Schouwburg Of Van Campen
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Schouwburg Of Van Campen
The Theatre of Van Campen ( nl, Schouwburg van Van Campen, ) was a theatre located at Keizersgracht 384 in Amsterdam. It was the first city theatre, based on the Teatro Olimpico in Italy. Since 1999 the building has been occupied by "" hotel. The theatre was built in 1637, by Jacob van Campen, who coined the word Schouwburg for it. It replaced the Duytsche Academy of Samuel Coster previously on the site, originally set up to broaden access to science by putting on lectures in the national vernacular rather than Latin (although other activities also took place, such as painting competitions). Coster, together with playwright Bredero, had had this Academy built as a simple wooden building, to the Italian model, in 1617. Both Coster and Bredero came from the tradition of Rederijkers, and both were members been of the Rederijker "In Liefde Bloeyende". These societies developed in the early 17th century and, through their study of poetic texts, marked the beginnings of modern the ...
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Dutch Golden Age
The Dutch Golden Age ( nl, Gouden Eeuw ) was a period in the history of the Netherlands, roughly spanning the era from 1588 (the birth of the Dutch Republic) to 1672 (the Rampjaar, "Disaster Year"), in which Dutch trade, science, and Dutch art, art and the Dutch military were among the most acclaimed in Europe. The first section is characterized by the Eighty Years' War, which ended in 1648. The Golden Age continued in peacetime during the Dutch Republic until the end of the century, when costly conflicts, including the Franco-Dutch War and War of the Spanish Succession fuelled economic decline. The transition by the Netherlands to becoming the foremost maritime and economic power in the world has been called the "Dutch Miracle" by historian K. W. Swart. Causes of the Golden Age In 1568, the Dutch Republic, Seven Provinces that later signed the Union of Utrecht ( nl, Unie van Utrecht) started a rebellion against Philip II of Spain, Philip II of Spain that led to the Ei ...
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History Of Theatre
The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment and ''theatrical'' or ''performative'' elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 5th century BC, vibrant traditions of theatre have flourished in cultures across the world. Origins Despite theatre's resemblance to the performance of ritual activities, and the important relationship that theatre shares with ritual, there is no conclusive evidence to show that theatre originated from ritual.Cohen and Sherman (2020, ch. 7). This similarity of early theatre to ritual is negatively attested by Aristotle, who in his ''Poetics'' defined theatre in contrast to the performances of sacred mysteries: theatre di ...
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Former Theatres In The Netherlands
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ad ...
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17th Century In Amsterdam
17 (seventeen) is the natural number following 16 and preceding 18. It is a prime number. Seventeen is the sum of the first four prime numbers. In mathematics 17 is the seventh prime number, which makes seventeen the fourth super-prime, as seven is itself prime. The next prime is 19, with which it forms a twin prime. It is a cousin prime with 13 and a sexy prime with 11 and 23. It is an emirp, and more specifically a permutable prime with 71, both of which are also supersingular primes. Seventeen is the sixth Mersenne prime exponent, yielding 131,071. Seventeen is the only prime number which is the sum of four consecutive primes: 2, 3, 5, 7. Any other four consecutive primes summed would always produce an even number, thereby divisible by 2 and so not prime. Seventeen can be written in the form x^y + y^x and x^y - y^x, and, as such, it is a Leyland prime and Leyland prime of the second kind: :17=2^+3^=3^-4^. 17 is one of seven lucky numbers of Euler which produ ...
