Gentile Bellini
Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life.Hartt, 397-398 In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe. B ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kupferstichkabinett Berlin
The Kupferstichkabinett, or Museum of Prints and Drawings, is a prints museum in Berlin, Germany. It is part of the Berlin State Museums, and is located in the Kulturforum on Potsdamer Platz. It is the largest museum of graphic art in Germany,Museum of Prints and Drawings with more than 500,000 prints and around 110,000 individual works on paper (drawings, s, s, [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Portrait Of Mehmet II (Bellini)
''The Portrait of Mehmet II'' is a painting by the Venetian artist Gentile Bellini, depicting the Ottoman sultan, Mehmet the Conqueror. It was painted in 1480 while Bellini was in Constantinople on a diplomatic mission. This painting is a record of the significant economic and diplomatic ties that existed between Venice and the Ottoman Empire in the 15th century. Before this painting, the Ottomans had recently conquered Constantinople. This put the Venetian Republic in a situation where they had no choice but to accept a peace treaty from Mehmet the conqueror in 1479. Venice was actively tied with Constantinople through commercial links because of their close proximity to the Mediterranean sea. The importation of raw silk, cotton, illuminated manuscripts, inlaid metalwork, and spices would have ground to a halt without this peace treaty. After a peace treaty is brokered between the Venetian Republic and the Ottoman Empire, the Sultan Mehmet II decided that he would like an Italia ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giovanni Mansueti
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, Pra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vittore Carpaccio
Vittore Carpaccio (British English, UK: Help:IPA/English, /kɑːrˈpætʃ(i)oʊ/, American English, US: Help:IPA/English, /-ˈpɑːtʃ-/, Italian: Help:IPA/Italian, [vitˈtoːre karˈpattʃo]; c. 1460/66 – 1525/26) was an Italians, Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina (c.1430-1479), as well as Early Netherlandish art, Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio’s command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of ''St. Augustine in His Study (Carpaccio), St. Augustine in His Study'' from 1502, reflects the popularity of collecting ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lazzaro Bastiani
Lazzaro Bastiani (1429 – 5 April 1512) was an Italian painter of the Renaissance, active mainly in Venice. He was born in Padua. He is first recorded as a painter in Venice by 1460 in a payment for an altarpiece of San Samuele, for the Procuratori di San Marco. In 1462 he was paid at the same rate as Giovanni Bellini. In 1470, he was a member of the Scuola di San Girolamo in Venice. In the 1480s he worked with Gentile Bellini for the Scuola Grande di San Marco. He painted a ''Coronation of the Virgin'' (Gallerie dell'Accademia); a ''Nativity'' (1477); and a ''St. Anthony on the Nut Tree''. In 1508 he was called upon, with his pupil Vittore Carpaccio, to estimate paintings of Giorgione for the Fondaco dei Tedeschi The Fondaco dei Tedeschi ( Venetian: ''Fòntego dei Todeschi'', in literal English, "warehouse of the Germans") is a historic building in Venice, northern Italy, situated on the Grand Canal near the Rialto Bridge. It was the headquarters and rest .... Referenc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Scuola Grande Di San Giovanni Evangelista
The Scuola Grande di San Giovanni Evangelista is a confraternity building located in the San Polo ''sestiere'' of the Italian city of Venice. Founded in the 13th century by a group of flagellants it was later to become one of the five ''Scuole Grandi'' of Venice. These organisations provided a variety of charitable functions in the city as well as becoming patrons of the arts. The Scuola Grande di San Giovanni Evangelista is notable for housing a relic of the true cross and for the series of paintings it commissioned from a number of famous Venetian artists depicting ''Miracles of the Holy Cross''. No longer in the school, these came into public ownership during the Napoleonic era and are now housed in the Gallerie dell'Accademia. The scuola is open to visitors on a limited number of days, detailed on the official website. History Founded in 1261, San Giovanni Evangelista is the second oldest ''scuola'' in Venice.McGregor, ''Venice from the Ground Up'', p. 156 Though ''sc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Scuola Grande Di San Marco
The Scuola Grande di San Marco is a building in Venice, Italy, designed by the well-known Venetian architects Pietro Lombardo, Mauro Codussi, and Bartolomeo Bon. It was originally the home to one of the Scuole Grandi of Venice, or six major confraternities, but is now the city's hospital. It faces the Campo Santi Giovanni e Paolo, one of the largest squares in the city. History The edifice was built by the Confraternity of San Marco in 1260 to act as its seat. In 1485, however, it was destroyed by a large fire, and rebuilt in the following twenty years under a new design by Pietro Lombardo, with a fund established by the members. The façade, a masterwork with delicately decorated niches and pilasters, and with white or polychrome marble statues, was later completed by Mauro Codussi. While decorated with the polished marble elements of Renaissance classicism, the proliferation of arches and niches adds a retrogressive Byzantine flavor, an architectural feature of many conservat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Accademia - Procession In Piazza San Marco By Gentile Bellini
Accademia (Italian for "academy") often refers to: * The Galleria dell'Accademia, an art museum in Florence * The Gallerie dell'Accademia, an art museum in Venice Accademia may also refer to: Academies of art * The Accademia Carrara di Belle Arti di Bergamo, an art school and museum in Bergamo * The Accademia di Architettura di Mendrisio, a Swiss school of architecture * The Accademia di Belle Arti di Bari, an art school in Bari * The Accademia di Belle Arti di Bologna, also known as the Accademia Clementina * The Accademia di Belle Arti di Carrara, an art school in Carrara * The Accademia di Belle Arti di Firenze, an art school in Florence * The Accademia di Belle Arti di Milano "Brera" or Brera Academy, an art school in Milan * The Accademia di Belle Arti di Napoli, an art school in Naples * The Accademia di Belle Arti di Roma, an art school in Rome * The Accademia di Belle Arti di Torino "Albertina" or Accademia Albertina, an art school in Turin * The Accademia di Belle Art ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gentile Da Fabriano
Gentile da Fabriano ( – 1427) was an Italian painter known for his participation in the International Gothic painter style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his ''Adoration of the Magi'' from the ''Strozzi Altarpiece'' (1423), and the ''Flight into Egypt''. Following a visit to Florence in the 1419, he came in contact with humanism, which influenced his work throughout the rest of his career. He became highly influential for other painters in Florence, especially because of his use of detail based on the observations he made of the natural world. Bibliography Early life in Fabriano (c. 1370-1400) Gentile (di Niccolò di Massio) da Fabriano was born around 1370 in or near Fabriano, in the Marche. Despite having several family members who took part in different civic and religious organizations in the city, much of Gentile's early life remains undocumented. His mother died some point before 1380, and his father, Niccol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oil Paint
Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. The viscosity of the paint may be modified by the addition of a solvent such as turpentine or white spirit, and varnish may be added to increase the glossiness of the dried oil paint film. The addition of oil or alkyd medium can also be used to modify the viscosity and drying time of oil paint. Oil paints were first used in Asia as early as the 7th century AD and can be seen in examples of Buddhist paintings in Afghanistan. Oil-based paints made their way to Europe by the 12th century and were used for simple decoration, but oil painting did not begin to be adopted as an artistic medium there until the early 15th century. Common modern applications of oil paint are in finishing and protection of wood in buildings and exposed metal structures such as ships and bridges. Its hard-wearing properties and luminous colors make it desirable for both interior ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |