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Sarang Ragas
Sarang ragang {{IPA-hns, ˈsärəŋg ˈrägäŋg (ISO 15919/IAST: ''Sāraṅg rāgaṅg'', Hindi and Marathi: सारंग रागांग, Bengali: সারং রাগাঙ্গ), and all other ragas falling under this category are ragas in the Hindustani Classical music. ''Ragang'' refers to a family of ragas, sharing a common melodic kernel. Other similar raga families are the Malhar family and the Kanada family. The Sarang ragas are sung in the time period of early afternoon. This includes many ragas originating from folk music and songs. The Sarang raga and all other ragas falling under in this type depict the scenes of the Indian historic past events, e.g. raga Brindabani Sarang depicting Vrindavan village or Lankadahan Sarang depicting Lord Hanuman singing this raga while burning Lanka with his tail, etc. History The main raga Sarang was created by Swami Haridas. The associated mythology being that he brought Lord Krishna to earth by singing this raga who too ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ISO 15919
ISO 15919 (Transliteration of Devanagari and related Indic scripts into Latin characters) is one of a series of international standards for romanization by the International Organization for Standardization. It was published in 2001 and uses diacritics to map the much larger set of consonants and vowels in Brahmic and Nastaliq scripts to the Latin script. Overview Relation to other systems ISO 15919 is an international standard on the romanization of many Brahmic scripts, which was agreed upon in 2001 by a network of the national standards institutes of 157 countries. However, the Hunterian transliteration system is the "national system of romanization in India" and a United Nations expert group noted about ISO 15919 that "there is no evidence of the use of the system either in India or in international cartographic products." Another standard, United Nations Romanization Systems for Geographical Names (UNRSGN), was developed by the United Nations Group of Experts on Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haveli Sangeet
Haveli Sangeet is a form of Hindustani classical music sung in ''havelis''. The essential component is dhrupad. It originated in Mathura in Braj, northern India. It takes the form of devotional songs sung daily to Krishna by the Pushtimarg sect. Under the survey of All India Radio, Government of India it was realized by learned surveyors that the bandish, khayal sung in various gharanas of Hindustani classical music are derived from Haveli Sangeet where they are sung in complete and original form. Some notable Haveli Sangeet vocalists are: * Vitthalanatha (c. 1516-1588) * Harirayji Maharaphu * Aacharya Dr. Gokulotsavji Maharaj History ''Havelis'' were places where Hindu deities were installed; due to restrictions on Hindu temples during the Muslim rulers, it was called Haveli Sangeet. Basically, Haveli Sangeet is another name for Hindu temple music practiced by the followers of Vaishnavism of Nathdwara in Rajasthan, Gujarat, India, and considered a part of a rich historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chhayanat (raga)
Chhayanat ("shadow or glimpse of ''Nat''") is a raga in Hindustani classical music. It is a relative of Nat Nat or NAT may refer to: Computing * Network address translation (NAT), in computer networking Organizations * National Actors Theatre, New York City, U.S. * National AIDS trust, a British charity * National Archives of Thailand * National As ..., an old raga that is rarely performed. Technical description Chhayanat is a very popular raag whereas its constituent "Chhaya" and "Nat" are rarely sung anymore. Its distinctive phrases P->R and P->S' set it apart from the related Kamod, Kedar, Alhaiya Bilawal and Hameer. Samay Chhayanat is an evening raag, and is sung during the second "prahar" 9PM-12AM. References Hindustani ragas {{India-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaijaiwanti
Jaijaivanti or Jaijaiwanti is a Hindustani classical ''raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' appears in the latter section in Gurbani, as only four hymns were composed by Guru Tegh Bahadur, the ninth Sikh guru. These hymns were added by his son and successor Guru Gobind Singh in 1705 A.D. This ''raga'' is not mentioned in any Indian classical scriptures on music nor in the ''Ragmala''. According to Guru Granth Sahib, Jaijaivanti (ਜੈਜਾਵੰਤੀ) expresses the feeling of happiness and satisfaction of achievement, while simultaneously conveying the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put duty first. The duality of the emotions of joy and sorrow prevents overreacting to good or bad news. Raga Jaijaiwanti bears th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malkauns
Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol. According to Indian classical vocalist Pandit Jasraj, Malkauns is a raga that is "sung during small hours of the morning, just after midnight." He further adds that the raga has a soothing and intoxicating effect. Etymology The name ''Malkaush'' is derived from the combination of ''Mal'' and ''Kaushik'', which means he who wears serpents like garlands – the god Shiva. However, the ''Malav-Kaushik'' mentioned in classical texts does not appear to be the same as the ''Malkauns'' performed today. The raga is believed to have been created by goddess Parvati to calm lord Shiva, when he was outraged and refused to calm down after Tandav in rage of Sati's sacrifice. In ''Jainism'', it is also stated that the Raga Malkauns is used by the ''Tirthank ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tansen
