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The Story Of Lucretia (Botticelli)
''The Tragedy of Lucretia'' is a tempera and oil painting on a wood ''cassone'' or ''spalliera'' panel by the Italian Renaissance master Sandro Botticelli, painted between 1496 and 1504. Known less formally as the Botticelli Lucretia, it is housed in the Isabella Stewart Gardner Museum of Boston, Massachusetts, having been owned by Isabella Stewart Gardner in her lifetime. The picture of Lucretia's tragedy The picture is a syncretion of scenes from different legendary themes in different time periods that Botticelli considered related. The topic is revolt against tyranny, a popular one in the volatile Italian republics. The main scene is given center foreground. It is the beginning of the revolution that created the Roman republic. The legend is that Lucretia, a noblewoman, was raped by Sextus Tarquinius, the son of the last king of Rome. As a result, Lucius Junius Brutus took an oath to expel the Tarquinii from Rome and never to allow anyone else to reign. In the centre of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goliath
Goliath ( ) ''Goləyāṯ''; ar, جُليات ''Ǧulyāt'' (Christian term) or (Quranic term). is a character in the Book of Samuel, described as a Philistine giant In folklore, giants (from Ancient Greek: ''gigas'', cognate giga-) are beings of human-like appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word ''giant'' is first attested in 1297 fr ... defeated by the young David in single combat. The story signified King Saul's unfitness to rule, as Saul himself should have fought for Kingdom of Israel (united monarchy), Israel. Scholars today believe that the original listed killer of Goliath was Elhanan, son of Jair, and that the authors of the Deuteronomist#Deuteronomistic history, Deuteronomic history changed the original text to credit the victory to the more famous character David. The phrase "#Modern usage of "David and Goliath", David and Goliath" has taken on a more popular meaning denoting an Underd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings About Suicide
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Sandro Botticelli
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1490s Paintings
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149 may refer to: *149 (number), a natural number *AD 149, a year in the 2nd century AD *149 BC, a year in the 2nd century BC *British Airways Flight 149, a flight from LHR to Kuwait City International Airport; the aircraft flying this flight was destroyed by Iraqi troops See also * List of highways numbered 149 The following highways are numbered 149: Canada * Prince Edward Island Route 149 Costa Rica * National Route 149 (Costa Rica), National Route 149 India * National Highway 149 (India) Japan * Japan National Route 149 United States * Alabama St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tuscany, the illegitimate son of the painter Fra Filippo Lippi and Lucrezia Buti. Filippino first trained under his father. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral. When his father died in 1469, he completed the frescoes with ''Storie della Vergine'' (''Histories of the Virgin'') in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472 the records of the painters' guild record that Botticelli had only Filippino Lippi as an assistant. His first works greatly resemble those of Botticelli, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially attr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holofernes
In the deuterocanonical Book of Judith, Holofernes ( grc, Ὀλοφέρνης; he, הולופרנס) was an invading Assyrian general known for having been beheaded by Judith, a Hebrew widow who entered his camp and beheaded him while he was drunk. Holofernes had been dispatched by Nebuchadnezzar to take vengeance on Israel, which had withheld assistance in his most recent war. Having occupied every country along the coastline, Holofernes destroyed all worship of gods other than Nebuchadnezzar. Holofernes was warned against attacking the Jewish people by Achior, the leader of the Ammonites; however, despite the advice he laid siege to the city of Bethulia, commonly believed to be Meselieh. The city almost fell to the invading army; Holofernes' advance stopped the water supply to Bethulia, leading to its people encouraging their rulers to give in to Holofernes' demands. The leaders vowed to surrender if no help arrived within five days. Bethulia was saved by Judith, a Hebrew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucius Tarquinius Superbus
Lucius Tarquinius Superbus (died 495 BC) was the legendary seventh and final king of Rome, reigning 25 years until the popular uprising that led to the establishment of the Roman Republic.Livy, ''ab urbe condita libri'', I He is commonly known as Tarquin the Proud, from his cognomen ''Superbus'' (Latin for "proud, arrogant, lofty"). Ancient accounts of the regal period mingle history and legend. Tarquin was said to have been either the son or grandson of Lucius Tarquinius Priscus, the fifth king of Rome, and to have gained the throne through the murders of both his wife and his elder brother, followed by the assassination of his predecessor, Servius Tullius. His reign has been described as a tyranny that justified the abolition of the monarchy. Background The most ancient sources, such as that of Quintus Fabius Pictor, assert Tarquin was the son of Tarquinius Priscus, but modern historians believe that to be "impossible" under the traditional chronology, indicating either he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lars Porsenna
Lars Porsena (or Porsenna; Etruscan: ) was an Etruscan king (lar) known for his war against the city of Rome. He ruled over the city of Clusium (Etruscan: ; modern Chiusi). There are no established dates for his rule, but Roman sources often place the war at around 508 BC. War against Rome Lars Porsena came into conflict with Rome after the revolution that overthrew the monarchy there in 509 BC, resulting in the exile of the semi-legendary last king of Rome, Lucius Tarquinius Superbus. The deposed monarch, whose family was of Etruscan origin, tried and failed to retake the throne a number of times before appealing to Porsena for assistance, since at that time Clusium was said to be a very powerful Etruscan city.Livy, ''Ab urbe condita'', 2.9 At this point, however, the histories diverge. According to most mainstream Roman accounts, including Livy, Porsena attacked and besieged Rome, but was sufficiently impressed by particular acts of Roman bravery in defending the city that he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horatius Cocles
Publius Horatius Cocles was an officer in the army of the early Roman Republic who famously defended the Pons Sublicius from the invading army of Etruscan King Lars Porsena of Clusium in the late 6th century BC, during the war between Rome and Clusium. By defending the narrow end of the bridge, he and his companions were able to hold off the attacking army long enough to allow other Romans to destroy the bridge behind him, blocking the Etruscans' advance and saving the city. Background Horatius was a member of the ancient patrician house of the Horatii, celebrated in legend since the combat between the Horatii and the Curiatii in the time of Tullus Hostilius, the third Roman king.Dionysius of Halicarnassus, ''Romaike Archaiologia'', v. 24, 25. He was a nephew of the consul, Marcus Horatius Pulvillus, and is said to have obtained his agnomen, ''Cocles'', meaning "one-eyed", because he lost an eye in the Battle of the Sublician Bridge. However, this may be a later elaboration, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collatia
Collatia was an ancient town of central Italy, c. 15 km northeast of Rome by the ''Via Collatina''. It appears in the legendary history of Rome as captured by Tarquinius Priscus. Vergil speaks of it as a Latin colony of Alba Longa. In the time of Cicero it had lost all importance; Strabo names it as a mere village, in private hands, while for Pliny it was one of the lost cities of Latium. According to Livy, it was taken, along with its population and surrounding land, from the Sabines by Tarquinius Priscus at the conclusion of his war against them. Livy records the wording of the form of the town's surrender. The date of Tarquinius' triumph over the Sabines, according to the Fasti Triumphales, which Livy says occurred shortly after the surrender of Collatia, is 13 September, 585 BC. By 509 BC the town was governed by the Roman Lucius Tarquinius Collatinus, who took his name from the town. It was the site of the rape of Lucretia in that year, and Livy records that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
