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Seiobo There Below
''Seiobo There Below'' () is a 2008 novel by the Hungarian writer László Krasznahorkai. It has an episodic narrative which focuses on artists of different times and places, some of which are historical people and some of which are fictional. A thematic link between the episodes can be seen in the Japanese goddess Seiobo who appears in one of the chapters of the novel. The 17 chapters are numbered according to the Fibonacci sequence, beginning with 1 and ending with 2584. The English translation by Ottilie Mulzet received the Best Translated Book Award in 2014, and the Man Booker International Prize for 2015. Synopsis 1. Kamo-Hunter An Ooshirosagi stands motionless in the Kamo River waiting to spear its fish. Its intense beauty goes unnoticed, but if it were to be seen at the moment of striking, it could change the life of the witness. The chapter moves between the heron and meditation on the larger city of Kyoto itself, and its unnoticed beauties. 2. The Exiled Queen Th ...
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László Krasznahorkai
László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels '' Satantango'' (, 1985) and ''The Melancholy of Resistance'' (, 1989), have been turned into feature films by Hungarian film director Béla Tarr. Early life and education Krasznahorkai was born in Gyula, Hungary on 5 January 1954 to a middle-class Jewish family on his father's side. His father, György Krasznahorkai, was a lawyer and his mother, Júlia Pálinkás, a social security administrator. In 1972 Krasznahorkai graduated from the Erkel Ferenc high school where he specialized in Latin. From 1973 to 1976 he studied law at the József Attila University (now University of Szeged) and from 1976 to 1978 at Eötvös Loránd University (ELTE) in Budapest. From 1978 to 1983 he studied Hungarian language and literature at ELTE Faculty of Hum ...
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Abbot (Buddhism)
In Buddhism, the abbot ( pi, saṅghaṇāyaka) is the head of a Buddhist monastery or large Buddhist temple. In Buddhist nunneries, the nun who holds the equivalent position is known as the abbess. In English-speaking countries, the English word "abbot" is used instead of all the various words that exist in the languages of the countries where Buddhism is, or was historically, well established. Role An abbot is a monk who holds the position of administrator of a monastery or large temple. The administrative duties of an abbot or abbess include overseeing the day-to-day running of the monastery. The abbot or abbess also holds spiritual responsibility for the monastics under their care, and is required to interact with the abbots or abbesses of other monasteries. Languages other than English Asian countries where Buddhism is still widely practiced have words in their own languages for the abbot of a Buddhist monastery or large temple: Chinese In Chinese Chan Buddhist monas ...
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Aoi No Ue (play)
''Aoi no Ue'' (葵上, Lady Aoi) is a Muromachi period Japanese Noh play based on the character Lady Aoi from the Heian period novel '' The Tale of Genji''. It is an example of the fourth category of "miscellaneous" Noh plays. ''Aoi no Ue'' was the first of many Noh plays based on ''The Tale of Genji''. It is sometimes attributed to Zeami Motokiyo or to his son-in-law Zenchiku; the extant version of the text is likely a reworking of a version written for the troupe of a contemporary, Inuō. Play In the backstory, Prince Genji, who was married to his wife Lady Aoi at a young age, has taken a mistress, Lady Rokujo. Lady Rokujo had been married to the crown prince, but his death had left a much less powerful widow. Rokujo had previously destroyed another mistress of Genji through a jealous apparition. Following an episode in which she is humiliated in public by Lady Aoi, Rokujo is enraged to discover that Aoi is pregnant. Genji begins ignoring Rokujo, and in her jealousy her livin ...
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Hannya
The mask is a mask used in Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. Etymology is the Sino-Japanese pronunciation of ''bō rě'' (般若), which in turn is the Chinese pronunciation of '' prajñā'' (प्रज्ञा), the Sanskrit word for "wisdom". The word ''prajñā'' was commonly used in forming Buddhist Dharma names, such as Prajñātārā or Prajñāvikrama. This implies that ''hannya'' may be referring to the shortened name of a monk, and not wisdom as an abstract concept. One tradition states the mask is named after an artist monk called , who is said to have perfected its creation. An alternative explanation is that the artist would need a great deal of wisdom in order to create this mask. Characteristics The mask is used in many Noh and plays, as well as in Shinto ritual dances. The mask portrays the souls of women who have become demons due to obses ...
