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Añjali Mudrā
Añjali Mudrā ( sa, अञ्जलि मुद्रा), is a hand gesture mainly associated with Indian religions and arts, encountered throughout Asia and beyond. It is a part of Indian classical dance postures such as Bharatanatyam, yoga practice, and forms part of the greeting Namaste. Among the performance arts, Anjali Mudra is a form of non-verbal, visual communication to the audience. It is one of 24 samyukta mudras of the Indian classical arts. There are several forms of the Anjali Mudra such as the ''brahmanjali''. The gesture is incorporated into many yoga asanas. The modern yoga pose praṇāmāsana ( sa, प्रणामासन, links=no) involves standing upright, with the hands in Añjali Mudrā. As a gesture, it is widely used as a sign of respect or a silent greeting in India, Sri Lanka, Nepal, Bhutan, Burma, Thailand, Laos, Cambodia, and Indonesia. It is also used among East Asian Buddhists, Chinese religionists, and Shintoists and adherents of similar A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Añjali Mudrā (Praṇāmāsana)
Añjali Mudrā ( sa, अञ्जलि मुद्रा), is a hand gesture mainly associated with Indian religions and arts, encountered throughout Asia and beyond. It is a part of Indian classical dance postures such as Bharatanatyam, yoga practice, and forms part of the greeting Namaste. Among the performance arts, Anjali Mudra is a form of non-verbal, visual communication to the audience. It is one of 24 samyukta mudras of the Indian classical arts. There are several forms of the Anjali Mudra such as the ''brahmanjali''. The gesture is incorporated into many yoga asanas. The modern yoga pose praṇāmāsana ( sa, प्रणामासन, links=no) involves standing upright, with the hands in Añjali Mudrā. As a gesture, it is widely used as a sign of respect or a silent greeting in India, Sri Lanka, Nepal, Bhutan, Burma, Thailand, Laos, Cambodia, and Indonesia. It is also used among East Asian Buddhists, Chinese religionists, and Shintoists and adherents of similar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Asian Buddhism
East Asian Buddhism or East Asian Mahayana is a collective term for the schools of Mahāyāna Buddhism that developed across East Asia which follow the Chinese Buddhist canon. These include the various forms of Chinese, Japanese, Korean, and Vietnamese Buddhism in East Asia.Jones, Charles B. (2021). ''Pure Land: History, Tradition, and Practice'', p. xii. Shambhala Publications, . East Asian Buddhists constitute the numerically largest body of Buddhist traditions in the world, numbering over half of the world's Buddhists. East Asian forms of Buddhism all derive from sinicized Buddhist schools that developed between the Han dynasty, as such religious transmissions were able to be afforded to enable the inexorable percolation of Buddhism into East Asia over a millenia due to the vibrant cultural exchanges that were able to be made at that time as a result of trade contacts with Central and South Asia along the Silk Road (when Buddhism was first introduced from Central Asia and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anjaneyasana
Añjaneyāsana (Sanskrit: अञ्जनेयासन, "Son of Anjani pose"), Crescent Moon Pose, or Ashwa Sanchalanasana (Equestrian Pose) is a lunging back bending asana in modern yoga as exercise. It is sometimes included as one of the asanas in the Surya Namaskar sequence, though usually with arms down in that case. Variations include Utthana Pristhasana, Lizard Pose. Etymology and origins The name Anjaneya is a matronymic for Hanuman, whose mother's name is Anjani. Hanuman is a central figure in the epic ''Rāmāyaṇa'', and an important Iṣṭa-devatā in devotional worship. Like many standing asanas, Anjaneyasana was unknown in medieval hatha yoga, and was brought into modern yoga in the 20th century from Indian martial arts. It is used in schools of modern yoga such as Sivananda Yoga. It is included as one of the asanas in Ashtanga Vinyasa Yoga's type 1 Surya Namaskar sequence. Description The asana is entered from a lunge, with the back knee lowered to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AishwaryaRai09
Aishwarya Rai Bachchan ( Rai; born 1 November 1973) is an Indian actress who is primarily known for her work in Hindi and Tamil films. The winner of the Miss World 1994 pageant, she has established herself as one of the most popular celebrities in India. Rai has received numerous accolades, including two Filmfare Awards, and was honoured with the Padma Shri by the Government of India in 2009 and the Ordre des Arts et des Lettres by the Government of France in 2012. She has often been cited in the media as "the most beautiful woman in the world". While in college, Rai did a few modelling jobs. Following appearances in several television commercials, she entered the Miss India pageant, in which she placed second. She was then crowned Miss World 1994, after which she began receiving offers to act in film. She made her acting debut in Mani Ratnam's 1997 Tamil film ''Iruvar'' and had her first Hindi film release in ''Aur Pyaar Ho Gaya'' that same year. Her first commercial success ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahasrara
Sahasrara ( sa, सहस्रार, IAST: , en, "thousand-petalled", with many alternative names and spellings) or the crown chakra is considered the seventh primary chakra in some yoga traditions. Hatha yoga The Sahasrara is described in a few medieval hatha yoga texts including the '' Śivasaṃhitā'' and the ''Tirumantiram'', but not within the Paścimāmnāya and Nath traditions; the '' Kubjikamatatantra'' describes only the six lower chakras. The scriptures vary in the position of the Sahasrara; the ''Siva Samhita'' states that it is beyond the body, whereas others place it at the fontanelle or brahmarandhra on the top of the head where the soul leaves the body at death. Description The Sahasrara is described as a lotus flower with 1,000 petals of different colors. These are arranged in 20 layers, each with approximately 50 petals. The pericarp is golden and within it a circular moon region is inscribed with a luminous triangle, which can be either upward- or do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brow Chakra
