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Setar
A setar ( fa, سهتار, ) is a stringed instrument, a type of lute used in Persian traditional music, played solo or accompanying voice. It is a member of the tanbur family of long-necked lutes with a range of more than two and a half octaves. Originally a three stringed instrument, a fourth string was added by the mid 19th century. It is played with the index finger of the right hand. It has been speculated that the setar originated in Persia by the 9th century C.E. A more conservative estimate says "it originated in the 15th century, or even earlier." Although related to the tanbur, in recent centuries, the setar has evolved so that, musically, it more closely resembles the tar, both in tuning and playing style. Etymology According to Curt Sachs, Persians chose to name their lutes around the word ''tar'', meaning string, combined with a word for the number of strings. Du + tar is the 2-stringed dutār, se + tar is the 3-stringed setār, čartar (4 strings), pančtār ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanbur
The term ''Tanbur'' ( fa, تنبور, ) can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the ''New Grove Dictionary of Music and Musicians'', "terminology presents a complicated situation. Nowadays the term tanbur (or tambur) is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, India, Kurdistan, Armenia, Afghanistan, Azerbaijan (especially Avar community), Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan. Origins Tanburs have been present in Mesopotamia since the Akkadian era, or the third millennium BC. Three figurines have been found in Susa that belong to 1500 BC, and in hands of one of them is a tanbur-like instrument. Also an image on the rocks near Mosul that belong to about 1000 B shows tanbur players. Playing the tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanbur
The term ''Tanbur'' ( fa, تنبور, ) can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the ''New Grove Dictionary of Music and Musicians'', "terminology presents a complicated situation. Nowadays the term tanbur (or tambur) is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, India, Kurdistan, Armenia, Afghanistan, Azerbaijan (especially Avar community), Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan. Origins Tanburs have been present in Mesopotamia since the Akkadian era, or the third millennium BC. Three figurines have been found in Susa that belong to 1500 BC, and in hands of one of them is a tanbur-like instrument. Also an image on the rocks near Mosul that belong to about 1000 B shows tanbur players. Playing the tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sataer
The ''satar'' ( ug, ساتار, ucy=сатар; zh, 萨它尔) is a traditional Uyghur long-necked bowed lute. It is used by Uyghur people in Xinjiang, western China, and is an important instrument to play maqams. Characteristics The instrument is a long-necked lute, about 140 cm long, with a bowl about 16.5 cm at the widest point, about 15 cm deep. The neck is fretted with 18 tied frets, which may be made of string rather that the inlaid metal frets of western instruments. The soundboard has additionally frets laid on it under the main melody string, approximately 11 or 12 frets. The satar is strung with between 9 and 17 sympathetic strings which are not played directly but vibrate in reaction to the melody string, in sympathetic resonance. A single melody string is set apart from the sympathetic strings. This is the string that the musician manipulates on the instrument's neck, fretting it to change the notes as the string is bowed. On modern instruments, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tar (lute)
The tar (from fa, تار, lit=string) is a long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan (Iranian Plateau), Turkey, and others near the Caucasus and Central Asia regions.tar (musical instrument) Encyclopædia Britannica . Retrieved on 2013-01-01. The older and more complete name of the tār is ''čāhārtār'' or ''čārtār'', meaning in "four string", (''čāhār'' frequently being shorted to ''čār''). This is in accordance with a practice common in Persian-speaking areas of distinguishing lutes on the basis of the number of strings origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambouras
The tambouras ( el, ταμπουράς ) is a Greek traditional string instrument of Byzantine origin. It has existed since at least the 10th century, when it was known in Assyria and Egypt. At that time, it might have between two and six strings, but Arabs adopted it, and called it a Tanbur. The characteristic long neck bears two strings, tuned five notes apart. It also similar to the Turkish ''tambur'' and each of them have same origin. Tanbur, a Persian word, according to some scholars taken from Sumerian ‘Pan Tur, meaning “Little bow”. History Origins It is considered that the ''tambouras ancestor is the ancient Greek ''pandouris'', also known as ''pandoura'', ''pandouros'' or ''pandourida'' (πανδουρίς, πανδούρα, πάνδουρος), from which the word is derived. The ''tambouras'' is mentioned in the Byzantine epic of Digenis Akritas, when the hero plays his θαμπούριν, ''thambourin'' (medieval form of ''tambouras''): Name The name rese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tar (string Instrument)
