Scenes From The Life Of Saint Zenobius
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Scenes From The Life Of Saint Zenobius
''Scenes from the Life of Saint Zenobius'' is a series of paintings by the Italian Renaissance artist Sandro Botticelli. Four panels from the series survive, which are now in three different museums. Each depicts three or more incidents from the life of Zenobius, an early Bishop of Florence who perhaps died in 417. The works are all in tempera on wood, and around high, though their length varies rather more, from about . The National Gallery in London has two panels. One of these, ''Four Scenes from the Early Life of Saint Zenobius'' shows (left to right): Zenobius rejects the bride chosen by his parents, then walks away; Zenobius is baptized; his mother is baptized by the bishop of Florence; he is consecrated as Bishop of Florence by Pope Damasus (this in Rome). The second London panel shows ''Three Miracles of Saint Zenobius''. The Metropolitan Museum of Art in New York has a panel with another three miracles, also called by them ''Three Miracles of Saint Zenobius''. Th ...
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Last Rites
The last rites, also known as the Commendation of the Dying, are the last prayers and ministrations given to an individual of Christian faith, when possible, shortly before death. They may be administered to those awaiting execution, mortally injured, or terminally ill. Last rites cannot be performed on someone who has already died. Last rites, in sacramental Christianity, can refer to multiple sacraments administered concurrently in anticipation of an individual's passing. Catholic Church The Latin Church of the Catholic Church defines Last Rites as Viaticum (Holy Communion administered to someone who is dying), and the ritual prayers of Commendation of the Dying, and Prayers for the Dead. The sacrament of Anointing of the Sick is usually postponed until someone is near death. Anointing of the Sick has been thought to be exclusively for the dying, though it can be received at any time. Extreme Unction (Final Anointing) is the name given to Anointing of the Sick when ...
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Golden House
The Domus Aurea (Latin, "Golden House") was a vast landscaped complex built by the Emperor Nero largely on the Oppian Hill in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city.Roth (1993) It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site. History The Domus Aurea was probably never completed. Otho and possibly Titus allotted money to finish at least the structure on the Oppian Hill; this continued to be inhabited, notably by emperor Vitellius in 69 but only after falling ill, until it was destroyed in a fire under Trajan in 104. A symbol of decadence that caused severe embarrassment to Nero's successors, the Domus Aurea was stripped of its marble, jewels, and ivory within a decade. Although the Oppian villa continued to be inhabited for some years, soon after Nero's death other parts of the palace and grounds, encompassing 2.6 km2 (c. 1 mi2), were filled with earth a ...
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Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ...
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Boston
Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- most populous city in the country. The city boundaries encompass an area of about and a population of 675,647 as of 2020. It is the seat of Suffolk County (although the county government was disbanded on July 1, 1999). The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to a census-estimated 4.8 million people in 2016 and ranking as the tenth-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Providence, Rhode Island, is home to approximately 8.2 million people, making it the sixth most populous in the United States. Boston is one of the oldest ...
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Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. A $10 million reward for information leading to the art's recovery remains in place. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace. It ...
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The Story Of Lucretia (Botticelli)
''The Tragedy of Lucretia'' is a tempera and oil painting on a wood ''cassone'' or ''spalliera'' panel by the Italian Renaissance master Sandro Botticelli, painted between 1496 and 1504. Known less formally as the Botticelli Lucretia, it is housed in the Isabella Stewart Gardner Museum of Boston, Massachusetts, having been owned by Isabella Stewart Gardner in her lifetime. The picture of Lucretia's tragedy The picture is a syncretion of scenes from different legendary themes in different time periods that Botticelli considered related. The topic is revolt against tyranny, a popular one in the volatile Italian republics. The main scene is given center foreground. It is the beginning of the revolution that created the Roman republic. The legend is that Lucretia, a noblewoman, was raped by Sextus Tarquinius, the son of the last king of Rome. As a result, Lucius Junius Brutus took an oath to expel the Tarquinii from Rome and never to allow anyone else to reign. In the centre of the ...
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Bergamo
Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como and Iseo and 70 km (43 mi) from Garda and Maggiore. The Bergamo Alps (''Alpi Orobie'') begin immediately north of the city. With a population of around 120,000, Bergamo is the fourth-largest city in Lombardy. Bergamo is the seat of the Province of Bergamo, which counts over 1,103,000 residents (2020). The metropolitan area of Bergamo extends beyond the administrative city limits, spanning over a densely urbanized area with slightly less than 500,000 inhabitants. The Bergamo metropolitan area is itself part of the broader Milan metropolitan area, home to over 8 million people. The city of Bergamo is composed of an old walled core, known as ''Città Alta'' ("Upper Town"), nestled within a system of hills, and the modern expan ...
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Accademia Carrara
The Accademia Carrara, (), officially Accademia Carrara di Belle Arti di Bergamo, is an art gallery and an academy of fine arts in Bergamo, in Lombardy in northern Italy. The art gallery was established in about 1780 by , a Bergamasco collector or ' of the arts. The academy of fine arts was added to it in 1794. The school was recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, in 1988. History The art gallery was established in the early 1780s by , a Bergamasco collector or ' of the arts; by 1785 it was open to some visitors. An academy of fine arts was added to it in 1793 or 1794, initially under the direction of the Milanese painter Carlo Dionigi Sadis. Carrara made his will in 1795, leaving his entire estate to the gallery and art school he had founded; these were to be managed by a five-member commission, of which the first five were chosen by him. He died the next year. In 1810, a new building in the neo ...
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The Story Of Virginia (Botticelli)
''The Story of Virginia'' (Italian, ''Storie di Virginia''), is a painting by the Italian Renaissance painter Sandro Botticelli. It is a tempera on panel and measures 86 cm tall and 165 cm wide. It is currently held by the Accademia Carrara in Bergamo, Italy. It is one of the last works that Botticelli made exemplifying virtue, like ''The Story of Lucretia''. The painting has as a fundamental theme of violated honor and matrimonial fidelity. The combination of several scenes in a single image was common in the art of the early Renaissance. These are read from left to right: * Virginia, in the company of other women, is violated or assaulted by Marcus Claudius, who wants to force her to yield to Appius Claudius Crassus; * He carries her to the tribunal presided by Appius Claudius who declares her a slave; * The father and the husband of the woman plead for clemency * The father, to preserve the family honor, kills her and flees on horseback. This story is developed within ...
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Bier
A bier is a stand on which a corpse, coffin, or casket containing a corpse is placed to lie in state or to be carried to the grave.''The American Heritage Dictionary of the English Language'' (American Heritage Publishing Co., Inc., New York, 1973), s.v., "bier" In Christian burial, the bier is often placed in the centre of the nave with candles surrounding it, and remains in place during the funeral. The bier is a flat frame, traditionally wooden but sometimes of other materials. In antiquity it was often a wooden board on which the dead were placed, covered with a shroud. In modern times, the corpse is rarely carried on the bier without being first placed in a coffin or casket, though the coffin or casket is sometimes kept open. A bier is often draped with cloth to lend dignity to the funeral service. The modern funeral industry uses a collapsible aluminium bier on wheels, known as a "church truck" to move the coffin to and from the church or funeral home for services. Bi ...
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