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Second Anglo-Dutch War
The Second Anglo-Dutch War or the Second Dutch War (4 March 1665 – 31 July 1667; nl, Tweede Engelse Oorlog "Second English War") was a conflict between Kingdom of England, England and the Dutch Republic partly for control over the seas and trade routes, where England tried to end the Dutch domination of world trade during a period of intense European commercial rivalry, but also as a result of political tensions. After initial English successes, the war ended in a Dutch victory. It was the second of Anglo-Dutch Wars, a series of naval wars fought between the English and the Dutch in the 17th and 18th centuries. Background Anglo-Dutch relations Traditionally, many historians considered that the First Anglo-Dutch War, First and Second Anglo-Dutch Wars arose from commercial and maritime rivalry between England and the Netherlands. Although continuing commercial tensions formed the background to the second war, a group of ambitious English politicians and naval officers ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Calvinist
Calvinism (also called the Reformed Tradition, Reformed Protestantism, Reformed Christianity, or simply Reformed) is a major branch of Protestantism that follows the theological tradition and forms of Christian practice set down by John Calvin and other Reformation-era theologians. It emphasizes the sovereignty of God and the authority of the Bible. Calvinists broke from the Roman Catholic Church in the 16th century. Calvinists differ from Lutherans (another major branch of the Reformation) on the spiritual real presence of Christ in the Lord's Supper, theories of worship, the purpose and meaning of baptism, and the use of God's law for believers, among other points. The label ''Calvinism'' can be misleading, because the religious tradition it denotes has always been diverse, with a wide range of influences rather than a single founder; however, almost all of them drew heavily from the writings of Augustine of Hippo twelve hundred years prior to the Reformation. The ...
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Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan o ...
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Joost Van Den Vondel
Joost van den Vondel (; 17 November 1587 – 5 February 1679) was a Dutch poet, writer and playwright. He is considered the most prominent Dutch poet and playwright of the 17th century. His plays are the ones from that period that are still most frequently performed, and his epic ''Joannes de Boetgezant'' (1662), on the life of John the Baptist, has been called the greatest Dutch epic. Vondel's theatrical works were regularly performed until the 1960s. The most visible was the annual performance, on New Year's Day from 1637 to 1968, of '' Gijsbrecht van Aemstel''. Vondel remained productive until a very old age. Several of his most notable plays like ' and ' were written after 1650, when he was already 65, and his final play ', written at the age of eighty, is considered one of his finest. Early life Vondel was born on 17 November 1587 on the Große Witschgasse in Cologne, Holy Roman Empire. His parents, Joost van den Vondel the Elder and Sara (née Kranen), were Mennonites of ...
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Gijsbrecht Van Aemstel (play)
''Gijsbrecht van Aemstel'' () is a 17th-century history play by Joost van den Vondel, written to inaugurate Amsterdam's first city theatre. The first production was planned to take place on 26 December 1637, but was postponed until 3 January 1638. The piece was then performed annually (on New Year's Day) in Amsterdam until 1968. Plot Set in 1304, it tells the story of the siege of Amsterdam and its surrounding towns, united by the Kennemers and Waterlanders. The reason for the siege is Gijsbrecht's alleged involvement in the abduction and manslaughter of Floris V in 1296. The enemy soldiers appear to leave but smuggle themselves into the town, hidden in a cargo of firewood being shipped in by the citizens of Amsterdam. After a violent battle, Gijsbrecht is forced to flee to Prussia, to found a "New Holland" there. Historical accuracy In reality, the nobleman who in 1304 invaded Amsterdam (to recover his position and possessions lost in 1296) was not Gijsbrecht IV (1235 ...
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Royal Palace (Amsterdam)
The Royal Palace of Amsterdam in Amsterdam (Dutch: ''Koninklijk Paleis van Amsterdam'' or ) is one of three palaces in the Netherlands which are at the disposal of the monarch by Act of Parliament. It is situated on the west side of Dam Square in the centre of Amsterdam, opposite the War Memorial and next to the Nieuwe Kerk. The palace was built as a city hall during the Dutch Golden Age in the 17th century. The building became the royal palace of King Louis Napoleon and later of the Dutch Royal House. History Town hall The structure was built as the Town Hall of the City of Amsterdam "facing the landing wharfs along Damrak, which at that time would have been busy with ships". The town hall was opened on 29 July 1655 by Cornelis de Graeff, the mayor of Amsterdam. The main architect was Jacob van Campen, who took control of the construction project in 1648. It was built on 13,659 wooden piles. Palace After the patriot revolution which swept the House of Orange from power a de ...
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