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Serlio
Sebastiano Serlio (6 September 1475 – c. 1554) was an Italian Mannerist architect, who was part of the Italian team building the Palace of Fontainebleau. Serlio helped canonize the classical orders of architecture in his influential treatise variously known as ''I sette libri dell'architettura'' ("Seven Books of Architecture") or ''Tutte l'opere d'architettura et prospetiva'' ("All the works on architecture and perspective"). Biography Born in Bologna, Serlio went to Rome in 1514, and worked in the atelier of Baldassare Peruzzi, where he stayed until the Sack of Rome in 1527 put all architectural projects on hold for a time. Like Peruzzi, he began as a painter. He lived in Venice from about 1527 to the early 1540s but left little mark on the city. Serlio's model of a church façade was a regularized version, cleaned up and made more classical, of the innovative method of providing a façade to a church with a high vaulted nave flanked by low side aisles, providing a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serlio 5 Orders Peake
Sebastiano Serlio (6 September 1475 – c. 1554) was an Italian Mannerist architect, who was part of the Italian team building the Palace of Fontainebleau. Serlio helped canonize the classical orders of architecture in his influential treatise variously known as ''I sette libri dell'architettura'' ("Seven Books of Architecture") or ''Tutte l'opere d'architettura et prospetiva'' ("All the works on architecture and perspective"). Biography Born in Bologna, Serlio went to Rome in 1514, and worked in the atelier of Baldassare Peruzzi, where he stayed until the Sack of Rome in 1527 put all architectural projects on hold for a time. Like Peruzzi, he began as a painter. He lived in Venice from about 1527 to the early 1540s but left little mark on the city. Serlio's model of a church façade was a regularized version, cleaned up and made more classical, of the innovative method of providing a façade to a church with a high vaulted nave flanked by low side aisles, providing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château D'Ancy-le-Franc
Château d'Ancy-le-Franc is a Renaissance-style château of the 16th century located in the town of Ancy-le-Franc in the department of Yonne, in France. History The site was originally occupied by a 12th-century fort, which survived until the end of the sixteenth century. Construction of the existing château began in 1544, at the request of Antoine III de Clermont, brother-in-law of Diane de Poitiers and son of Anne de Husson, countess of Tonnerre. The design of the building is traditionally attributed to the Italian architect Sebastiano Serlio, who had been invited to France by King Francis I. Following Serlio's death in 1554 at Fontainebleau, architect Pierre Lescot, took over the work, respecting the original plans of Serlio. The interior design is the work of Francesco Primaticcio, who was working at Château de Fontainebleau at the time. Antoine de Clermont died in 1578 and his grandson Charles-Henri de Clermont, completed the interior. Fully completed, the château was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Peruzzi
Baldassare Tommaso Peruzzi (7 March 1481 – 6 January 1536) was an Italian architect and painter, born in a small town near Siena (in Ancaiano, ''frazione'' of Sovicille) and died in Rome. He worked for many years with Bramante, Raphael, and later Sangallo during the erection of the new St. Peter's. He returned to his native Siena after the Sack of Rome (1527) where he was employed as architect to the Republic. For the Sienese he built new fortifications for the city and designed (though did not build) a remarkable dam on the Bruna River near Giuncarico. He seems to have moved back to Rome permanently by 1535. He died there the following year and was buried in the Rotunda of the Pantheon, near Raphael. He was a painter of frescoes in the ''Cappella San Giovanni'' (Chapel of St John the Baptist) in the Duomo of Siena. His son Giovanni Sallustio was also an architect. Another son, Onorio, learned painting from his father, then became a Dominican priest in the convent of San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Barozzi Da Vignola
Giacomo Barozzi da Vignola ( , , ; 1 October 15077 July 1573), often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Sebastiano Serlio, Serlio and Andrea Palladio, Palladio. He is often considered the most important architect in Rome in the Mannerism, Mannerist era. Biography Giacomo Barozzi was born at Vignola, near Modena (Emilia-Romagna). He began his career as architect in Bologna, supporting himself by painting and making perspective Patterns, templates for inlay craftsmen. He made a first trip to Rome in 1536 to make measured drawings of Roman temples, with a thought to publish an illustrated Vitruvius. Then Francis I of France, François I called him to Fontainebleau, where he spent the years 1541–1543. Here he pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis I Of France
Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once removed and father-in-law Louis XII, who died without a son. A prodigious patron of the arts, he promoted the emergent French Renaissance by attracting many Italian artists to work for him, including Leonardo da Vinci, who brought the ''Mona Lisa'' with him, which Francis had acquired. Francis' reign saw important cultural changes with the growth of central power in France, the spread of humanism and Protestantism, and the beginning of French exploration of the New World. Jacques Cartier and others claimed lands in the Americas for France and paved the way for the expansion of the first French colonial empire. For his role in the development and promotion of the French language, he became known as ''le Père et Restaurateur des Lettr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thomas Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Serlio - Ottavo Libro D’architettura
Sebastiano is both a masculine Italian given name and a surname. Notable people with the name include: * Sebastiano Antonio Tanara (1650–1724), Italian cardinal * Sebastiano Baggio (1913–1993), Italian clergyman * Sebastiano Bianchi (16th century), Italian engraver * Sebastiano Bombelli (1635–1724), Italian painter * Sebastiano Brunetti (died 1649), Italian painter * Sebastiano Carezo (fl. 1780), Spanish dancer (''Sebastián Cerezo'') * Sebastiano Conca (c. 1680 – 1764), Italian painter * Sebastiano Dolci (1699–1777), Croatian writer * Sebastiano Esposito (born 2002), Italian footballer * Sebastiano Filippi (c. 1536 – 1602), Italian late Renaissance-Mannerist painter * Sebastiano Galeotti (1656–1746), Italian painter * Sebastiano Ghezzi (1580–1645), Italian painter and architect * Sebastiano Guala (17th century), Italian church architect * Sebastiano Martinelli (1848–1918), Cardinal of the Roman Catholic Church * Sebastiano Mazzoni (c. 1611 – 1678), Italian paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Order
An order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. Coming down to the present from Ancient Greek and Ancient Roman civilization, the architectural orders are the styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. The three orders of architecture—the Doric, Ionic, and Corinthian—originated in Greece. To these the Romans added, in practice if not in name, the Tuscan, which they made simpler than Doric, and the Composite, which was more ornamental than the Corinthian. The architectural order of a classical building is akin to the mode or key of classical music; the grammar or rhetoric of a written composition. It is established by certain ''modules'' like the intervals of music, and it raises certain expectations in an audience attuned to its languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Order
An order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. Coming down to the present from Ancient Greek and Ancient Roman civilization, the architectural orders are the styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. The three orders of architecture—the Doric, Ionic, and Corinthian—originated in Greece. To these the Romans added, in practice if not in name, the Tuscan, which they made simpler than Doric, and the Composite, which was more ornamental than the Corinthian. The architectural order of a classical building is akin to the mode or key of classical music; the grammar or rhetoric of a written composition. It is established by certain ''modules'' like the intervals of music, and it raises certain expectations in an audience attuned to its languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Rome
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church (building)
A church, church building or church house is a building used for Christian worship services and other Christian religious activities. The earliest identified Christian church is a house church founded between 233 and 256. From the 11th through the 14th centuries, there was a wave of church construction in Western Europe. Sometimes, the word ''church'' is used by analogy for the buildings of other religions. ''Church'' is also used to describe the Christian religious community as a whole, or a body or an assembly of Christian believers around the world. In traditional Christian architecture, the plan view of a church often forms a Christian cross; the center aisle and seating representing the vertical beam with the Church architecture#Characteristics of the early Christian church building, bema and altar forming the horizontal. Towers or domes may inspire contemplation of the heavens. Modern churches have a variety of architectural styles and layouts. Some buildings designe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