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Acropolis Of Athens
The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word '' acropolis'' is from the Greek words (''akron'', "highest point, extremity") and (''polis'', "city"). The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was known also more properly as Cecropia, after the legendary serpent-man, Cecrops, the supposed first Athenian king. While there is evidence that the hill was inhabited as far back as the fourth millennium BC, it was Pericles (c. 495–429 BC) in the fifth century BC who coordinated the construction of the buildings whose present remains are the site's most important ones, including the Parthenon, the Propylaea, the Erechtheion and the Temple of Athena Nike. The Parthenon and the other buildings were serio ...
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Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ...
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Crucifixion (Tintoretto)
''The Crucifixion'' by Tintoretto is a large painting in oil on canvas, installed in the Sala dell'Albergo of the Scuola Grande di San Rocco, Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  .... It is signed and dated 1565. This painting is one of the most dramatic versions of the Crucifixion in the history of Christian religious art. References * Nichols, Tom. 1999. ''Tintoretto: tradition and identity''. London: Reaktion Books. * Rosand, D. 1997. ''Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto'' (Rev. ed.). Cambridge ; New York: Cambridge University Press. * Partridge, Loren W. 2015. ''Art of Renaissance Venice, 1400-1600''. Berkeley: University of California Press Notes {{DEFAULTSORT:Crucifixion (Tintoretto) 1565 paintings Oil paintings Painti ...
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Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies ga ...
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Matteo Di Vittore
Matteo di Vittore was an Italian painter of the Renaissance, active in Venice. He was the pupil and assistant of Giovanni Bellini. He was one of the artists chosen by Bellini to value Giorgione's frescoes in the Fondaco dei Turchi in 1508, and in 1515 worked under his master in the Hall of Council in the Doge's Palace. It seems highly probable that he was identical with Vittore Belliniano Vittore Belliniano was an Italian painter of the Renaissance period considered to be identical with Bellini Bellini and Vittore di Matteo. He was a native of Venice, active c. year 1525. He painted historical subjects, and several of his pictures .... References * 16th-century Italian painters Italian male painters Painters from Venice Italian Renaissance painters Year of death unknown Year of birth unknown {{Italy-painter-16thC-stub ...
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Vittore Belliniano
Vittore Belliniano was an Italian painter of the Renaissance period considered to be identical with Bellini Bellini and Vittore di Matteo. He was a native of Venice, active c. year 1525. He painted historical subjects, and several of his pictures were painted for the Scuola di San Marco at Venice and in churches of neighboring towns, like in SS. Vito e Modesto church, in Spinea Spinea is a town in the Metropolitan City of Venice, Veneto, Italy. It is within Mestre's commuter belt, and is crossed by the SP32 provincial road. Twin towns Spinea is twinned with: * Veroli Veroli ( la, Verulae) is a town and ''comune'' in .... References * Republic of Venice artists 16th-century Italian painters Italian male painters Italian Renaissance painters Painters from Venice {{Italy-painter-16thC-stub ...
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Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ...
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Santa Maria Gloriosa Dei Frari
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. The largest church in the city, it has the status of a minor basilica. The church is dedicated to the Assumption of Mary. The imposing edifice is built of brick, and is one of the city's three notable churches still mostly retaining their Venetian Gothic appearance. In common with many Franciscan churches, the exterior is rather plain, even on the front facade. The exterior also features a bell tower that was fixed in the early 2000s after going through structural problems. The interior is notable for many very grand wall monuments to distinguished Venetians buried in the church, including a number of Doges and the painter Titian. Many of these are important works in the history of Venetian sculpture, and the many paintings include two large and important altarpieces by Titian, the '' Assumption of th ...
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