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The Field Mice
The Field Mice were an English indie rock band on the independent record label Sarah Records. They had top 20 success in both the singles and albums UK Independent Charts. Career The Field Mice initially formed as a duo from South London suburb of Mitcham comprising Robert Wratten (for vocals and guitar) and Michael Hiscock (on bass guitar). The group's first EP, ''Emma's House'', was released in November 1988, and reached number 20 in the UK Independent Chart.Strong, Martin C. (2003) ''The Great Indie Discography'', Canongate, , p. 738Lazell, Barry (1998) ''Indie Hits 1980-1989'', Cherry Red Books, , p. 87 But it was with their second single " Sensitive" that they first received significant critical attention, on single 'Sensitive'. giving them a top-20 indie hit and with a subsequent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mini-LP
A mini-LP or mini-album is a short vinyl record album or LP, usually retailing at a lower price than an album that would be considered full-length. It is distinct from an EP due to containing more tracks and a slightly longer running length. A mini-LP is not to be confused with the Japanese CDs issued in a "mini LP sleeve" or "paper jacket". In South Korea, a mini album () is a type of music release that contains 4-7 songs. It is shorter than a Album, full album but longer than a single album. It is usually synonymous with extended play, however, some music distributors may classify mini albums with 7 or more songs as an album. Artists often use the chronological placement of a mini album in their discography as part of the title of the release. For example, ''2NE1 (2009 EP), 2NE1 1st Mini Album'' or ''Taste of Love (EP), Taste of Love: The 10th Mini Album''. History Mini-LPs became popular in the early 1980s with record companies who targeted consumers who were reluctant t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiss And Make Up (The Field Mice Song)
"Let's Kiss and Make Up" is a song by The Field Mice from their 1989 album, ''Snowball''. It is better known in the form of Saint Etienne's cover version of 1990, which retitled it "Kiss and Make Up" and was released as a single. Saint Etienne version Saint Etienne were "drinking buddies" with Michael Hiscock from The Field Mice. The group recorded two demos of this song in their first studio session in January 1990, with Moira Lambert on lead vocals. Notably, they would go on to record with her what would become their first hit single, "Only Love Can Break Your Heart," in that same session. The first demo of "Kiss And Make Up" was released as a bonus track on the group's 2009 release, ''Foxbase Beta'', a remix of their 1991 debut album, ''Foxbase Alpha'', the second demo was released on the 25th anniversary vinyl boxset of same album. A re-recorded version of "Kiss And Make Up," with New Zealand singer Donna Savage of Dead Famous People on vocals, was released in 1990 by He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Etienne (band)
Saint Etienne are an English band from London, formed in 1990. The band consists of Sarah Cracknell, Bob Stanley (musician), Bob Stanley and Pete Wiggs. They became associated with the UK's indie dance scene in the 1990s, beginning with the release of their debut album ''Foxbase Alpha'' in 1991. Their work has been described as uniting 1990s club culture with 1960s pop and other disparate influences. The name of the band comes from the French football club of AS Saint-Étienne. History Bob Stanley (Saint Etienne), Bob Stanley and Pete Wiggs were childhood friends and former music journalist, music journalists, who once had a fanzine called ''Caff'' which had developed into a record label by 1989. They originally planned that Saint Etienne would use a variety of different lead singers, and their 1991 debut album, ''Foxbase Alpha'' – influenced by sources such as club culture, 1960s pop, and Orchestral Manoeuvres in the Dark's ''Dazzle Ships (album), Dazzle Ships'' – features ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Catt
Ian Catt is a British record producer and multi-instrumentalist associated with several popular indie groups, including Saint Etienne, with whom he has been a touring member. He has also collaborated with Saint Etienne's vocalist Sarah Cracknell on her solo album, ''Lipslide''. Catt also produced several albums for Heavenly and is a long-standing collaborator of Bobby Wratten, working with his groups The Field Mice, Northern Picture Library, Trembling Blue Stars and Occasional Keepers. He was also an official member of the latter group for a short time. His solo project, Katmandu, released a single and album on the Vinyl Japan label in 1994. He was the main producer on Saint Etienne's 2012 release '' Words and Music''. His recent work also includes bands on Shelflife Records Shelflife Records is a Portland and San Francisco based independent record label run by Ed Mazzucco and Matthew Bice and has produced such bands as Days, Acid House Kings, and The Radio Dept. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missing The Moon
"Missing the Moon" is a single by The Field Mice. It was released as a 12" vinyl record. It was the group's final proper single release (a live cover of Loop's "Burning World" was later issued as a flexidisc) and marks the culmination of their experiments with electronica, being a heavily synthesised dance pop single. Annemari Davies sings the verses, Bobby Wratten the choruses (with backing vocals by Davies). It was made Single Of The Week in New Musical Express with an enthusiastic review by Ian McCann. "Missing the Moon" the first 12" single released on Sarah Records. Interviewed in ''Melody Maker'' in 1996 to mark the closure of the label, founder Matt Haynes chose "Missing the Moon" as his favourite Sarah Records release, though he also claimed that many fans of the label "hated" it due to its dance crossover style and use of the 12" format. The single was voted number 45 in John Peel's Festive Fifty The Festive Fifty was originally an annual list of the year's 50 (th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Song
The swan song ( grc, κύκνειον ᾆσμα; la, carmen cygni) is a metaphorical phrase for a final gesture, effort, or performance given just before death or retirement. The phrase refers to an ancient belief that swans sing a beautiful song just before their death since they have been silent (or alternatively not so musical) for most of their lifetime. The belief, whose basis has been long debated, had become proverbial in ancient Greece by the 3rd century BC and was reiterated many times in later Western poetry and art. Swans learn a variety of sounds throughout their lifetime. Their sounds are more distinguishing during courting rituals and not correlated with death. Origin and description In Greek mythology, the swan was a bird consecrated to Apollo, and it was therefore considered a symbol of harmony and beauty and its limited capabilities as a singer were sublimated to those of songbirds. Aesop's fable of "The Swan and the Goose" incorporates the swan song legend as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wake (UK Band)
The Wake are a British post-punk, synth-pop and later indie pop band, formed in Glasgow in 1981 by Gerard "Caesar" McInulty (formerly of Altered Images), Steven Allen (drums) and Joe Donnelly (bass), the latter replaced by Bobby Gillespie. Steven's sister Carolyn Allen also joined on keyboards, and remained in the band thereafter. Gillespie left the band in 1983, replaced by Martin Cunning and then by Alexander 'Mac' Macpherson. History The Wake released their first single on their own Scan 45 label, coupling together "On Our Honeymoon" and "Give Up". This single eventually caught the attention of New Order manager Rob Gretton, who helped the band sign to Factory Records in 1982 and record an LP (''Harmony'') at Strawberry Studios in Stockport. This was followed by a number of singles on Factory and its Belgian sister label Factory Benelux. In 1983, The Wake toured with New Order, and thus received critical attention but were often unfavourably compared to their more celebrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Order (band)
New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. The members regrouped after the demise of their previous band Joy Division due to the suicide of lead singer Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. New Order's integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and they worked in long-term collaboration with graphic designer Peter Saville. While the band's early years were overshadowed by the legacy of Joy Division, their experience of the early 1980s New York club scene saw them increasingly incorporate dance rhythms and electronic instrumentation into their work. Their 1983 hit " Blue Monday" became the best-selling 12-inch single of all time and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Factory Records
Factory Records was a Manchester-based British independent record label founded in 1978 by Tony Wilson and Alan Erasmus. The label featured several important acts on its roster, including Joy Division, New Order, A Certain Ratio, the Durutti Column, Happy Mondays, Northside, and (briefly) Orchestral Manoeuvres in the Dark and James. Factory also ran The Haçienda nightclub, in partnership with New Order. Factory Records used a creative team (most notably record producer Martin Hannett and graphic designer Peter Saville) which gave the label and the artists recording for it a particular sound and image. The label employed a unique cataloguing system that gave a number not just to its musical releases, but also to various other related miscellany, including artwork, films, living beings, and even Wilson's own casket. History 'The Factory' The Factory name was first used for a club in May 1978; the first Factory night was on the 26 May 1978. The club became a Manchester leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C86 (music)
''C86'' is a cassette compilation released by the British music magazine ''NME'' in 1986, featuring new bands licensed from British independent record labels of the time. As a term, C86 quickly evolved into shorthand for a guitar-based music genre characterized by jangling guitars and melodic power pop song structures, although other musical styles were represented on the tape. In its time, it became a pejorative term for its associations with so-called "shambling" (a John Peel-coined description celebrating the self-conscious primitive approach of some of the music) and underachievement. The ''C86'' scene is now recognized as a pivotal moment for independent music in the UK, as was recognized in the subtitle of the compilation's 2006 CD issue: '' CD86: 48 Tracks from the Birth of Indie Pop''. 2014 saw the original compilation reissued in a 3CD expanded edition from Cherry Red Records; the 2014 box-set came with an 11,500-word book of sleevenotes by one of the tape's original cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