The tar (from fa, تار, lit=string) is a long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan (Iranian Plateau), Turkey, and others near the Caucasus and Central Asia regions.tar (musical instrument) Encyclopædia Britannica . Retrieved on 2013-01-01. The older and more complete name of the tār is ''čāhārtār'' or ''čārtār'', meaning in "four string", (''čāhār'' frequently being shorted to ''čār''). This is in accordance with a practice common in Persian-speaking areas of distinguishing lutes on the basis of the number of strings origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siter
The siter and celempung are plucked string instruments used in Javanese gamelan. They are related to the ''kacapi'' used in Sundanese gamelan. The siter and celempung each have between 11 and 13 pairs of strings, strung on each side, between a box resonator. Typically the strings on one side tuned to pélog Pelog ( su, ᮕᮦᮜᮧᮌ᮪, translit=Pélog /pelog/, jv, ꦥꦺꦭꦺꦴꦒ꧀, ban, ᬧᬾᬮᭀᬕ᭄, translit=Pélog /pelok/) is one of the essential tuning systems used in gamelan instruments that has heptatonic scale. The other, ... and the other to slendro. The siter is generally about a foot long and fits in a box (which it is set upon while played), while the celempung is about three feet long and sits on four legs, and is tuned one octave below the siter. They are used as one of the elaborating instruments (panerusan), that play cengkok (melodic patterns based on the balungan). Both the siter and celempung play at the same speed as the gambang (which i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sympathetic String
Sympathetic strings or resonance strings are auxiliary strings found on many Indian musical instruments, as well as some Western Baroque instruments and a variety of folk instruments. They are typically not played directly by the performer (except occasionally as an effect), only indirectly through the tones that are played on the main strings, based on the principle of sympathetic resonance. The resonance is most often heard when the fundamental frequency of the string is in unison or an octave lower or higher than the catalyst note, although it can occur for other intervals, such as a fifth, with less effect. Description Sympathetic strings are used to enhance the sound of an instrument. Some instruments have only a few sympathetic strings such as the Hardanger fiddle (pictured above right). Other instruments which have more include the sitar with 11-13 sympathetic strings and sarod with 15 sympathetic strings, and the sarangi, which has a total of 37 sympathetics. In Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Setor
The setor ( Tajik: сетор) is a stringed musical instrument played in the eastern regions of Tajikistan, within the Pamiri culture. It is a much larger instrument than the Iranian setar, and more closely resembles the Uzbek tanbur or Indian sitar. The setor has metal strings and is played with wire fingerpicks. The body of the setor is made like a dutar, with separate ribs. The soundboard is made of softwood, with soundholes drilled into it. The neck is wide and hollow, with a straight pegbox. There are generally 10 metal strings, including a few extra drone strings starting from pegs half way on the left side of the neck. The frets are wound-on nylon or gut. See also *Setar *Sitar * Baglama *Chitrali sitar The chitrali sitar ( ur, چترالی ستھار) is a long-necked lute played in northern area, Chitral of Pakistan. It is not related to the Indian sitar and its name is related to ''setar, the Central Asian and Iranian long-necked lute. The in ... References {{refl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muqam
A Muqam ( ug, ئۇيغۇر مۇقامى, ucy=Муқам; zh, s=木卡姆, p=Mùkǎmǔ) is the melody type used in the music of the Uyghurs, that is, a musical mode and set of melodic formulas used to guide improvisation and composition. Twelve muqams The twelve muqams are: #Rak (; , ''Lākè'') #Čäbbiyat (; , ''Qiěbǐyǎtè'') #Segah (; , ''Sīgǎ'') #Čahargah (; , ''Qiàěrgǎ'') #Pänjigah (; , ''Pāněrgǎ'') #Özhal (; , ''Wūzīhālēi'') #Äjäm (; , ''Àiqiě'') #Uššaq (; , ''Wūxiàkè'') #Bayat (; , ''Bāyǎtí'') #Nava (; , ''Nàwǎ'') #Mušavräk (; , ''Mùxiàwúláikè'') #Iraq (; , ''Yīlākè'') Each of the 12 muqams consists of a main section that begins with a long free rhythm introduction, followed by pieces with characteristic rhythmic patterns that gradually increase in speed. Each muqam consists of three parts, including naghma, dastan and mashrap. These pieces are arranged in the same sequence in each muqam, although not all muqams have the same pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