Tansen ( – 26 April 1589), also referred to and commonly known as Sangeet Samrat () , was a Hindustani classical musician. Born in a Hindu Gaur Brahmin family, he learnt and perfected his art in the northwest region of modern Madhya Pradesh. He began his career and spent most of his adult life in the court and patronage of the Hindu king of Rewa, Raja Ramchandra Singh (r.1555–1592), where Tansen's musical abilities and studies gained widespread fame. This reputation brought him to the attention of the Mughal Emperor Akbar, who sent messengers to Raja Ramchandra Singh, requesting Tansen to join the musicians at the Mughal court. Tansen did not want to go, but Raja Ramchandra Singh encouraged him to gain a wider audience, and sent him along with gifts to Akbar. In 1562, about the age of 60, the Vaishnava musician Tansen joined the Akbar's court, and his performances became a subject of many court historians. Numerous legends have been written about Tansen, mixing facts a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malhar
"Malhar" is a Hindustani classical raga. Malhar is associated with torrential rains. Besides the basic Shuddha Malhar, which was the original Malhar, several Malhar-related ragas use the Malhar signature phrase m (m)R (m)R P, including "Miyan ki Malhar", "Megh Malhar", "Ramdasi Malhar", "Gaud Malhar", "Sur Malhar", "Shuddha Malhar", "Desh Malhar", "Nat Malhar", "Dhulia Malhar", and "Meera ki Malhar". This phrase, although it might seem similar and equivalent, is different from the swara phraseology employed in Raga "Brindavani Sarang". It can be determined that raga Malhar or rather Miyan ki Malhar is a mixture of ragas "Brindavani Sarang", raga "Kafi" and raga "Durga".This raga has a ''Vakra'' form (meaning that the swaras of a raga are not completely arranged in a particularly straightforward manner), and is classified as a Ghambir Prakruti raga (meaning that it is played slow with patience, and it is played in a serious tone/note). Legend According to legend, Malhar is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbar And Tansen Visit Haridas
Abu'l-Fath Jalal-ud-din Muhammad Akbar (25 October 1542 – 27 October 1605), popularly known as Akbar the Great ( fa, ), and also as Akbar I (), was the third Mughal emperors, Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in India. A strong personality and a successful general, Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent. His power and influence, however, extended over the entire subcontinent because of Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration throughout his empire and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturally diverse empire, he adopted policies that won him the support of his non-Muslim subje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sundar Kand
Sundara Kanda ( sa, सुन्दरकाण्ड , lit=beautiful chapter, translit=Sundara Kāṇḍa) is the fifth book in the Hindu epic Ramayana. The original ''Sundara Kanda'' is in Sanskrit, and was composed in popular tradition by Valmiki, who was the first to scripturally record the ''Ramayana''. Sundara Kanda is the only chapter of the ''Ramayana'' in which the principal protagonist is not Rama, but Hanuman. The work depicts the adventures of Hanuman and his selflessness, strength, and devotion to Rama are emphasised in the text. Hanuman is believed to have been fondly called “Sundara” by his mother Anjana, and Sage Valmiki is stated to have chosen this name over others as the Sundara Kanda is about Hanuman's journey to Lanka. Summary The Sundara Kanda forms the heart of Valmiki's Ramayana and consists of a detailed, vivid account of Hanuman's adventures. After learning about Sita, Hanuman assumes a gargantuan form and makes a colossal leap across the ocean to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lanka
Lanka (, ) is the name given in Hindu epics to the island fortress capital of the legendary asura king Ravana in the epics of the ''Ramayana'' and the ''Mahabharata''. The fortress was situated on a plateau between three mountain peaks known as the Trikuta Mountains. The ancient city of Lankapura is said to have been burnt down by Hanuman. After its king, Ravana was killed by Rama with the help of Ravana's brother Vibhishana, the latter was crowned king of Lankapura. His descendants were said to still rule the kingdom during the period of the Pandavas. According to the ''Mahabharata'', the Pandava Sahadeva visited this kingdom during his southern military campaign for the rajasuya of Yudhishthira. Ramayana The island was situated on a plateau between three mountain peaks known as the Trikuta Mountains. The ancient city of Lankapura is thought to have been burnt down by Hanuman. After its king, Ravana was killed by Rama with the help of Ravana's brother Vibhishana, the latt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Hanuman
Hanuman (; sa, हनुमान, ), also called Anjaneya (), is a Hindu god and a divine ''vanara'' companion of the god Rama. Hanuman is one of the central characters of the Hindu epic ''Ramayana''. He is an ardent devotee of Rama and one of the Chiranjivis. Hanuman is regarded to be the son of the wind-god Vayu, who in several stories played a direct role in Hanuman's birth, and considered to be an incarnation or son of Shiva in Shaivism. Hanuman is mentioned in several other texts, such as the epic ''Mahabharata'' and the various Puranas. Evidence of devotional worship to Hanuman is largely absent in these texts, as well as in most archeological sites. According to Philip Lutgendorf, an American Indologist, the theological significance of Hanuman and devotional dedication to him emerged about 1,000 years after the composition of the ''Ramayana'', in the 2nd millennium CE, after the arrival of Islamic rule in the Indian subcontinent.Paula Richman (2010), ''Review: Lutge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
