fresco Centrepiece, Sheldonian Theatre, University Of Oxford, By Robert Streater, 1670
A ceiling is an overhead interior surface that covers the upper limits of a room. It is not generally considered a structural element, but a finished surface concealing the underside of the roof structure or the floor of a story above. Ceilings can be decorated to taste, and there are many fine examples of frescoes and artwork on ceilings especially in religious buildings. A ceiling can also be the upper limit of a tunnel. The most common type of ceiling is the dropped ceiling, which is suspended from structural elements above. Panels of drywall are fastened either directly to the ceiling joists or to a few layers of moisture-proof plywood which are then attached to the joists. Pipework or ducts can be run in the gap above the ceiling, and insulation and fireproofing material can be placed here. Alternatively, ceilings may be spray painted instead, leaving the pipework and ducts exposed but painted, and using spray foam. A subset of the dropped ceiling is the suspended ceiling ...
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John Wallis
John Wallis (; la, Wallisius; ) was an English clergyman and mathematician who is given partial credit for the development of infinitesimal calculus. Between 1643 and 1689 he served as chief cryptographer for Parliament and, later, the royal court. He is credited with introducing the symbol ∞ to represent the concept of infinity. He similarly used 1/∞ for an infinitesimal. John Wallis was a contemporary of Newton and one of the greatest intellectuals of the early renaissance of mathematics. Biography Educational background * Cambridge, M.A., Oxford, D.D. * Grammar School at Tenterden, Kent, 1625–31. * School of Martin Holbeach at Felsted, Essex, 1631–2. * Cambridge University, Emmanuel College, 1632–40; B.A., 1637; M.A., 1640. * D.D. at Oxford in 1654 Family On 14 March 1645 he married Susanna Glynde ( – 16 March 1687). They had three children: # Anne Blencoe (4 June 1656 – 5 April 1718), married Sir John Blencowe (30 November 1642 – 6 May 1726) in 1 ...
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Theatre Of Marcellus
The Theatre of Marcellus ( la, Theatrum Marcelli, it, Teatro di Marcello) is an ancient open-air theatre in Rome, Italy, built in the closing years of the Roman Republic. At the theatre, locals and visitors alike were able to watch performances of drama and song. Today its ancient edifice in the rione of Sant'Angelo, Rome, once again provides one of the city's many popular spectacles or tourist sites. Space for the theatre was cleared by Julius Caesar, who was murdered before its construction could begin; the theatre was advanced enough by 17 BC that part of the celebration of the ''ludi saeculares'' took place within the theatre; it was completed in 13 BC and formally inaugurated in 12 BC by Augustus,Leland M. Roth 1993 ''Understanding Architecture: Its Elements, History and Meaning'' (Westview Press: Boulder, CO and Cassius Dio 53.30.5., pp 230-31 named after his nephew Marcus Claudius Marcellus who had died in 23 BC. The theatre was 111 m in diameter and was the largest and ...
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