|
Scarsella (architecture)
In architecture, the scarsella is a small apse with a rectangular or square plan which protrudes outside the main structure. The term ''scarsella'', in ancient Florentine, means "purse", in particular the leather purse for money. Overview A scarsella can be seen in the Baptistery of Florence which, initially built octagonal, was then equipped with a smaller rectangular construction attached to the original building. Another medieval scarsella is that of the Cappellone degli Spagnoli in Santa Maria Novella, also in Florence, which served as a model for Filippo Brunelleschi to design the plans of the Sagrestia Vecchia of San Lorenzo and of the Pazzi Chapel. Brunelleschi studied a model of the chapel in which the base was square and the scarsella opened in the center of one of the walls, with the side dimension equal to one third of the chapel and with an area equal, therefore, to a one ninth of the entire chapel area. This scheme proved to be successful and was actively used by the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pazzi Chapel Florence 2008
The Pazzi were a noble Republic of Florence, Florentine family. Their main trade during the fifteenth century was banking. In the aftermath of the Pazzi conspiracy in 1478, members of the family were banished from Florence and their property was confiscated; the family name and coat-of-arms were permanently suppressed by order of the Signoria of Florence, Signoria. History The traditional story is that the family was founded by Pazzo di Ranieri, first man over the walls during the Siege of Jerusalem (1099), Siege of Jerusalem of 1099, during the First Crusade, who returned to Florence with flints supposedly from the Basilica of the Holy Sepulchre, Holy Sepulchre, which were kept at Santi Apostoli (Florence), Santi Apostoli and used on Holy Saturday to re-kindle fire in the city. The historical basis of this legend has been in question since the work of in the mid-nineteenth century. The first apparently historical figure in the family is the who was a captain of the Flore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuliano Da Sangallo
Giuliano da Sangallo (c. 1445 – 1516) was an Italian sculptor, architect and military engineer active during the Italian Renaissance. He is known primarily for being the favored architect of Lorenzo de' Medici, his patron. In this role, Giuliano designed a villa for Lorenzo as well as a monastery for Augustinians and a church where a miracle was said to have taken place. Additionally, Giuliano was commissioned to build multiple structures for Pope Julius II and Pope Leo X. Leon Battista Alberti and Filippo Brunelleschi heavily influenced Sangallo and in turn, he influenced other important Renaissance figures such as Raphael, Leonardo da Vinci, his brother Antonio da Sangallo the Elder, and his sons, Antonio da Sangallo the Younger and Francesco da Sangallo. Early life Giuliano da Sangallo (né Giuliano Giamberti) was born c. 1445 in Florence. His father, Francesco Giamberti, was a woodworker and an architect who worked closely with Cosimo de' Medici. This proved to be helpful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Architecture
Church architecture refers to the architecture of buildings of churches, convents, seminaries etc. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the birth of Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arches And Vaults
An arch is a vertical curved structure that spans an elevated space and may or may not support the weight above it, or in case of a horizontal arch like an arch dam, the hydrostatic pressure against it. Arches may be synonymous with vaults, but a vault may be distinguished as a continuous arch forming a roof. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture, and their systematic use started with the ancient Romans, who were the first to apply the technique to a wide range of structures. Basic concepts An arch is a pure compression form. It can span a large area by resolving forces into compressive stresses, and thereby eliminating tensile stresses. This is sometimes denominated "arch action". As the forces in the arch are transferred to its base, the arch pushes outward at its base, denominated "thrust". As the rise, i. e. height, of the arch decreases the outward thrust increases. In order to preserve arch action and prevent collapse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse Chapel
