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Sara Mingardo
Sara Mingardo (born 2 March 1961) is an Italian classical contralto who has had an active international career in concerts and operas since the 1980s. Her complete recording of Anna in Hector Berlioz's ''Les Troyens'' won a Gramophone Award and both the Grammy Award for Best Opera Recording and the Grammy Award for Best Classical Album in 2002. Some of the other roles she has performed on stage or on disc include Andronico in ''Tamerlano'', Mistress Quickly in '' Falstaff'', Rosina in ''The Barber of Seville'', and the title roles in ''Carmen'', ''Giulio Cesare'', ''Riccardo Primo'', and '' Rinaldo''. She has also recorded several Vivaldi cantatas, Bach cantatas, and such concert works as Mozart's ''Requiem'', Rossini's '' Stabat Mater'', and Vivaldi's ''Gloria'' among others. Life and career Born in Venice, Mingardo studied singing with Paolo Ghitti in her native city at the Conservatorio di Musica Benedetto Marcello di Venezia. She won first prize at the Toti dal Monte internatio ...
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Sara Mingardo
Sara Mingardo (born 2 March 1961) is an Italian classical contralto who has had an active international career in concerts and operas since the 1980s. Her complete recording of Anna in Hector Berlioz's ''Les Troyens'' won a Gramophone Award and both the Grammy Award for Best Opera Recording and the Grammy Award for Best Classical Album in 2002. Some of the other roles she has performed on stage or on disc include Andronico in ''Tamerlano'', Mistress Quickly in '' Falstaff'', Rosina in ''The Barber of Seville'', and the title roles in ''Carmen'', ''Giulio Cesare'', ''Riccardo Primo'', and '' Rinaldo''. She has also recorded several Vivaldi cantatas, Bach cantatas, and such concert works as Mozart's ''Requiem'', Rossini's '' Stabat Mater'', and Vivaldi's ''Gloria'' among others. Life and career Born in Venice, Mingardo studied singing with Paolo Ghitti in her native city at the Conservatorio di Musica Benedetto Marcello di Venezia. She won first prize at the Toti dal Monte internatio ...
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Bach Cantata
The cantatas composed by Johann Sebastian Bach, known as Bach cantatas (German: ), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Works from three annual cycles of cantatas for the litur ...
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Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival' ...
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La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ...
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La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's '' Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end bef ...
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Il Matrimonio Segreto
' (''The Secret Marriage'') is a dramma giocoso in two acts, music by Domenico Cimarosa, on a libretto by Giovanni Bertati, based on the 1766 play ''The Clandestine Marriage'' by George Colman the Elder and David Garrick. It was first performed on 7 February 1792 at the Imperial Hofburg Theatre in Vienna in the presence of Emperor Leopold II. Performance history Cimarosa's only work still to be regularly performed, it is arguably one of the greatest 18th century opera buffa apart from those by Mozart. Its premiere was the occasion of the longest encore in operatic history; Leopold II was so delighted that he ordered supper served to the company and the entire opera repeated immediately after. The Italian premiere of the opera was given at La Scala in Milan on 17 February 1793 with Maria Gazzotti as Carolina and Vincenzo Del Moro as Paolino. On 23 May, the same year, it arrived at the Teatre de la Santa Creu in Barcelona. England saw the work for the first time on 11 January 179 ...
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Domenico Cimarosa
Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan school and of the Classical period. He wrote more than eighty operas, the best known of which is '' Il matrimonio segreto'' (1792); most of his operas are comedies. He also wrote instrumental works and church music. Cimarosa was principally based in Naples, but spent some of his career in various other parts of Italy, composing for the opera houses of Rome, Venice, Florence and elsewhere. He was engaged by Catherine II of Russia as her court composer and conductor between 1787 and 1791. In his later years, returning to Naples, he backed the losing side in the struggle to overthrow the monarchy there, and was imprisoned and then exiled. He died in Venice at the age of 51. Life and career Early years Cimarosa was born in Aversa, a town near Naples. His family name was Cimmarosa, which is how he is recorded on his baptismal record. He appears to have been an only child. His fat ...
