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Santissima Annunziata, Parma
The Santissima Annunziata, also called the Basilica del Paradiso, is a Renaissance architecture, Renaissance style, Roman Catholic church and convent located on Via Massimo D'Azeglio in Parma, Italy. History The church was built on a site of a convent once occupied by the Franciscan Order outside the city walls, but demolished in 1546 by the Duke Pier Luigi Farnese. Originally the church was dedicated to Saints Gervasius and Protasius, Gervaso and Protaso. Construction began in 1566, commissioned by Duke Ottavio Farnese and the bishop of Brugnato, and using a design by Giambattista Fornovo. By 1616, construction had stalled, part of the roof fallen in, and there was a failure to complete the planned dome. Only with the intervention of Margherita Farnese (who became a nun) did construction proceeded using an awkward, heavily buttressed dome design by Girolamo Rainaldi. The layout has a nearly elliptical interior, with two semi-circles joined by two straight lines, which join the aps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Sbravati
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, ToñÃn, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António ( Portuguese orthography) or Antônio ( Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Roman Catholic Church Buildings In Italy
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Churches In Parma
Roman or Romans most often refers to: * Rome, the capital city of Italy * Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music *Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *"Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People * Roman (given name), a given name, including a list of people and fictional characters * Roman (surname), including a list of people named Roman or Romans *ῬωμΠ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic Church In Italy
, native_name_lang = it , image = San_Giovanni_in_Laterano_-_Rome.jpg , imagewidth = 250px , alt = , caption = Archbasilica of Saint John Lateran in Rome, the ''cathedra'' seat of the Pope as Primate of Italy. , abbreviation = , type = National polity , main_classification = Catholic , orientation = Latin , scripture = Bible , theology = Catholic theology , polity = Episcopal , governance = Episcopal Conference of Italy , structure = , leader_title = Pope , leader_name = Francis , leader_title1 = President , leader_name1 = Matteo Maria Zuppi , leader_title2 = Primate , leader_name2 = Pope Francis , leader_title3 = Apostolic Nuncio , leader_name3 = Emil Paul Tscherrig , fellowships_type = , fellowships = , fellowships_type1 = , fellowships1 = , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Tinti
Giovanni Battista Tinti (1558-1617) was an Italian painter of the Renaissance period. He studied first under Orazio Samacchini in Bologna, and subsequently established himself in Parma, where he was inspired chiefly by the work of Pellegrino Tibaldi, Tibaldi, Antonio Allegri, Correggio and Parmigianino. He painted an ''Assumption'' for the Duomo of Parma, cathedral of Parma by Giovanni Battista Janelli, (1876) page 439. and the cupola frescoes for the church of Santa Maria degli Angeli, Parma, Santa Maria degli Angeli in Parma. References *External links 1558 births 1617 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Bologna Painters from Parma ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camillo Uccelli
Camillo is an Italian masculine given name, descended from Latin Camillus. Its Slavic cognate is Kamil. People with the name include: *Camillo Agrippa, Italian Renaissance fencer, architect, engineer and mathematician *Camillo Almici (1714–1779), Italian priest, theologian and literary critic *Camillo Astalli (1616–1663), Italian cardinal * Camillo Benso, conte di Cavour (1810–1861), a leading figure in the movement toward Italian unification, founder of the original Italian Liberal Party and Prime Minister of the Kingdom of Piedmont-Sardinia *Camillo Berlinghieri (1590 or 1605–1635), Italian painter * Camillo Berneri (1897–1937), Italian professor of philosophy, anarchist militant, propagandist and theorist *Camillo Boccaccino (c. 1504–1546), Italian painter * Camillo Boito (1836–1914), Italian architect, engineer, art critic, art historian and novelist *Camillo Borghese (1550–1621), Pope Paul V, the Pope who persecuted Galileo Galilei * Camillo Borghese, 6th P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Galeotti
Sebastiano Galeotti (1656–1746) was a peripatetic Italian painter of the late-Baroque period, active in Florence, Genoa, Parma, Piacenza, Codogno, Lodi, Cremona, Milan, Vicenza, Bergamo, and Turin. Born in Florence, he was a pupil of the painter Alessandro Gherardini, Felice Torelli, and Giovanni Gioseffo dal Sole. He collaborated with Giovanni Domenico Ferretti or Francesco Natali of Cremona in some projects, and among his pupils were Vincenzo Meucci. He painted with Natali in the Oratory of Santa Maria delle Grazie, Parma. He helped decorate with frescoes the rooms of the Farnese Rocca in Sala Baganza. Died in Mondovì Mondovì (; pms, Ël Mondvì , la, Mons Regalis) is a town and ''comune'' (township) in Piedmont, northern Italy, about from Turin. The area around it is known as the Monregalese. The town, located on the Monte Regale hill, is divided into ... working for the House of Savoy. He decorated the church of the Magdalen in Genoa. In Turin, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pier Ilario Spolverini
Ilario Spolverini (1657–1734), known as Spolverini, was an Italian painter. Biography Spolverini was born in Parma. The influence of Mercanti’s master Francesco Monti, known as Brescianino, is evident in his choice of subjects, including the battles, knights and scenes characterised by movement. After a trip to Venice together with Brescianino, his painting displayed a new approach to colour that made it fully original. His work for various noble families in the area of Parma and Piacenza included a series of paintings celebrating the deeds of the Farnese dynasty commissioned by the family in 1714 and repeated three times for residences in Parma, Piacenza and Colorno. Spolverini painted battle scenes for the Duke. His religious artwork was placed in the Certosa and the Cathedral of Parma. Among the pupils were Francesco Simonini, Antonio Fratacci, Clemente Ruta and Giuseppe Peroni Giuseppe Peroni (6 May 1700 – 22 September 1776) was an Italian painter of the Baroq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Zaganelli
Francesco da Cotignola (c. 1475–1532), also called Zaganelli (), was an Italian painter of the Renaissance period, active mainly in Parma and Ravenna. He was a pupil of the painter Niccolo Rondinelli. He painted for Basilica of Sant'Apollinare in Classe near Ravenna, Faenza, and Parma. His brother, Bernardino, was also a painter, but nowhere as successful as what Francesco was able to do. He was likely also family of Girolamo Marchesi da Cotignola Girolamo Marchesi (c. 1471 – 1550) was an Italian painter of the Renaissance period. Born in Cotignola, whence his nickname of ''Girolamo da Cotignola'', he trained early on with Francesco Francia in Bologna, then in Rome under Raphael. He .... References * * External links ''Italian Paintings: North Italian School'' a collection catalog containing information about da Cotignola and his works (see pages: 67–68). 1475 births 1532 deaths 15th-century Italian painters Italian male painters 16th-century Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Brianti
Antonio Brianti (15 April 1739 – 8 May 1787) was an Italian architect, active mainly in his native Parma. He was a pupil of the decorative architect Gaetano Ghidetti. His early years were involved in decorative work, but in 1762, he tied with Filippo Castelli for a first prize in architecture award from the ''Accademia Parmense di Belle Arti''. His winning submission was for a model of a rustic casino on a hillside. He was then rewarded a position for the next decade designing the alterations to the interior of the church of the Steccata, including the monument to Duke Ottavio Farnese. by Giovanni Battista Janelli, Genoa, 1877, pages 83. He also helped, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
