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Seoul Philharmonic
The Seoul Philharmonic Orchestra (SPO) is a South Korean orchestra based in Seoul. Founded in 1948, it is one of the oldest orchestras in South Korea. Its first foreign tour came on a 1965 trip to Japan, followed by performances in Southeast Asia in 1977, the United States in 1982, 1986, and 1996, a 1988 tour of Europe before the Seoul Olympics that year, and a 1997 performance in Beijing. The Philharmonic is an incorporated foundation since 2005. Overview Founded in January 1948, the Seoul Philharmonic Orchestra has a longer history than any other Korean orchestra. In February 1948, the orchestra held its opening concert, conducted by Seong-Tae Kim. In October of the same year, the Seoul Philharmonic Society was formed to provide support for the orchestra. The society published the music monthly ''Philharmonie'' in the following year. After a subscription concert in the Seoul Civic Hall on July 25, 1950, the orchestra had to suspend its activities due to the outbreak of the Korean ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldur Brönnimann
Baldur Brönnimann (born 1968, Basel) is a Swiss conductor. Biography Born in Basel, Brönnimann studied at the Musik-Akademie der Stadt Basel and was a junior fellow in conducting at the Royal Northern College of Music in Manchester. From 2008 to 2012, Brönniman was the music director of the National Symphony Orchestra of Colombia, and from 2011 to 2015, he was artistic director of Norway's BIT20 Ensemble. Brönnimann was principal conductor of the Orquestra Sinfonica do Porto Casa da Música from 2015 to 2020. Brönnimann became the first-ever principal conductor of the Basel Sinfonietta in 2016. He is scheduled to stand down as principal conductor at the close of the 2022-2023 season. Brönnimann has conducted the music of contemporary composers such as Harrison Birtwistle, Unsuk Chin, Thomas Adès, John Adams, Kaija Saariaho, Helmut Lachenmann, and Magnus Lindberg. Brönnimann made his operatic debut with English National Opera (ENO) in 2008 with Olga Neuwirth's '' Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Dusapin
Pascal Georges Dusapin (born 29 May 1955) is a French composer. His music is marked by its microtonality, tension, and energy. A pupil of Iannis Xenakis and Franco Donatoni and an admirer of Varèse, Dusapin studied at the University of Paris I and Paris VIII during the 1970s. His music is full of "romantic constraint". Despite being a pianist, he refused to compose for the piano until 1997. His melodies have a vocal quality, even in purely instrumental works. Dusapin has composed solo, chamber, orchestral, vocal, and choral works, as well as several operas, and has been honored with numerous prizes and awards. Education and influences Dusapin, born in Nancy, studied musicology, plastic arts, and art sciences at the University of Paris I and Paris VIII in the early 1970s. He felt a certain "shock" upon hearing Edgard Varèse’s '' Arcana'' (1927), and a similar shock when he attended Iannis Xenakis’s multimedia performance ''Polytope de Cluny'' in 1972, yet he felt "une pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IRCAM
IRCAM (French: ''Ircam, '', English: Institute for Research and Coordination in Acoustics/Music) is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings. A centre for musical research Several concepts for electronic music and audio processing have emerged at IRCAM. John Chowning pioneered work on FM synthesis at IRCAM, and Miller Puckette originally wrote Max at IRCAM in the mid-1980s, which would become the real-time audio processing graphical programming environment Max/MSP. Max/MSP has subsequently become a widely used tool in electroacoustic music. Many of the techniques associated with spectralism, such as analyses based on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Kurtág
György Kurtág (; born 19 February 1926) is a Hungarian classical composer and pianist. He was an academic teacher of piano at the Franz Liszt Academy of Music from 1967, later also of chamber music, and taught until 1993. Biography György Kurtág was born in Lugoj in the Banat region of Romania, to Hungarian parents. He became a Hungarian citizen in 1948, after moving to Budapest in 1946. There, he began his studies at the Franz Liszt Academy of Music, where he met his wife, Márta Kinsker, as well as composer György Ligeti, who became a close friend. His piano teacher at the academy was Pál Kadosa. He studied composition with Sándor Veress and Ferenc Farkas, chamber music with Leó Weiner, and theory with Lajos Bárdos, and graduated in piano and chamber music in 1951 before receiving his degree in composition in 1955. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Ligeti
György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Transylvania, Romania, he lived in the Hungarian People's Republic before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hamburg Hochschule für Musik und Theater, where he worked until retiring in 1989. He died in Vienna in 2006. Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, Germany, his breakthrough came with orchestral works such as ''Atmosphères'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iannis Xenakis
Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; el, Γιάννης "Ιωάννης" Κλέαρχου Ξενάκης, ; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalised citizen of France eighteen years later. Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. Among his most important works are '' Metastaseis'' (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as '' Psappha'' (197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witold Lutoslawski
Witold may refer to: *Vytautas the Great Vytautas (c. 135027 October 1430), also known as Vytautas the Great ( Lithuanian: ', be, Вітаўт, ''Vitaŭt'', pl, Witold Kiejstutowicz, ''Witold Aleksander'' or ''Witold Wielki'' Ruthenian: ''Vitovt'', Latin: ''Alexander Vitoldus'', O ... (ca. 1350–1430), ruler of the Grand Duchy of Lithuania * Witold (given name), people with the given name ''Witold'' {{Disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacinto Scelsi
Giacinto Francesco Maria Scelsi (; 8 January 1905 – 9 August 1988, sometimes cited as 8 August 1988) was an Italian composer who also wrote surrealist poetry in French. He is best known for having composed music based around only one pitch, altered in all manners through microtonal oscillations, harmonic allusions, and changes in timbre and dynamics, as paradigmatically exemplified in his ''Quattro pezzi su una nota sola'' ("Four Pieces on a single note", 1959). This composition remains his most famous work and one of the few performed to significant recognition during his lifetime. His musical output, which encompassed all Western classical genres except scenic music, remained largely undiscovered even within contemporary musical circles during most of his life. Today, some of his music has gained popularity in certain postmodern composition circles, with pieces like his "Anahit" and his String Quartets rising to increased prominence. Scelsi collaborated with American comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called ''modes of limited transposition'', which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held for 61 years until his death. He taught at the Schola Cantorum de Paris during the 1930s. After the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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