An apse chapel, apsidal chapel, or chevet is a chapel in traditional Christian church architecture, which radiates tangentially from one of the bays or divisions of the apse. It is reached generally by a semicircular passageway, or ambulatory, exteriorly to the walls or piers of the apse. Features In plan, the normal type of the tangential chapel is semicircular; some, however, are pentagonal, and some composed of a small circle, serving as choir, and part of a large circle, as nave; some are oblong with eastern apses. In England, sometimes an ambulatory connects the north and south aisles of the choir and from the ambulatory projects an eastern chapel or chapels. The eastern chevet of Westminster Abbey, surrounded by five apsidal chapels, is the only complete example of this feature in England. The common source of the ambulatory and radiating chapels seems to have been the church of St. Martin of Tours, where originally there was a choir of two bays, and an apse of five bays, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antechamber
A vestibule (also anteroom, antechamber, or foyer) is a small room leading into a larger space such as a lobby, entrance hall or passage, for the purpose of waiting, withholding the larger space view, reducing heat loss, providing storage space for outdoor clothing, etc. The term applies to structures in both modern and classical architecture since ancient times. In modern architecture, a vestibule is typically a small room next to the outer door and connecting it with the interior of the building. In ancient Roman architecture, a vestibule ( la, vestibulum) was a partially enclosed area between the interior of the house and the street. Ancient usage Ancient Greece Vestibules were common in ancient Greek temples. Due to the construction techniques available at the time, it was not possible to build large spans. Consequently, many entranceways had two rows of columns that supported the roof and created a distinct space around the entrance. In ancient Greek houses, the prothyru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence Baptistery
The Florence Baptistery, also known as the Baptistery of Saint John ( it, Battistero di San Giovanni), is a religious building in Florence, Italy, and has the status of a minor basilica. The octagonal baptistery stands in both the Piazza del Duomo and the Piazza San Giovanni, across from Florence Cathedral and the Campanile di Giotto. The Baptistery is one of the oldest buildings in the city, constructed between 1059 and 1128 in the Florentine Romanesque style. Although the Florentine style did not spread across Italy as widely as the Pisan Romanesque or Lombard styles, its influence was decisive for the subsequent development of architecture, as it formed the basis from which Francesco Talenti, Leon Battista Alberti, Filippo Brunelleschi, and other master architects of their time created Renaissance architecture. In the case of the Florentine Romanesque, one can speak of "proto-renaissance", but at the same time an extreme survival of the late antique architectural traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Dei Miracoli, Venice
Santa Maria dei Miracoli is a church in the sestiere of Cannaregio, in Venice, Italy. Architecture and restoration Also known as the "marble church", it is one of the best examples of the early Venetian Renaissance including colored marble, a false colonnade on the exterior walls (pilasters), and a semicircular pediment. The organisation Save Venice Inc. restored the church over a period of seven years, from 1990 to 1997 (after several years of preliminary research). The treatments focussed on the marble sheeting and sculptural decoration of both the exterior and interior of the church. The marble cladding contained 14% salt, and was on the point of bursting, when restorers began the desalination and cleaning process. All marble cladding was removed, and cleaned in stainless steel tanks, in a solution of distilled water. Additionally, the campaign worked in the coffered ceiling, which was made up of fifty-two wooden panels depicting saints and prophets. The cleaning led to the redi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Delle Carceri, Prato
Santa Maria delle Carceri is a basilica church, designed by Giuliano da Sangallo, and built in Prato, Tuscany, Italy. It is among the earliest examples of a Greek cross plan for a complete church in Renaissance architecture. History According to the tradition, on July 6, 1484, a painted image of Madonna and Child, located on a wall of the public jail ('' carceri'') of Prato, began to animate itself in the eyes of a local child. It was therefore decided to build a basilica on that site to celebrate the event. Lorenzo de Medici, lord of the Republic of Florence, imposed a design by his favourite architect, da Sangallo. The latter's proposal included a Greek cross plan inspired to Filippo Brunelleschi's Pazzi Chapel and by Leon Battista Alberti's theoretical works; Sangallo used the same idea for his first project of St Peter's Basilica, later superseded by Michelangelo. The same model inspired his brother Antonio da Sangallo the Elder for the church of San Biagio at Montepulcia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Antechamber")
.jpg "Click for more on -> Venice")
.jpg "Click for more on -> Santa Maria Dei Miracoli, Venice")
