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Santo Stefano Al Ponte
Santo Stefano al Ponte is a Romanesque-style, Roman Catholic church, located in the Piazza of the same name, just off the Via Por Santa Maria, near the Ponte Vecchio, in Florence, region of Tuscany, Italy. The church is presently used as a concert hall. History The church was originally constructed in the 11th and 12th century in a Romanesque style with a polychrome marble facade. The interior featured three aisles. In the 14th century, the exterior was renovated. Of the original facade, only the marble work around the portal remains. Between 1631 and 1655, the interior of the church was renovated to convert the three aisles to an open hall. A crypt was added and the interior was redesigned to include a choir. In 1373, the church was temporarily used by Boccaccio to deliver lectures on the Divine Comedy. The annexed diocesan museum houses a panel with a ''Madonna'' by Giotto. Inside the church are artworks by Matteo Rosselli (''Vision of San Lorenzo''); Niccolò Lapi; Giot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giottino
Giottino ( fl. 1324 – 1369), also known as Tommaso Fiorentino, was an early Italian painter from Florence. His real name was Maso di Stefano or Tommaso di Stefano. Giottino's father, Maestro Stefano Fiorentino, "Stefano the Florentine", was himself a celebrated painter in the school of Giotto; his naturalism earned him the appellation "Scimmia della Natura", the "Ape of Nature" for his perceived realism. He instructed his son, who applied himself to studying the works of the great Giotto. Since he formed his style on Giotto's works, Maso became known as Giottino. the "little Giotto". The frescoes in the chapel of San Silvestro in the Florentine Basilica of Santa Croce are attributed to Giottino; these represent the miracles of Pope St Sylvester as narrated in the ''Golden Legend''. Many other works have been attributed to Giottino including ''Apparition of the Virgin to St Bernard'' and a marble statue erected on the Florentine campanile. Giorgio Vasari Giorgio Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Churches In Florence
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *ῬωμΠ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mauro Soderini
Mauro Soderini (1704 – after 1739/1751) was an Italian painter of the late Baroque period, mainly painting sacred subjects and active in his native Florence. He studied in Bologna and Rome. In Florence he worked with Vincenzo Meucci and Giovanni Domenico Ferretti. He painted altarpieces for San Salvatore: a ''Deposition'' (1738; and for Santo Stefano: a ''Miracle of San Zenobi'' (1745). Luigi Lanzi describes him as a pupil of Giovanni Camillo Sagrestani or of Sagrestani's mentor, Carlo Cignani Carlo Cignani (15 May 1628 – 8 September 1719) was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well .... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Morosini
Francesco Morosini (26 February 1619 – 16 January 1694) was the Doge of Venice from 1688 to 1694, at the height of the Great Turkish War. He was one of the many Doges and generals produced by the noble Venetian family of Morosini.Encyclopædia Britannica, ''Morosini Family'', 2008, O.Ed. He "dressed always in red from top to toe and never went into action without his cat beside him." Early career Morosini first rose to prominence as Captain-General of the Venetian forces on Crete during the siege of Candia by the Ottoman Empire. He was eventually forced to surrender the city, and was accused of cowardice and treason on his return to Venice; however, he was acquitted after a brief trial. In 1685, at the outbreak of the Morean War, Morosini took command of a fleet against the Ottomans. Over the next several years, he captured the Morea with the help of Otto Wilhelm Königsmarck, as well as Lefkada and parts of western Greece. He also briefly captured Athens but was unable to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Curradi
