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Sazsemai
The ''saz semai'' (also spelled in Turkish as ''saz sema'i'', ''saz sema-i'', ''saz sema i'', ''saz semaī'', ''saz semâ'î'', ''sazsemai'', ''saz semaisi'', or ''sazsemaisi'' and in the Arab world as ''samâi'') is an instrumental form in Ottoman classical music. It was typically the closing movement of a ''fasıl'' (i.e. suite). The saz semai is metered and typically uses the usul (rhythmic structure) called ''aksak semai''. A saz semai is typically in 4 movements, called ''hane'' (lit. "house"), each movement followed by a ''teslim'' ( refrain). The ''teslim'' and the first three ''hane'' are usually in rhythm structure 10/8, unlike the fourth ''hane'' which will be in 6/4. Common Saz Semaisi Some Saz Semaisi are very known and played in the all makam music area (From Greece to Iraq, and from Iraq to Morocco). Here a few of them : *Samâi al Thakil - also called : Arap saz semai. This samai is in makam Bayati. *Samâi Al-Aryan - also called : Samâi Bayati. *Samâi Sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Language
Turkish ( , ), also referred to as Turkish of Turkey (''Türkiye Türkçesi''), is the most widely spoken of the Turkic languages, with around 80 to 90 million speakers. It is the national language of Turkey and Northern Cyprus. Significant smaller groups of Turkish speakers also exist in Iraq, Syria, Germany, Austria, Bulgaria, North Macedonia, Greece, the Caucasus, and other parts of Europe and Central Asia. Cyprus has requested the European Union to add Turkish as an official language, even though Turkey is not a member state. Turkish is the 13th most spoken language in the world. To the west, the influence of Ottoman Turkish—the variety of the Turkish language that was used as the administrative and literary language of the Ottoman Empire—spread as the Ottoman Empire expanded. In 1928, as one of Atatürk's Reforms in the early years of the Republic of Turkey, the Ottoman Turkish alphabet was replaced with a Latin alphabet. The distinctive characteristics of the Turk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanburi Cemil Bey
Tanburi Cemil Bey (1873, Istanbul – July 28, 1916, Istanbul) was an Ottoman tanbur, Turkish tambur, yaylı tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the ''taksim'' (improvisation on a makam/maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Biography Cemil Bey was born in Istanbul, Ottoman Empire, in 1871 or 1873; his birth date is uncertain. He took his first lessons in music from Kanuni Ahmet Bey and the violin player Kemani Aleksan, his first instruments thus being the violin and the kanun. After completing middle school, he continued in a school for civil servants (''Mülkiye''), but then devoted himself to music and abandoned his education. He began to play the tanbur quite early in his youth and by the age of 20, his renown had already spread among the tamburis of Istanbul. Reforming the traditional playing technique of the tambur, he developed an energetic tech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Forms
In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated primar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Words And Phrases
Turkish may refer to: *a Turkic language spoken by the Turks * of or about Turkey ** Turkish language *** Turkish alphabet ** Turkish people, a Turkic ethnic group and nation *** Turkish citizen, a citizen of Turkey *** Turkish communities and minorities in the former Ottoman Empire * Ottoman Empire (Ottoman Turkey), 1299–1922, previously sometimes known as the Turkish Empire ** Ottoman Turkish, the Turkish language used in the Ottoman Empire * Turkish Airlines, an airline * Turkish music (style), a musical style of European composers of the Classical music era See also * * * Turk (other) * Turki (other) * Turkic (other) * Turkey (other) * Turkiye (other) * Turkish Bath (other) * Turkish population, the number of ethnic Turkish people in the world * Culture of Turkey * History of Turkey ** History of the Republic of Turkey The Republic of Turkey was created after the overthrow of Sultan Mehmet VI Vahdettin by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Music
The music of Turkey includes mainly Turkic and Byzantine elements as well as partial influences ranging from Ottoman music, Middle Eastern music and Music of Southeastern Europe, as well as references to more modern European and American popular music. Turkey is a country on the northeastern shore of the Mediterranean Sea, and is a crossroad of cultures from across Europe, North Africa, the Middle East, the Caucasus and South and Central Asia. The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yürük Semai