Ajna ( sa, आज्ञा, IAST: , ), brow or third eye chakra, is the sixth primary chakra in the body according to Hindu tradition and signifies the unconscious mind, the direct link to Brahman (ultimate reality). The third eye is said to connect people to their intuition, give them the ability to communicate with the world, or help them receive messages from the past and the future. Location The Ajna chakra is located in the center of the forehead between the eyebrows. It is not a part of the physical body but considered to be the part of pranic system. The location makes it a sacred spot where Hindus apply a tilak bindi to show reverence for it. Appearance The Ajna chakra is described as "a diamond-like lotus of two petals, presided by Hamsa Devata, and Susumna ( sa, नाडी, lit=tube, pipe, nerve, blood vessel, pulse) is a term for the channels through which, in traditional Indian medicine and spiritual theory, the energies such as prana of the physical bod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajna
Ajna ( sa, आज्ञा, IAST: , ), brow or third eye chakra, is the sixth primary chakra in the body according to Hindu tradition and signifies the unconscious mind, the direct link to Brahman (ultimate reality). The third eye is said to connect people to their intuition, give them the ability to communicate with the world, or help them receive messages from the past and the future. Location The Ajna chakra is located in the center of the forehead between the eyebrows. It is not a part of the physical body but considered to be the part of pranic system. The location makes it a sacred spot where Hindus apply a tilak bindi to show reverence for it. Appearance The Ajna chakra is described as "a diamond-like lotus of two petals, presided by Hamsa Devata, and Susumna Sakti. It corresponds to the Vijñāna state and Anupama Vak, and to the half matra of the Pranava." It is said to represent the nadis (psychic channels) Ida and Pingala, which meet the central Sushumna na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sternum
The sternum or breastbone is a long flat bone located in the central part of the chest. It connects to the ribs via cartilage and forms the front of the rib cage, thus helping to protect the heart, lungs, and major blood vessels from injury. Shaped roughly like a necktie, it is one of the largest and longest flat bones of the body. Its three regions are the manubrium, the body, and the xiphoid process. The word "sternum" originates from the Ancient Greek στέρνον (stérnon), meaning "chest". Structure The sternum is a narrow, flat bone, forming the middle portion of the front of the chest. The top of the sternum supports the clavicles (collarbones) and its edges join with the costal cartilages of the first two pairs of ribs. The inner surface of the sternum is also the attachment of the sternopericardial ligaments. Its top is also connected to the sternocleidomastoid muscle. The sternum consists of three main parts, listed from the top: * Manubrium * Body (gladiolus) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anahata
Anahata ( sa, अनाहत, IAST: , en, "unstruck") or heart chakra is the fourth primary chakra, according to Hindu Yogic, Shakta and Buddhist Tantric traditions. In Sanskrit, ''anahata'' means "unhurt, unstruck, and unbeaten". ''Anahata Nad'' refers to the Vedic concept of ''unstruck sound'' (the sound of the celestial realm). Anahata is associated with balance, calmness, and serenity. Etymology In Sanskrit Anahata means "sound produced without touching two parts" and at the same time it means "pure" or "clean, stainless". The name of this chakra signifies the state of freshness that appears when we are able to become detached and to look at the different and apparently contradictory experiences of life with a state of openness (expansion). Normally we are not used to the effect produced by the confrontation of the two opposite forces. At the level of Anahata chakra appears the possibility to integrate the two opposite forces and obtain the effect (sound, in this cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Sadhu Performing Namaste
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in the U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic Rasa (aesthetics), "Rasa" theory, which asserts that entertainment is a desired effect of performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudra
A mudra (; sa, मुद्रा, , "seal", "mark", or "gesture"; ,) is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers. As well as being spiritual gestures employed in the iconography and spiritual practice of Indian religions, mudras have meaning in many forms of Indian dance, and yoga. The range of mudras used in each field (and religion) differs, but with some overlap. In addition, many of the Buddhist mudras are used outside South Asia, and have developed different local forms elsewhere. In hatha yoga, mudras are used in conjunction with pranayama (yogic breathing exercises), generally while in a seated posture, to stimulate different parts of the body involved with breathing and to affect the flow of prana. It is also associated with bindu, bodhicitta, amrita, or consciousness in the body. Unlike older tantric mudras, hatha yogic mudras are generally inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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