Francesco Curradi or Currado (15 November 1570 – 1661) was an Italian painter of the style described as Counter-''Maniera'' or Counter-Mannerism, born and active in Florence. Biography Curradi was the son of a jeweller, Taddeo. He trained under Giovanni Battista Naldini and in 1590 matriculated in the Accademia del Disegno, Florence. His first independent works from 1597 to 1598 were for churches in Volterra, including that in the Colleoni chapel of the local Duomo. He helped paint the frescoes of the ''Fame Exalting Michelangelo'' (c. 1616–1617) for the Casa Buonarroti. In 1622 he painted the ''St Francis Xavier preaching in India'' for the church of San Giovannino degli Scolopi in Florence, and a canvas of ''Narcissus'' and ''Herminia among shepherds'' commissioned by the cardinal Carlo de' Medici for his Casino di San Marco. He also executed seven lunettes in the chapel of Villa del Poggio Imperiale with the ''Story of Mary Magdalen''. Curradi painted the ''Crowning of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Di Tito
Santi di Tito (5 December 1536 – 25 July 1603) was one of the most influential and leading Italian painters of the proto-Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism. Biography He was born in Florence, then its own city-state. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558 to 1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (''Homage of the People'') alongside Giovanni de' Vecchi and Niccolò Circignani. He acquired a classical trait, described as ''Raphaelesque'' by S. J. Freedberg. This style contrasted with the reigning ornate Roman painterliness of Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. After returning to Florence in 1564, he joined the Accademia del Disegno. He contributed two conventionally Mannerist paintings for the Duke's study and laboratory, the Stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cigoli
Lodovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Biography Lodovico Cardi was born at Villa Castelvecchio in Cigoli, Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori, and studied the works of Michelangelo, Correggio, Andrea del Sarto and Pontormo. Later, influenced by the most prominent of the " Counter-''Maniera''" painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting. For the Roman patron, Massimo Massimi, he painted an '' Ecce Homo'' (now in Palazzo Pitti). Supposedly unbeknownst to any of the painters, two other prominent contemporary pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Bianchi Buonavita
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena (1659 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Tacca
Ferdinando Tacca (1619–1686) was an Italian sculptor and architect, active during the Baroque period in Florence. Biography He was the son of Pietro Tacca, a sculptor active for the Medici in Florence. After Pietro's death in 1640, Ferdinado inherited his studio and bronze foundry in Borgo Pinti, where he produced both large equestrian monuments, statuary, and smaller-scale works for both local and foreign patrons. He helped complete in 1640 the bronze ''Equestrian Statue of King Philip IV of Spain'' in Madrid. He created the Crucifix for the Cathedral of Prato and the ''Fontana di Bacchino'', located in the city's main piazza. The fountain (1659-1665) depicts young Bacchus in bronze sitting around bunches of grapes. After 1650, Tacca also became a prominent stage designer and engineer. After 1656, Ferdinando was appointed engineer of the Medici buildings and fortifications. He designed the ''Teatro Della Pergola The Teatro della Pergola is an historic opera house in F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariotto Di Nardo
Mariotto di Nardo di Cione (''fl''. 1388–1424) was a Republic of Florence, Florentine painter in the Florentine Gothic style. He worked at the Duomo (Florence), Duomo of Florence, the church of Santa Maria Maggiore (Florence), Santa Maria Maggiore, and the Orsanmichele. He created both frescoes and panel paintings, and was also active as a manuscript Limner, illuminator. Personal life Mariotto flourished from 1394 to 1424. He was the grandson of Orcagna, Andrea di Cione di Arcangelo and the son of, and apprentice to, Nardo di Cione. Nardo had worked in Siena in 1380 and Volterra in 1381 as a stonecutter. With the lack of personal information on Mariotto, there is essentially no information on Mariotto's direct family, or if he had one at all. Influences Mariotto's style belongs to the Florentine Gothic and shows the influence of Spinello Aretino and Niccolò di Pietro, Niccolo di Pietro Gerini. his later style was influenced slightly by Lorenzo Monaco. Career Mariot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Lapi
Niccolò Lapi (Florence, c. 1667–1732) was an Italian painter of the Baroque period, active mainly in Tuscany. He is described as a follower of Giordano, 1831, Stefano Ticozzi, page 307 He painted for the church of San Jacopo Soprarno, the church of , and the church of |