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Toti Dal Monte
Antonietta Meneghel (27 June 189326 January 1975), better known by her stage name Toti Dal Monte, was a celebrated Italian operatic lyric soprano . She may be best remembered today for her performance as Cio-cio-san in Puccini's ''Madama Butterfly'', having recorded this role complete in 1939 with Beniamino Gigli as Pinkerton. Career Born in Mogliano Veneto, in the Province of Treviso, Dal Monte studied singing at the Naples Conservatory under Barbara Marchisio. She made her debut at La Scala at the age of 23 as Biancofiore in Zandonai's ''Francesca da Rimini''. She was an immediate success, and her clear "nightingale-like" voice came to be highly appreciated throughout the world. Her best-known roles included the bel canto parts of Amina (in Bellini's ''La sonnambula''), Lucia (in Donizetti's ''Lucia di Lammermoor'') and Gilda (in Verdi's ''Rigoletto''). In 1922 she performed several parts opposite the tenor Carlo Broccardi at the Teatro Massimo in Palermo; including Cio-ci ...
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Conservatorio Di Musica Benedetto Marcello Di Venezia
The Conservatorio di Musica Benedetto Marcello di Venezia is a conservatory in Venice, Italy named after composer Benedetto Marcello and established in 1876. History The conservatory was established in 1876 as ''Liceo e Società Musicale Benedetto Marcello'', became communal in 1895 under the name ''Liceo Civico Musicale "Benedetto Marcello"'', and attained conservatory status in 1915 as ''Liceo Civico Musicale Pareggiato Benedetto Marcello''. In 1940, under the directorship of Gian Francesco Malipiero, it became ''Conservatorio di Stato "Benedetto Marcello"''. The conservatory is housed in Palazzo Pisani a Santo Stefano - built between 1614 and 1615 -, located facing Campo Santo Stefano in the sestiere of San Marco. The building is owned by the municipality of Venice.Historical facts (Italian)


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Paolo Ghitti
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art * Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor *Paolo Antonio Barbieri (1603–1649), Italian painter * Paolo Buggiani (born 1933), Italian contemporary artist * Paolo Carosone (born 1941), Italian painter and sculptor * Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter * Paolo Fiammingo (c. 1540–1596), Flemish painter * Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter * Paolo Monaldi, Italian painter *Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor * Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpora ...
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Gloria (Vivaldi)
Antonio Vivaldi wrote at least three Gloria compositions, settings of the hymn Gloria in excelsis Deo, with words probably dating back to the 4th century, and an integral part of the mass ordinary. Two of them have survived: RV 588 and RV 589. A third, RV 590, is mentioned only in the Kreuzherren catalogue and presumed lost. The RV 589 Gloria is a familiar and popular piece among sacred works by Vivaldi. It was probably written at about the same time as the RV 588, possibly in 1715. ''Introduction '' As with other choral pieces the composer, Vivaldi, wrote many ''introduzioni'' (introductory motets) that were to be performed before the Gloria itself. Four ''introduzioni'' exist for these Glorias: ''Cur Sagittas'' (RV 637), ''Jubilate, o amoeni cori'' (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), ''Longe Mala, Umbrae, Terrores'' (RV 640), and ''Ostro Picta'' (RV 642). Settings RV 588 The lesser known of the two survivin ...
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Stabat Mater (Rossini)
Stabat Mater is a work by Gioachino Rossini based on the traditional structure of the Stabat Mater sequence for chorus and soloists. It was composed late in his career after retiring from the composition of opera. He began the work in 1831 but did not complete it until 1841. Composition In 1831 Rossini was traveling in Spain in the company of his friend the Spanish banker, Alexandre Aguado, owner of Château Margaux. In the course of the trip, Fernández Varela, a state councillor, commissioned a setting of the traditional liturgical text, the Stabat Mater. Rossini managed to complete part of the setting of the sequence in 1832, but ill health made it impossible for him to complete the commission. Having written only half the score (nos. 1 and 5–9), he asked his friend Giovanni Tadolini to compose six additional movements. Rossini presented the completed work to Varela as his own. It was premiered on Holy Saturday of 1833 in the Chapel of San Felipe el Real in Madrid, but this v ...
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