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Serapis Met 1989
Serapis or Sarapis is a Greeks in Egypt, Graeco-Egyptian deity. The cult of Serapis was promoted during the third century BC on the orders of Greek Pharaoh Ptolemy I Soter of the Ptolemaic Kingdom in Egypt as a means to unify the Greeks and Egyptians in his realm. The ''Glossary of ancient Roman religion#cultus, cultus'' of Serapis was spread as a matter of deliberate policy by the Ptolemaic kings. Serapis continued to increase in popularity during the Roman Empire, often replacing Osiris as the consort of Isis in temples outside Egypt. Though Ptolemy I may have created the official cult of Serapis and endorsed him as a patron of the Ptolemaic dynasty and Alexandria, Serapis was a pre-existing syncretistic deity derived from the worship of the Egyptian Osiris and Apis (deity), Apis and also gained attributes from other deities, such as chthonic powers linked to the Greek Hades and Demeter, and with benevolence derived from associations with Dionysus. Iconography Serapis was dep ...
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Modius (headdress)
The modius is a type of flat-topped cylindrical headdress or crown found in ancient Egyptian art and art of the Greco-Roman world. The name was given by modern scholars based on its resemblance to the jar used as a Roman unit of dry measure, but it probably does represent a grain-measure, and symbolizing ones ability to learn new information by having an open mind with an empty cup. I.e. Edu/Cation ( Edu/Cation) Serapis was the main idol/figurehead at the Library of Alexandria during the ancient Egyptian & Roman alliance. The modius is worn by certain deities, including the Eleusinian deities and their Roman counterparts, the Ephesian Artemis and certain other forms of the goddess, Hecate, and Serapis. On some deities it represents fruitfulness. It is thought to be a form mostly restricted to supernatural beings in art, and rarely worn in real life, with two probable exceptions. A tall modius is part of the complex headdress used for portraits of Egyptian queens, ornamented va ...
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Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ...
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Uraeus
The Uraeus (), or Ouraeus (Ancient Greek: , ; Egyptian: ', "rearing cobra"), ''(plural: Uraei)'' is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt. Symbolism The Uraeus is a symbol for the goddess Wadjet.Egyptian-Gods She was one of the earliest Egyptian deities and was often depicted as a cobra, as she is the serpent goddess. The center of her cult was in Per-Wadjet, later called Buto by the Greeks. She became the patroness of the Nile Delta and the protector of all of Lower Egypt. The pharaohs wore the uraeus as a head ornament: either with the body of Wadjet atop the head, or as a crown encircling the head; this indicated Wadjet's protection and reinforced the pharaoh's claim over the land. In whatever manner that the Uraeus was displayed upon the pharaoh's head, it was, in effect, part of the pharaoh's crown. The pharaoh was recognized only by wearing the Uraeus, which conveye ...
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Serpent (symbolism)
The serpent, or snake, is one of the oldest and most widespread mythological symbols. The word is derived from Latin ''serpens'', a crawling animal or snake. Snakes have been associated with some of the oldest rituals known to mankind and represent dual expression of good and evil. In some cultures, snakes were fertility symbols. For example, the Hopi people of North America performed an annual snake dance to celebrate the union of Snake Youth (a Sky spirit) and Snake Girl (an Underworld spirit) and to renew the fertility of Nature. During the dance, live snakes were handled, and at the end of the dance the snakes were released into the fields to guarantee good crops. "The snake dance is a prayer to the spirits of the clouds, the thunder and the lightning, that the rain may fall on the growing crops." To the Hopi, snakes symbolized the umbilical cord, joining all humans to Mother Earth. The Great Goddess often had snakes as her familiars—sometimes twining around her sacred staff ...
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Cerberus
In Greek mythology, Cerberus (; grc-gre, Κέρβερος ''Kérberos'' ), often referred to as the hound of Hades, is a multi-headed dog that guards the gates of the Underworld to prevent the dead from leaving. He was the offspring of the monsters Echidna and Typhon, and was usually described as having three heads, a serpent for a tail, and snakes protruding from multiple parts of his body. Cerberus is primarily known for his capture by Heracles, the last of Heracles' twelve labours. Descriptions Descriptions of Cerberus vary, including the number of his heads. Cerberus was usually three-headed, though not always. Cerberus had several multi-headed relatives. His father was the multi snake-headed Typhon, and Cerberus was the brother of three other multi-headed monsters, the multi-snake-headed Lernaean Hydra; Orthrus, the two-headed dog who guarded the Cattle of Geryon; and the Chimera, who had three heads: that of a lion, a goat, and a snake. And, like these close relatives ...
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Sceptre
A sceptre is a staff or wand held in the hand by a ruling monarch as an item of royal or imperial insignia. Figuratively, it means royal or imperial authority or sovereignty. Antiquity Ancient Egypt and Mesopotamia The ''Was'' and other types of staves were signs of authority in Ancient Egypt. For this reason they are often described as "sceptres", even if they are full-length staffs. One of the earliest royal sceptres was discovered in the 2nd Dynasty tomb of Khasekhemwy in Abydos. Kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called ''mks''-staff. The staff with the longest history seems to be the ''heqa''-sceptre (the "shepherd's crook"). The sceptre also assumed a central role in the Mesopotamian world, and was in most cases part of the royal insignia of sovereigns and gods. This is valid throughout the whole Mesopotamian history, as illustrated by both literary and administrative texts and iconography. The M ...
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Symbol
A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different concepts and experiences. All communication (and data processing) is achieved through the use of symbols. Symbols take the form of words, sounds, gestures, ideas, or visual images and are used to convey other ideas and beliefs. For example, a red octagon is a common symbol for "STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers; letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals. The variable 'x', in a mathematical equation, may symbolize the position of a particle in space. The academic study of symbols is semiotics. In cartography, an organized collection of symbols forms a legend for a map ...
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Underworld
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. Persons having social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be taken a ...
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Pluto (god)
In ancient Greek religion and mythology, Pluto ( gr, Πλούτων, ') was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. ''Ploutōn'' was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name ''Ploutōn'' came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as ''Plouton'' and as ''Kore'' respectively. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violen ...
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Egyptian - Pendant With Image Of Sarapis - Walters 571524 - Front View B
Egyptian describes something of, from, or related to Egypt. Egyptian or Egyptians may refer to: Nations and ethnic groups * Egyptians, a national group in North Africa ** Egyptian culture, a complex and stable culture with thousands of years of recorded history ** Egyptian cuisine, the local culinary traditions of Egypt * Egypt, the modern country in northeastern Africa ** Egyptian Arabic, the language spoken in contemporary Egypt ** A citizen of Egypt; see Demographics of Egypt * Ancient Egypt, a civilization from c. 3200 BC to 343 BC ** Ancient Egyptians, ethnic people of ancient Egypt ** Ancient Egyptian architecture, the architectural structure style ** Ancient Egyptian cuisine, the cuisine of ancient Egypt ** Egyptian language, the oldest known language of Egypt and a branch of the Afroasiatic language family * Copts, the ethnic Egyptian Christian minority ** Coptic language or Coptic Egyptian, the latest stage of the Egyptian language, spoken in Egypt until the 17th ce ...
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Egyptian Soul
The ancient Egyptians believed that a soul ( kꜣ and bꜣ; Egypt. pron. ka/ba) was made up of many parts. In addition to these components of the soul, there was the human body (called the ''ḥꜥ'', occasionally a plural '' ḥꜥw'', meaning approximately "sum of bodily parts"). According to ancient Egyptian creation myths, the god Atum created the world out of chaos, utilizing his own magic ( ḥkꜣ). Because the earth was created with magic, Egyptians believed that the world was imbued with magic and so was every living thing upon it. When humans were created, that magic took the form of the soul, an eternal force which resided in and with every human. The concept of the soul and the parts which encompass it has varied from the Old Kingdom to the New Kingdom, at times changing from one dynasty to another, from five parts to more. Most ancient Egyptian funerary texts reference numerous parts of the soul: Collectively, these spirits of a dead person were called the ''Ak ...
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Pseudo-Apollodorus
The ''Bibliotheca'' (Ancient Greek: grc, Βιβλιοθήκη, lit=Library, translit=Bibliothēkē, label=none), also known as the ''Bibliotheca'' of Pseudo-Apollodorus, is a compendium of Greek myths and heroic legends, arranged in three books, generally dated to the first or second century AD. The author was traditionally thought to be Apollodorus of Athens, but that attribution is now regarded as false, and so "Pseudo-" was added to Apollodorus. The ''Bibliotheca'' has been called "the most valuable mythographical work that has come down from ancient times." An epigram recorded by the important intellectual Patriarch Photius I of Constantinople expressed its purpose:Victim of its own suggestions, the epigraph, ironically, does not survive in the manuscripts. For the classic examples of epitomes and encyclopedias substituting in Christian hands for the literature of Classical Antiquity itself, see Isidore of Seville's ''Etymologiae'' and Martianus Capella. It has the follo ...
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