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Seven Remonstrances
"Seven Remonstrances" or "Seven Admonishments" () is one of the 17 major sections of the ancient Chinese poetry collection ''Chu ci'', also known as ''The Songs of the South'' or ''The Songs of Chu''. The "Seven Admonishments" consists of seven poetic verses, plus a '' luan''. The ''Seven Admonishments'' are written in the persona of Qu Yuan, but the actual poet or poets who authored these pieces is unknown; but, Wang Yi supposes them to have been written by Dongfang Shuo, a supposition which David Hawkes rejects, on various grounds. (Hawkes, 2011 985 245-246) In terms of poetic quality, Hawkes finds the ''Qi jian'' poems to be "extremely derivative" of the other ''Chu ci'' pieces, and he further describes them as "a long, almost unrelieved litany of complaint which progresses by mere accumulation and ends only when the poet, reader and metaphor are all three exhausted." (Hawkes, 2011 985 246). Contents ''Seven Admonishments'' include seven pieces plus an envoi (''luan''): *I When ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chu Ci
The ''Chu ci'', variously translated as ''Verses of Chu,'' ''Songs of Chu'', or ''Elegies of Chu'', is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period (ended 221 BC), and also a large number of works composed several centuries later, during the Han dynasty.Hawkes, David. Ch'u Tz'u: ''Songs of the South, an Ancient Chinese Anthology''. (Oxford: Clarendon Press, 1959), 28. The traditional version of the ''Chu ci'' contains 17 major sections, anthologized with its current contents by Wang Yi (librarian), Wang Yi, a 2nd-century AD librarian who served under Emperor Shun of Han. The early (pre-Qin dynasty) Classical Chinese poetry is mainly known through the two anthologies the ''Chu ci'' and the ''Shi Jing, Shi jing'' (''Classic of Poetry'' or ''Book of Songs''). Background ''Chu ci'' was named after a form of poetry that originated in the Chu (state), State of Chu, which was located i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Envoi
Envoi or envoy in poetry is used to describe: * A short stanza at the end of a poem such as a ballad, used either to address an imagined or actual person or to comment on the preceding body of the poem. * A dedicatory poem about sending the book out to readers, a postscript."envoy, n.1". OED Online. September 2019. Oxford University Press. https://www-oed-com.ezp.lib.unimelb.edu.au/view/Entry/63102?redirectedFrom=envoi (accessed October 31, 2019). * Any poem of farewell, including a farewell to life. The word ''envoy'' or ''l'envoy'' comes from the Old French, where it means ' hesending forth'. Originally it was a stanza at the end of a longer poem, which included a dedication to a patron or individual, similar to a tornada. More recent examples are dedicatory poems as part of a collection, or an individual poem about farewell or moving on. Envoi is both a type of poem, and is often used as a title. Form The envoi is relatively fluid in form. In ballades and chant royal, envoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persona
A persona (plural personae or personas), depending on the context, is the public image of one's personality, the social role that one adopts, or simply a fictional Character (arts), character. The word derives from Latin, where it originally referred to a theatrical mask. On the social web, users develop virtual personas as online identity, online identities. Etymology The Latin word probably derived from the Etruscan language, Etruscan word "", with the same meaning, and that from the Greek ('). Its meaning in the latter Roman period changed to indicate a "character" of a theatrical performance or court of law, when it became apparent that different individuals could assume the same role and that legal attributes such as rights, powers, and duties followed the role. The same individuals as actors could play different roles, each with its own legal attributes, sometimes even in the same court appearance. According to other sources, which also admit that the origin of the ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qu Yuan
Qu Yuan ( – 278 BCE) was a Chinese poet and politician in the Chu (state), State of Chu during the Warring States period. He is known for his patriotism and contributions to Classical Chinese poetry, classical poetry and verses, especially through the poems of the ''Chu Ci'' anthology (also known as ''The Songs of the South'' or ''Songs of Chu''): a volume of poems attributed to or considered to be inspired by his Verse (poetry), verse writing. Together with the ''Classic of Poetry, Shi Jing'', the ''Chu Ci'' is one of the two greatest collections of ancient Chinese verse. He is also remembered in connection to the supposed origin of the Dragon Boat Festival. Historical details about Qu Yuan's life are few, and his authorship of many ''Chu Ci'' poems has been questioned at length. However, he is widely accepted to have written "The Lament," a ''Chu Ci'' poem. The first known reference to Qu Yuan appears in a poem written in 174 BCE by Jia Yi, an official from Luoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wang Yi (librarian)
Wang Yi (; ), courtesy name Shushi (), was a Chinese poet during the Eastern Han dynasty who was employed in the Imperial Library by the Later Han emperor Shun Di (). Wang Yi is known for his work on the poetry anthology ''Chu Ci''. Although with varying reliability, his commentaries on this work are a main source of information regarding some of its often obscure textual references. Biography Wang Yi was born in the former territory of the State of Chu, in what is now Yicheng, Hubei. (Hawkes, 2011 985 28 and 307) Chu had existed as an independent political entity for many centuries, and for much of that time as one of the major regional powers, until its defeat in BCE 223, by Qin, some four centuries before the birth of Wang Yi. The Qin political unification of China by military conquest was followed by a deliberate policy of enforcing cultural uniformity throughout the new empire. Still, his associations with the former Chu region gave Wang an advantage in terms of explainin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dongfang Shuo
Dongfang Shuo (, c. 160 BCE – c. 93 BCE) was a Han Dynasty scholar-official, ''fangshi'' ("master of esoterica"), author, and court jester to Emperor Wu (r. 141 – 87 BCE). In Chinese mythology, Dongfang is considered a Daoist ''xian'' ("transcendent; immortal") and the spirit of Venus who incarnated as a series of ancient ministers including Laozi. Dongfang Shuo is depicted in the Wu Shuang Pu (無雙譜, Table of Peerless Heroes) by Jin Guliang. Names Dongfang Shuo's original Chinese surname was Zhang (張 meaning "stretch; spread"), which was later changed to an uncommon compound surname Dongfang (東方 "eastern direction; the east", cf. The East Is Red). His Chinese given name was Shuo (朔 "new moon") and his courtesy name was Manqian (曼倩 "graceful handsome"). Owing to his eccentric and humorous behavior at the Han court in Chang'an, Dongfang's nickname was Huaji (滑稽 "Buffoon") and he proclaimed himself the first ''chaoyin'' (朝隱 "recluse at court", p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Chuci Contents
This is a list of the sections and individual pieces contained within the ancient poetry anthology ''Chu Ci'' (), also known as ''Songs of the South'' or ''Songs of Chu'', which is an anthology of Classical Chinese poetry verse traditionally attributed to Qu Yuan and Song Yu from the Warring States period, though about half of the poems seem to have been composed several centuries later, during the Han Dynasty.Hawkes, David. Ch'u Tz'u: ''Songs of the South, an Ancient Chinese Anthology''. (Oxford: Clarendon Press, 1959), 28. The traditional version of the ''Chu Ci'' contains 17 major sections, and was edited by Wang Yi (), a 2nd-century AD librarian who served under Emperor Shun of Han. The ''Chu Ci'' and the ''Shi Jing'' together constitute the chief sources of pre-Qin dynasty Chinese verse. "Encountering Sorrow" "Li Sao" () is one of the most famous of the works contained in the ''Chu Ci'': it mainly is upon a theme of seemingly autobiographical material about the relationship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
