Sarabeswarar
Sharabha ( sa, शरभ, ,Tamil: ஸரபா, kn, ಶರಭ, Telugu: శరభ) or Sarabha is a part-lion and part-bird beast in Hindu history, who is described eight-legged and more powerful than a lion or an elephant, possessing the ability to clear a valley in one jump. In later literature, Sharabha is described as an eight-legged deer. The Shaiva scriptures narrate that god Shiva assumed the form of Sharabha to pacify Narasimha - the fierce man-lion avatar of Vishnu worshipped by the Vaishnava sect. This form is popularly known as Sharabeshwara ("Lord Sharabha") or Sharabeshwaramurti. The Vaishnavas refute the portrayal of Narasimha as being destroyed by Shiva-Sharabha and regard Sharabha as a name of Vishnu. The Vimathgira purana, Vathistabhaana purana, Bhalukka purana, and other puranas narrate that Vishnu assumed the form of the ferocious Gandabherunda bird-animal to combat Sharabha. Development of character and iconography In Sanskrit literature, Sharabha is initially ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Munneswaram Temple
Munneswaram temple ( ta, முன்னேசுவரம் கோயில், si, මුන්නේශ්වරම් කෝවිල) is an important regional Hindu temple complex in Sri Lanka. It has been in existence at least since 1000 CE although myths surrounding the temple associate it with the popular Indian epic Ramayana, and its legendary hero-king Rama. The temple is one of the ancient Pancha Ishwarams dedicated to Shiva in the region. The temple complex is a collection of five temples, including a Buddhist temple. The central temple dedicated to Shiva (Siva) is the most prestigious and biggest, and is popular amongst Hindus. The other temples are dedicated to Ganesha, Aiyanar and Kali. The Kali temple is also popular with Buddhists, who frequent the complex. Post-19th century, most of the devotees of all temples in the complex belong to the majority Sinhalese people, Sinhala Buddhist ethnic group; the temples, excluding the Ayyanayake and the Buddhist temple, are ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Buddha
Siddhartha Gautama, most commonly referred to as the Buddha, was a śramaṇa, wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but Great Renunciation, renounced his Householder (Buddhism), home life to live as a wandering ascetic ( sa, śramaṇa). After leading a life of begging, asceticism, and meditation, he attained Enlightenment in Buddhism, enlightenment at Bodh Gaya in what is now India. The Buddha thereafter wandered through the lower Indo-Gangetic Plain, teaching and building a Sangha, monastic order. He taught a Middle Way between sensual indulgence and severe asceticism, leading to Nirvana (Buddhism), Nirvana, that is, Vimutti, freedom from Avidyā (Buddhism), ignorance, Upādāna, craving, Saṃsāra (Buddhism), rebirth, and suffering. His teachings are summarized in the Noble ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chakra
Chakras (, ; sa , text=चक्र , translit=cakra , translit-std=IAST , lit=wheel, circle; pi, cakka) are various focal points used in a variety of ancient meditation practices, collectively denominated as Tantra, or the esoteric or inner traditions of Hinduism.Chakra: Religion Encyclopaedia Britannica The concept of the chakra arose in the early traditions of Hinduism. Beliefs differ between the Indian religions, with many Buddhist texts consistently mentioning five chakras, while Hindu sources reference six or seven. Early Sanskrit texts speak of them both as meditative visualizations combining flowers and mantras and as physical entit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vajra
The Vajra () is a legendary and ritual weapon, symbolising the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). The vajra is a type of club with a ribbed spherical head. The ribs may meet in a ball-shaped top, or they may be separate and end in sharp points with which to stab. The vajra is the weapon of Indra, the Vedic king of the devas and heaven. It is used symbolically by the dharmic traditions of Hinduism, Buddhism, and Jainism, often to represent firmness of spirit and spiritual power. According to Hinduism, the vajra is considered one of the most powerful weapons in the universe. The use of the vajra as a symbolic and ritual tool spread from Hinduism to other religions in India and other parts of Asia. Etymology According to Asko Parpola, the Sanskrit () and Avestan both refer to a weapon of the Godhead, and are possibly from the Proto-Indo-European root ''*weg'-'' which means "to be(come) powerful". It is related to Proto- ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Añjali Mudrā
Añjali Mudrā ( sa, अञ्जलि मुद्रा), is a hand gesture mainly associated with Indian religions and arts, encountered throughout Asia and beyond. It is a part of Indian classical dance postures such as Bharatanatyam, yoga practice, and forms part of the greeting Namaste. Among the performance arts, Anjali Mudra is a form of non-verbal, visual communication to the audience. It is one of 24 samyukta mudras of the Indian classical arts. There are several forms of the Anjali Mudra such as the ''brahmanjali''. The gesture is incorporated into many yoga asanas. The modern yoga pose praṇāmāsana ( sa, प्रणामासन, links=no) involves standing upright, with the hands in Añjali Mudrā. As a gesture, it is widely used as a sign of respect or a silent greeting in India, Sri Lanka, Nepal, Bhutan, Burma, Thailand, Laos, Cambodia, and Indonesia. It is also used among East Asian Buddhists, Chinese religionists, and Shintoists and adherents of similar A ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sritattvanidhi
