Sensitive (song)
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Sensitive (song)
"Sensitive" is the second single by The Field Mice. It was released as a 7" vinyl record on Sarah Records in February 1989, and included a fold-out poster depicting a leaf.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 738 Sensitive, on which the band's sound verged on shoegazing,''Snowball + Singles'' Review
, Leonard's Lair, retrieved 22 December 2009
has been described as "an anthemic statement of purpose...a defence of feeling...and a comment on the way sensitivity is criticized, or punished even".Heaton, Dave (2005)

, ''Erasing Clouds'', retrieved 22 December 2009
The single reached number 12 in the

The Field Mice
The Field Mice were an English indie rock band on the independent record label Sarah Records. They had top 20 success in both the singles and albums UK Independent Charts. Career The Field Mice initially formed as a duo from South London suburb of Mitcham comprising Robert Wratten (for vocals and guitar) and Michael Hiscock (on bass guitar). The group's first EP, ''Emma's House'', was released in November 1988, and reached number 20 in the UK Independent Chart.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 738Lazell, Barry (1998) ''Indie Hits 1980-1989'', Cherry Red Books, , p. 87 But it was with their second single " Sensitive" that they first received significant critical attention,New Musical Express online feature
on single 'Sensitive'. giving them a top-20 indie hit and with a subsequent ...
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Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ...
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Twee Pop
Twee pop is a subgenre of indie pop that originates from the 1986 ''NME'' compilation ''C86''. Characterised by its simplicity and perceived innocence, some of its defining features are boy–girl harmonies, catchy melodies, and lyrics about love. For many years, prominent independent record labels associated with twee pop were Sarah Records (in the UK) and K Records (in the US). Characteristics The definition of twee is something "excessively or affectedly quaint, pretty, or sentimental", supposedly born from a childish mispronunciation of the word sweet. A retrospective fascination with the genre in the US saw Americans eagerly defining themselves as twee. According to ''The A.V. Club''s Paula Mejia: AllMusic says that twee pop is "perhaps best likened to bubblegum indie rock – it's music with a spirit of D.I.Y. defiance in the grand tradition of punk, but with a simplicity and innocence not seen or heard since the earliest days of rock & roll". The author Marc Spitz sugg ...
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Sarah Records
Sarah Records was a British independent record label active in Bristol between 1987 and 1995, best known for its recordings of indie pop, which it released mostly on 7" singles. On reaching the catalogue number SARAH 100, the label celebrated its 100th release by throwing a party and shutting itself down. In March 2015, ''NME'' declared Sarah to be the second greatest indie label of all time. Origins The label was formed in Bristol in 1987 by Clare Wadd and Matt Haynes and grew out of the fanzine scene at the time, Haynes having previously edited '' Are You Scared To Get Happy?'' and Wadd ''Kvatch''. Both these fanzines had given away flexidiscs, with ''Are You Scared To Get Happy?'' being part of the Sha-la-la organisation, a record label set up solely to produce flexidiscs. Several Sarah releases were fanzines and flexidiscs as, along with the 7"s, it was thought they summed up the aesthetic and politics of the label better than 12" singles and albums. The label also refused to ...
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Emma's House
"Emma's House" is the debut single by the Field Mice. It was released as a 7" vinyl record on Sarah Records in November 1988.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 738 It reached number 20 on the UK Independent Chart The UK Independent Singles Chart and UK Independent Albums Chart are charts of the best-selling independent singles and albums, respectively, in the United Kingdom. Originally published in January 1980, and widely known as the indie chart, the rele ... in December that year.Lazell, Barry (1998) ''Indie Hits 1980-1989'', Cherry Red Books, , p. 87 The title track was included in '' Pitchfork 500 : Our Guide to the Greatest Songs from Punk to the Present''. Track listing 7" Single (SARAH 012) #"Emma's House" – 3:36 #"When You Sleep" – 3:31 # "Fabulous Friend" – 2:52 # "The Last Letter" – 2:43 References {{authority control Sarah Records singles 1988 singles The Field Mice songs 1988 songs Song articles with missing so ...
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I Can See Myself Alone Forever
I, or i, is the ninth letter and the third vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''i'' (pronounced ), plural '' ies''. History In the Phoenician alphabet, the letter may have originated in a hieroglyph for an arm that represented a voiced pharyngeal fricative () in Egyptian, but was reassigned to (as in English "yes") by Semites, because their word for "arm" began with that sound. This letter could also be used to represent , the close front unrounded vowel, mainly in foreign words. The Greeks adopted a form of this Phoenician ''yodh'' as their letter ''iota'' () to represent , the same as in the Old Italic alphabet. In Latin (as in Modern Greek), it was also used to represent and this use persists in the languages that descended from Latin. The modern letter ' j' originated as a variation of 'i', and both were used interchangeably for ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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Shoegazing
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts. My Bloody Valentine's album '' Loveless'' (1991) is often seen as th ...
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UK Independent Chart
The UK Independent Singles Chart and UK Independent Albums Chart are charts of the best-selling independent singles and albums, respectively, in the United Kingdom. Originally published in January 1980, and widely known as the indie chart, the relevance of the chart dwindled in the 1990s as major-label ownership blurred the boundary between independent and major labels. Separate independent charts are currently published weekly by the Official Charts Company. History In the wake of punk, small record labels began to spring up, as an outlet for artists that were unwilling to sign contracts with major record companies, or were not considered commercially attractive to those companies. By 1978, labels like Cherry Red, Rough Trade, and Mute had started up, and a support structure soon followed, including independent pressing, distribution and promotion. These labels got bigger and bigger, and by 1980 they were having Top 10 hits in the UK Singles Chart. Chart success was limited, h ...
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Festive 50
The Festive Fifty was originally an annual list of the year's 50 (though the exact figure varied above and below this number) best songs compiled at the end of the year and voted for by listeners to John Peel's BBC Radio 1 show. It was usually dominated by indie and rock songs which did not fully represent the diversity of music played by Peel but rather the majority opinion among his listeners. After Peel's death the tradition of the Festive Fifty was continued, first by other Radio 1 DJs and then (when Radio 1 decided to discontinue it) by the Internet radio station Dandelion Radio. History The first Festive Fifty was broadcast in 1976 and differed in format to later charts in that it was not restricted to songs from that year. It was topped by Led Zeppelin's "Stairway to Heaven", first released in 1971, and also contained many older songs. The following year, Peel's producer suggested that instead of taking a poll (which might simply be a retread of 1976's list), Peel should ...
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Mini-album
A mini-LP or mini-album is a short vinyl record album or LP, usually retailing at a lower price than an album that would be considered full-length. It is distinct from an EP due to containing more tracks and a slightly longer running length. A mini-LP is not to be confused with the Japanese CDs issued in a "mini LP sleeve" or "paper jacket". In South Korea, a mini album () is a type of music release that contains 4-7 songs. It is shorter than a full album but longer than a single album. It is usually synonymous with extended play, however, some music distributors may classify mini albums with 7 or more songs as an album. Artists often use the chronological placement of a mini album in their discography as part of the title of the release. For example, '' 2NE1 1st Mini Album'' or '' Taste of Love: The 10th Mini Album''. History Mini-LPs became popular in the early 1980s with record companies who targeted consumers who were reluctant to buy full-length and full-priced albums ...
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Snowball (album)
''Snowball'' is the debut album by England twee pop group The Field Mice. It was originally released as a 10" vinyl LP on September 4, 1989 through Sarah Records Sarah Records was a British independent record label active in Bristol between 1987 and 1995, best known for its recordings of indie pop, which it released mostly on 7" singles. On reaching the catalogue number SARAH 100, the label celebrated it .... Track listing # " Let's Kiss and Make Up" – 6:13 # "You're Kidding Aren't You" – 2:30 # "End of the Affair" – 4:14 # "Couldn't Feel Safer" – 3:47 # "This Love Is Not Wrong" – 3:21 # "Everything About You" – 2:30 # "White" – 4:17 # "Letting Go" – 6:33 2005 bonus tracks The following tracks appear on the 2005 reissue of the album from LTM recordings. # "Sensitive" # "When Morning Comes to Town" # "Emma's House" # "When You Sleep" # "Fabulous Friend" # "The Last Letter" # "I Can See Myself Alone Forever" # "Everything About You" (alternate version) # "That ...
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