Yurukikos or Yurukiko () is a Greek instrumental dance from Agiasos, Lesbos, Greece, with a nine beat rhythm. The dance has many similarities with antikristos dance. The tune take its name from the Yörüks, the Turkish nomadic tribe. The dance can be also compared with Greek rebetiko dances of that time. See also *Antikristos *Greek dances *Music of Greece *Rebetiko Rebetiko ( el, ρεμπέτικο, ), plural rebetika ( ), occasionally transliterated as rembetiko or rebetico, is a term used today to designate originally disparate kinds of urban Greek music which have come to be grouped together since the s ... External links Musipedia: Γιουρούκικο {{Turkish dances European folk dances Greek dances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sama'i
''Sama'i'' (also known as ''usul semai'') is a vocal piece of Ottoman Turkish music composed in 6/8 meter. This form and meter ('' usul'' in Turkish) is often confused with the completely different ''Saz Semaisi'', an instrumental form consisting of three to four sections, in 10/8 meter, or ''usul aksak semai'' (broken ''semai'' in Turkish). ''Semai'' is one of the most important forms in Ottoman Turkish Sufi music. Sample songs See also *''Saz semai'' *''Yürük semai'' *Waltz *Dede Efendi DeDe, De De, Dedé or Dédé may refer to: People Nickname or stage name * Dedé (Angolan footballer), born Adérito Waldemar Alves Carvalho * Dedé (footballer, born 1978), Brazilian footballer born Leonardo de Deus Santos * Dedé (footballer, b ... References * ''The Music of the Ottoman Court'' - Walter Feldman * ''Sufism, Music and Society'' - Swedish Research Institute * ''Makam'' - Karl Signell * ''Meaning in Turkish Musical Culture'' - Eugenia Popescu-Judetz External linksmany pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tatyos Efendi
Tatyos Ekserciyan (1858 – March 16, 1913), or Tatyos Efendi, was a famous composer of classical Turkish music, and his works continue to be among the most played and revered examples of the genre. An Armenian from Istanbul, Tatyos Efendi was born in 1858 in the Ortaköy district of Istanbul as the son of Manug Aga, an amateur musician at the Ortaköy Armenian Church. Tatyos Efendi's family had a minor trading business and when he finished the Ortaköy Armenian Elementary School, he started an apprenticeship at a locksmith and later became an apprentice at a savat workshop (a traditional form of silver work). Due to his deep interest in music, Tatyos Efendi left his apprenticeship and bought a second hand kanun to receive his first music lessons from his uncle Movses Papazyan. He played the kanun with amateur groups and musical meetings in a family setting. Later, he took violin lessons from Kemani Kör Sebuh and lessons in singing and theory from Andon and Civan brothers an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arab World
The Arab world ( ar, اَلْعَالَمُ الْعَرَبِيُّ '), formally the Arab homeland ( '), also known as the Arab nation ( '), the Arabsphere, or the Arab states, refers to a vast group of countries, mainly located in Western Asia and Northern Africa, that linguistically or culturally share an Arab identity. A majority of people in these countries are either ethnically Arab or are Arabized, speaking the Arabic language, which is used as the '' lingua franca'' throughout the Arab world. The Arab world is at its minimum defined as the 18 states where Arabic is natively spoken. At its maximum it consists of the 22 members of the Arab League, an international organization, which on top of the 18 states also includes the Comoros, Djibouti, Somalia and the partially recognized state of Palestine. The region stretches from the Atlantic Ocean in the west to the Arabian Sea in the east, and from the Mediterranean Sea in the north to the Indian Ocean in the sout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teslim
A ''teslīm'' ( ar, تسليم; also spelled ''taslim'' or ''tasleem'') is a refrain in classical Arabic music and Ottoman classical music. It returns several times in the genres of ''sama'i'', ''peşrev'', and ''saz semaisi''. This term is the equivalent to the Ottoman term ''mülâzeme''. External links''Teslim'' - Turkish Musical Forms *Walter Zev Feldman (20 January 2001). Ottoman music. ''Grove Music Online ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...'' Arabic music Turkish music {{Arabic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