The ''Sritattvanidhi'' (, "The Illustrious Treasure of Realities") is a treatise written in the 19th century in Karnataka on the iconography and iconometry of divine figures in South India. One of its sections includes instructions for, and illustrations of, 122 hatha yoga postures. Authorship The ''Sritattvanidhi'' is attributed to the then Maharaja of Mysore, Krishnaraja Wodeyar III (b. 1794 - d. 1868). The Maharaja was a great patron of art and learning, and was himself a scholar and writer. Around 50 works are ascribed to him. The first page of the ''Sritattvanidhi'' attributes authorship of the work to the Maharaja himself: {{quote, ''May the work Sri Tattvanidi, which is illustrated and contains secrets of mantras and which is authored by King Sri Krishna Raja Kamteerava, be written without any obstacle. Beginning of Shaktinidhi.''{{sfn, Wodeyar, 1997, loc=Shakti nidhi Martin-Dubost's review of the history of this work says that the Maharaja funded an effort to put tog ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Agama (Hinduism)
The Agamas (Devanagari: , IAST: ) are a collection of several Tantric literature and scriptures of Hindu schools.Julius Lipner (2004), Hinduism: the way of the banyan, in The Hindu World (Editors: Sushil Mittal and Gene Thursby), Routledge, , pages 27–28 The term literally means tradition or "that which has come down", and the Agama texts describe cosmology, epistemology, philosophical doctrines, precepts on meditation and practices, four kinds of yoga, mantras, temple construction, deity worship and ways to attain sixfold desires. These canonical texts are in Tamil and Sanskrit. Agamas were predominant in South India but Sanskritized later. The three main branches of Agama texts are Shaiva, Vaishnava, and Shakta. The Agamic traditions are sometimes called Tantrism, although the term "Tantra" is usually used specifically to refer to Shakta Agamas.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotes The Agama li ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kalika Purana
The Kalika Purana ( sa, Kālikā Purāṇa), also called the Kali Purana, Sati Purana or Kalika Tantra, is one of the eighteen minor Puranas (''Upapurana'') in the Shaktism tradition of Hinduism. The text was likely composed in Assam or Cooch Behar: "This story is recounted also in the Kālikāpurāṇa—the earliest text devoted to the worship of Kāmākhyā, probably compiled no later than the tenth–eleventh century in a region between Assam and Koch Bihar (a district of West Bengal)." region of India and is attributed to the sage Markandeya. It exists in many versions, variously organized in 90 to 93 chapters. The surviving versions of the text are unusual in that they start abruptly and follow a format not found in either the major or minor Purana-genre mythical texts of Hinduism. Various types of animal sacrifices for devi are detailed in the Purana. Content The text starts off with the legends of Devi trying to bring Shiva back from ascetic life into that of a household ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sharabha Upanishad
The ''Sharabha Upanishad'' ( sa, शरभ उपनिषत्, IAST: Sharabha Upaniṣad) is a minor Upanishads of the Atharva Veda. In a Telugu language anthology of 108 Upanishads of the Muktika in the modern era, narrated by Rama to Hanuman, it is listed at serial number 50. It is one of the 14 Shaiva Upanishads. The Upanishad eulogizes Lord Shiva as the Lord of the world who incarnates as Sharabha – a human-lion-bird version, to confront the human-lion Narasimha avatar of Vishnu, when Narasimha becomes destructive. The text is also called as the "Pippaladadharmasastra," as an exposition of the knowledge by Lord Brahma to sage Pippalada. Its title is also spelled as Sarabha Upanishad or Sharabhopanishad. Contents The Upanishad, after an initial prayer offering to Indra, Garuda, and Brihaspati seeking prosperity and peace to all, extols Lord Shiva or Mahesvara, in the first two verses as original God, creator of Brahma, Vishnu and other divinities, as governs the world, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shiva Purana
The ''Shiva Purana'' is one of eighteen major texts of the ''Purana'' genre of Sanskrit texts in Hinduism, and part of the Shaivism literature corpus. It primarily revolves around the Hindu god Shiva and goddess Parvati, but references and reveres all gods. The ''Shiva Purana'' asserts that it once consisted of 100,000 verses set out in twelve Samhitas (Books), however the Purana adds that it was abridged by Sage Vyasa before being taught to Romaharshana. The surviving manuscripts exist in many different versions and content, with one major version with seven books (traced to South India), another with six books, while the third version traced to the medieval Bengal region of the Indian subcontinent with no books but two large sections called ''Purva-Khanda'' (Previous Section) and ''Uttara-Khanda'' (Later Section). The two versions that include books, title some of the books same and others differently. The Shiva Purana, like other Puranas in Hindu literature, was likely a liv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Puranas
Purana (; sa, , '; literally meaning "ancient, old"Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on Puranas, , page 915) is a vast genre of Indian literature about a wide range of topics, particularly about legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in Languages of India, other Indian languages,John Cort (1993), Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts (Editor: Wendy Doniger), State University of New York Press, , pages 185-204 several of these texts are named after major Hindu gods such as Vishnu, Shiva, Brahma, and Adi Shakti. The Puranic genre of literature is found in both Hinduism and Jainism. The Puranic literature is encyclopedic, and it includes diverse topics such as cosmogony, cosmology, genealogies of gods, goddesses, kings, heroes, sages, and demigods, folk tales, pilgrimages, temples, medic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |