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Self Portrait With Beret And Turned-Up Collar
''Self-Portrait with Beret and Turned-Up Collar'' is a 1659 oil on canvas painting by the Dutch artist Rembrandt, one of over 40 self-portraits by Rembrandt. It has been noted as a self-portrayal of subtle and somber qualities, a work in which may be seen "the stresses and strains of a life compounded of creative triumphs and personal and financial reverses".Ackley, 308 Once owned by Andrew W. Mellon, it has been in the National Gallery of Art since 1937. Description In ''Self-Portrait with Beret and Turned-Up Collar'' Rembrandt is seated in a broadly painted fur cloak, his hands clasped in his lap. Light from the upper right fully illuminates the face, hollowing the form of the cheek, and allowing for the representation of blemishes on the right cheek and ear lobe.White, 200 The picture is painted in a restrained range of browns and grays, enriched by a red shape that probably indicates the back of his chair, while another red area at the lower left corner of the canvas may be a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Man With A Quilted Sleeve
''A Man with a Quilted Sleeve'' is a painting of about 1510 by the Venetian painter Titian in the National Gallery, London, measuring . Though the quality of the painting has always been praised, there has been much discussion as to the identity of the sitter. It was long thought to be a portrait of Ariosto, then a self-portrait, but in 2017 is called ''Portrait of Gerolamo (?) Barbarigo'' by the gallery, having also been called merely ''Portrait of a Man'', the title used here, ''The Man with the Blue Sleeve'', and no doubt other variants. Placing a parapet, a low wood or stone sill or ledge, between the subject and the viewer is a common feature of early Renaissance Italian portraits, as a useful way of solving "the principal compositional problem" of portraits at less than full-length, how "to justify the cutting of the figure". By having the large sleeve project slightly beyond the parapet, Titian "subverts" the usual barrier effect, bringing the picture space into "our sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-portraits By Rembrandt
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the definition of a portrait. This was an enormously high number for any artist up to that point, and around 10% of his ''oeuvre'' in both painting and etching. By comparison, the highly prolific Rubens only produced seven self-portrait paintings. The self-portraits create a visual diary of the artist over a span of forty years. They were produced throughout his career at a fairly steady pace,White, 10 but there is a gradual shift between etchings, more numerous until the 1630s, to paintings, which are more common thereafter. However, there is a gap in paintings between 1645 and 1652. The last three etchings date to 1648, c. 1651, and 1658, whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collections Of The National Gallery Of Art
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hereward Lester Cooke
Hereward Lester Cooke (1916–1973) was an American painter. Cooke was born in Princeton, New Jersey in 1916. He studied at Oxford University, the Art Students League (under George Bridgman), the Yale University School of Fine Art, and Princeton University Graduate School, where he received his Ph.D. Cooke is known more for his work in art history than for his painting, having written several texts, especially ''Painting Lessons from the Great Masters'' in 1967. He was the Curator of Painting at the National Gallery of Art from 1961 to 1973, and before that a National Gallery Aide and its acting assistant director, beginning in 1956. Part of his duties as curator included heading the Expert Opinions Section of the National Gallery, where owners of artworks could come and have their art appraised or otherwise identified. He was a well-known authority on fakes and forgeries and was called the "Sherlock Holmes of the Art World" for his work in solving art mysteries of attribution. As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Van De Wetering
Ernst van de Wetering (9 March 1938 – 11 August 2021) was a Dutch art historian and an expert on Rembrandt and his work. Background Ernst van de Wetering was born in Hengelo. He was first trained as an artist at the Royal Academy of Fine Arts in The Hague. He received his doctorate in art history from the University of Amsterdam in 1986. Between 1964 and 1968, he worked as a scientific illustrator of microscopic preparations at the Zoological Museum in Amsterdam. From 1968, he was a member and later became chairman of the Rembrandt Research Project. He was art historian on the staff of Amsterdam's Central Research Laboratory for Restoration from 1969 to 1987 and, from 1987, was full professor of history of art at the University of Amsterdam. He published extensively on historic painting techniques, as well as in the field of theory and ethics of conservation and restoration. In 1990, he succeeded Josua Bruyn as chair of the Rembrandt Research Project, the team of scholars tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery Of Scotland
The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The Scottish National Gallery is run by National Galleries of Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the Scottish National Gallery is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the Scottish National Gallery. History The origins of Scotland's national collection lie with the Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self Portrait Leaning On Si 373x470
The self is an individual as the object of that individual’s own reflective consciousness. Since the ''self'' is a reference by a subject to the same subject, this reference is necessarily subjective. The sense of having a self—or ''selfhood''—should, however, not be confused with subjectivity itself. Ostensibly, this sense is directed outward from the subject to refer inward, back to its "self" (or itself). Examples of psychiatric conditions where such "sameness" may become broken include depersonalization, which sometimes occurs in schizophrenia: the self appears different from the subject. The first-person perspective distinguishes selfhood from personal identity. Whereas "identity" is (literally) sameness and may involve categorization and labeling, selfhood implies a first-person perspective and suggests potential uniqueness. Conversely, we use "person" as a third-person reference. Personal identity can be impaired in late-stage Alzheimer's disease and in other neurode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Castiglione, By Raffaello Sanzio, From C2RMF Retouched
Baldassare is a masculine Italian given name. Notable people with the name include: * Baldassare Aloisi (1578–1638), Italian history and portrait painter and engraver * Baldassare Bianchi (1612–1679), Italian painter * Baldassare Castiglione (1478–1529), Italian Renaissance writer * Baldassare Cittadella (1603–1651), Italian Jesuit * Baldassare Croce (1558–1628), Italian painter * Baldassare d'Anna (circa 1560–1600), Italian painter * Baldassare Di Maggio (born 1954), Sicilian Mafioso * Baldassare Donato (circa 1525–1603), Italian composer and singer * Baldassare Ferri (1610–1680), Italian singer * Baldassare Forestiere (1879–1946), Italian-American founder of the Forestiere Underground Gardens * Baldassare Franceschini (1611–1689), Italian Baroque painter * Baldassare Gabbugiani (18th century), Italian engraver * Baldassare Galuppi (1706-1785), Venetian composer * Baldassare Peruzzi Baldassare Tommaso Peruzzi (7 March 1481 – 6 January 1536) was an Italian a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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