Semba
Semba is a traditional type of music and dance from Angola. Semba comes from the singular Massemba, meaning "a touch of the bellies" - one of the most recognizable and entertaining movements in semba.History of Semba , Kizombalove Academy Characteristics Semba is very much alive and popular in Angola today as it was long before that country's independence from Portugal in November 11, 1975. Various new Semba artists emerge each year in Angola, as they render homage to the veteran Semba masters, many of whom are still performing. Other styles related to Semba are Kizomba, Rebita, as well as Kazukuta and Kabetula which are primarily Carnaval Music. The subject matter of Semba is often a cautionary tale or story regarding day-to-day life and social events and activities, usually sung in a witty rhetoric. Through Semba music an artist is able to convey a broad spectrum of emotions. It is this characteristic that has made Semba the premiere style of music for a wide variety of Angola ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Angolan Music
The music of Angola (Dimba dya N’gola) has been shaped both by wider musical trends and by the political history of the country. while Angolan music has also influenced the music of the other Lusophone countries and Latin American countries. In turn, the music of Angola was instrumental in creating and reinforcing "angolanidade", the Angolan national identity. The capital and largest city of Angola — Luanda — is home to a diverse group of styles including kazukuta, semba, kizomba and kuduro. Just off the coast of Luanda is Ilha do Cabo, home to an accordion and harmonica-based style of music called rebita. In the 20th century, Angola was wracked by violence and political instability. Angolan musicians were oppressed by government forces, both during the period of Portuguese colonization and after independence. Folk music Semba Semba is the predecessor to a variety of music styles originating in Africa. Three of the most famous of these are Samba itself, kizomb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Music Of Angola
The music of Angola (Dimba dya N’gola) has been shaped both by wider musical trends and by the political history of the country. while Angolan music has also influenced the music of the other Lusophone countries and Latin American countries. In turn, the music of Angola was instrumental in creating and reinforcing "angolanidade", the Angolan national identity. The capital and largest city of Angola — Luanda — is home to a diverse group of styles including kazukuta, semba, kizomba and kuduro. Just off the coast of Luanda is Ilha do Cabo, home to an accordion and harmonica-based style of music called rebita. In the 20th century, Angola was wracked by violence and political instability. Angolan musicians were oppressed by government forces, both during the period of Portuguese colonization and after independence. Folk music Semba Semba is the predecessor to a variety of music styles originating in Africa. Three of the most famous of these are Samba itself, kizomba, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Kizomba
Kizomba is a dance and musical genre that originated in Angola in 1984. Kizomba means "party" in Kimbundu, a Bantu language spoken by the Ambundu in Angola. Origin and evolution Music genre The origins of kizomba can be traced to late-1970s Africa, with influences variably attributed to Angola. Kizomba is characterized by a slower, romantic, more sensuous rhythm than the traditional Angolan semba music. Kizomba music emerged as a fusion of Semba, Angolan Merengue, Kilapanga, and further Angolan music influences: It slowed down the cadence of songs and added a stronger bass line to the composition of instruments. Eduardo Paim is internationally recognized as the "father/creator of Kizomba music", as he and his band were taking a major role in the development of the music style creation. Most kizomba songs are sung in Portuguese or a dialect from the various Portuguese-speaking, African cultures. Dance genre Semba has been danced in the 1950s in Angola. In the 1990s, when the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Kizomba
Kizomba is a dance and musical genre that originated in Angola in 1984. Kizomba means "party" in Kimbundu, a Bantu language spoken by the Ambundu in Angola. Origin and evolution Music genre The origins of kizomba can be traced to late-1970s Africa, with influences variably attributed to Angola. Kizomba is characterized by a slower, romantic, more sensuous rhythm than the traditional Angolan semba music. Kizomba music emerged as a fusion of Semba, Angolan Merengue, Kilapanga, and further Angolan music influences: It slowed down the cadence of songs and added a stronger bass line to the composition of instruments. Eduardo Paim is internationally recognized as the "father/creator of Kizomba music", as he and his band were taking a major role in the development of the music style creation. Most kizomba songs are sung in Portuguese or a dialect from the various Portuguese-speaking, African cultures. Dance genre Semba has been danced in the 1950s in Angola. In the 1990s, when the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Bonga (musician)
José Adelino Barceló de Carvalho (born 5 September 1942 in Kipiri, Angola), better known as Bonga, is a folk and semba singer and songwriter from Angola.Davis, Clive (2009)Bonga ''Bairro'', ''The Sunday Times'', 18 January 2009 Biography Youth and athletic career José Adelino Barceló de Carvalho was born in the province of Bengo, and left Angola when he was 23 years old to become a track and field athlete, becoming the Portuguese record holder for the 400 metres (Angola was at the time one of Portugal's five African colonies). He had already begun his singing career at the age of 15. Musical career Colonial period Carvalho abandoned athletics in 1972, concentrating solely on his music, and immediately became famous in his native Angola, as well as in Portugal. After the Carnation Revolution in April 1974, he would become a hit both with immigrants from the ex-Portuguese colonies, and Portuguese of both African and European descent. He has released over 30 albums, singing i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Kuduru
Kuduro (or kuduru) is a type of music and dance from Angola. It is characterized as uptempo, energetic, and danceable. Kuduro was developed in Luanda, Angola in the late 1980s. Producers sampled traditional carnival music like soca and zouk béton ("hard" zouk) from the Caribbean to Angola, techno and accordion playing from Europe and laid this around a fast 4/4 beat. The kuduro is similar to the kizomba rhythm. Origins The roots of kuduro can be traced to the late 1980s when producers in Luanda, Angola started mixing African percussion samples with zouk béton ("hard" zouk) and soca to create a style of music then known as Batida ("Beat"). European and American electronic music had begun appearing in the market, which attracted Angolan musicians and inspired them to incorporate their own musical styles. Young producers began adding heavy African percussion to both European and American beats. In Europe, western house and techno producers mixed it with house and techno. Kudu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Kuduro
Kuduro (or kuduru) is a type of music and dance from Angola. It is characterized as uptempo, energetic, and danceable. Kuduro was developed in Luanda, Angola in the late 1980s. Producers sampled traditional carnival music like soca and zouk béton ("hard" zouk) from the Caribbean to Angola, techno and accordion playing from Europe and laid this around a fast 4/4 beat. The kuduro is similar to the kizomba rhythm. Origins The roots of kuduro can be traced to the late 1980s when producers in Luanda, Angola started mixing African percussion samples with zouk béton ("hard" zouk) and soca to create a style of music then known as Batida ("Beat"). European and American electronic music had begun appearing in the market, which attracted Angolan musicians and inspired them to incorporate their own musical styles. Young producers began adding heavy African percussion to both European and American beats. In Europe, western house and techno producers mixed it with house and techno. Kuduro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Music Of Africa
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, conga, rumba, son cubano, salsa music, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic patterns often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Sub-Saharan African mus ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Angola
, national_anthem = " Angola Avante"() , image_map = , map_caption = , capital = Luanda , religion = , religion_year = 2020 , religion_ref = , coordinates = , largest_city = capital , official_languages = Portuguese , languages2_type = National languages , languages2 = , ethnic_groups = , ethnic_groups_ref = , ethnic_groups_year = 2000 , demonym = , government_type = Unitary dominant-party presidential republic , leader_title1 = President , leader_name1 = João Lourenço , leader_title2 = Vice President , leader_name2 = Esperança da CostaInvestidura do Pr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |