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Scuola Della Carità
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the ''vaporetto'' water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili. History Early history The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756.Accademia di belle arti di Venezia, 1750–2010. Cenni storici (in Italian). Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorsoduro
Dorsoduro is one of the six sestieri of Venice, in northern Italy. Dorsoduro includes the highest land areas of the city and also Giudecca island and Isola Sacca Fisola. Its name derives from the Italian for "hard ridge", due to its comparatively high, stable land. History The original heart of the area was the Giudecca Canal, along which buildings were constructed from the sixth century. By the eleventh century, settlement had spread across to the Grand Canal, while later religious buildings including the Basilica of Santa Maria della Salute and the Zattere quay are now its main landmarks. In the nineteenth century the Accademia was set up in Dorsoduro and the Ponte dell'Accademia linked it to San Marco, making it an expensive area, popular with foreign residents. The western quarter end and the Giudecca, became industrialised around this time. Main sights Landmarks and visitor attractions in Dorsoduro include: *Ca' Foscari *Ca' Rezzonico *Campo San Barnaba * Campo San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scuole Grandi Of Venice
The Scuole Grandi (literally 'Great Schools', plural of ) were confraternity or sodality institutions in Venice, Italy. They were founded as early as the 13th century as charitable and religious organizations for the laity. These institutions had a key role in the history and development of music. The first groups of bowed instrument players named were born there in the early 16th century. Membership and responsibilities Unlike the trade guilds or the numerous , the Scuole Grandi included persons of many occupations, although citizenship was required. Unlike the rigidly aristocratic Venetian governmental Great Council of Venice, which for centuries only admitted a restricted number of Nobility, noble families, membership in the Scuole Grandi was open to all citizens, and did not permit nobles to gain director roles. Citizens could include persons in the third generation of residency in the island republic, or persons who had paid taxes in Venice for fifteen years. The Scuole Gran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Carpioni
Giulio Carpioni (1613 – 29 January 1678) was an Italian painter and etcher of the early Baroque era. Life Born probably in Venice, Carpioni studied under Alessandro Varotari (''il Padovanino'') and was also influenced by the work of Simone Cantarini, Carlo Saraceni and Jean Leclerc. He came into contact with Lombard art after a brief visit to Bergamo in 1631. In 1638 he settled in Vicenza and executed most of his work there. Work He painted history and bacchanals, and also sacred subjects of a small size, many of which are to be seen in the churches in the Venetian states. Paintings by him may be seen in the Galleries of Augsburg, Dresden, Vienna, Modena, and Florence. He was also an etcher; his best plates being ''St. Anthony of Padua'', ''Christ on the Mount of Olives'', ''The Virgin reading'', and ''The Virgin with Rosary''. He died at Verona. Carlo Carpioni, his son, was also a painter. Among his important works are the ''Apotheosis of the Dolfin family'' (1647) and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittore Carpaccio
Vittore Carpaccio (British English, UK: Help:IPA/English, /kɑːrˈpætʃ(i)oʊ/, American English, US: Help:IPA/English, /-ˈpɑːtʃ-/, Italian: Help:IPA/Italian, [vitˈtoːre karˈpattʃo]; c. 1460/66 – 1525/26) was an Italians, Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina (c.1430-1479), as well as Early Netherlandish art, Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio’s command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of ''St. Augustine in His Study (Carpaccio), St. Augustine in His Study'' from 1502, reflects the popularity of collecting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canaletto
Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of city views or ''vedute'', of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Jan. 2017 He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many views of London and other sites including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762. Early career He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacino Di Bonaguida
Alfredo James Pacino (; ; born April 25, 1940) is an American actor. Considered one of the most influential actors of the 20th century, he has received numerous accolades: including an Academy Award, two Tony Awards, and two Primetime Emmy Awards, making him one of the few performers to have achieved the Triple Crown of Acting. He has also been honored with the AFI Life Achievement Award, the Cecil B. DeMille Award, and the National Medal of Arts. A method actor and former student of the HB Studio and the Actors Studio, where he was taught by Charlie Laughton and Lee Strasberg, Pacino's film debut came at the age of 29 with a minor role in ''Me, Natalie'' (1969). He gained favorable notice for his first lead role as a heroin addict in ''The Panic in Needle Park'' (1971). Wide acclaim and recognition came with his breakthrough role as Michael Corleone in Francis Ford Coppola's ''The Godfather'' (1972), for which he received a nomination for the Academy Award for Best Supporti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Bellotto
Bernardo Bellotto (c. 1721/2 or 30 January 172117 November 1780), was an Italian urban landscape painter or ''vedutista'', and printmaker in etching famous for his ''vedute'' of European cities – Dresden, Vienna, Turin, and Warsaw. He was the student and nephew of the renowned Giovanni Antonio Canal Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto. This caused some confusion, however Bellotto’s work is more sombre in color than Canaletto's and his depiction of clouds and shadows brings him closer to Dutch painting. Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of ''vedute'', may have used the camera obscura in order to achieve superior precision of urban views. Life Bellotto was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gentile Bellini
Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life.Hartt, 397-398 In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazzaro Bastiani
Lazzaro Bastiani (1429 – 5 April 1512) was an Italian painter of the Renaissance, active mainly in Venice. He was born in Padua. He is first recorded as a painter in Venice by 1460 in a payment for an altarpiece of San Samuele, for the Procuratori di San Marco. In 1462 he was paid at the same rate as Giovanni Bellini. In 1470, he was a member of the Scuola di San Girolamo in Venice. In the 1480s he worked with Gentile Bellini for the Scuola Grande di San Marco. He painted a ''Coronation of the Virgin'' (Gallerie dell'Accademia); a ''Nativity'' (1477); and a ''St. Anthony on the Nut Tree''. In 1508 he was called upon, with his pupil Vittore Carpaccio, to estimate paintings of Giorgione for the Fondaco dei Tedeschi The Fondaco dei Tedeschi ( Venetian: ''Fòntego dei Todeschi'', in literal English, "warehouse of the Germans") is a historic building in Venice, northern Italy, situated on the Grand Canal near the Rialto Bridge. It was the headquarters and rest .... Referenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonello Da Messina
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina ( 1430February 1479), was an Italian painter from Messina, active during the Early Italian Renaissance. His work shows strong influences from Early Netherlandish painting, although there is no documentary evidence that he ever travelled beyond Italy. Giorgio Vasari credited him with the introduction of oil painting into Italy, although this is now disputed. Unusually for a southern Italian artist of the Renaissance, his work proved influential on painters in northern Italy, especially in Venice. Biography Early life and training Antonello was born at Messina around 1429–1431, to Garita (Margherita) and Giovanni de Antonio Mazonus, a sculptor who trained him early on. He and his family resided in the Sicofanti district of the city. Antonello is thought to have apprenticed in Rome before going to Naples, where Netherlandish painting was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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