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Santi Bartolomeo E Gaetano
Santi Bartolomeo e Gaetano is a Renaissance style, Roman Catholic church in central Bologna; it is located near the Due Torri adjacent to the Strada Maggiore. History A church at the site dedicated to St Bartholemew had existed since the 5th century; it was likely built atop an even older church and housed Benedictine monks till the 16th century. The church was designed by Giovanni Battista Falcetti with elaboration by Agostino Barelli, and owes the awkward facade due to its construction in 1517 at the site of a palace begun by Andrea da Formigine, commissioned by a member of the Gozzadini. The project, which is seen in the single-story portico along the exterior, was interrupted after the death of the patron, soon after completion of what became the side portico. In 1599, the church came under the leadership of the Theatines, and in 1627, they ordained a complete restructuring of the complex by Giovanni Battista Natali, called il Falzetta, and by Agostino Barelli. In 1671 when Ca ...
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Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ...
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Giovanni Antonio Burrini
Giovanni Antonio Burrini (25 April 1656 – 5 January 1727) was a Bolognese painter of Late-Baroque or Rococo style. After an apprenticeship with Domenico Maria Canuti, he went to work under Lorenzo Pasinelli with fellow student, Giovanni Gioseffo dal Sole. He became an early friend and often close collaborator with Giuseppe Maria Crespi, with whom he shared a studio. He became a rival and competitor with Sebastiano Ricci. He painted in Turin for the Carignano family and Novellara. In 1709, he was one of the founding members of the Accademia Clementina in Bologna. His daughter Barbara Burrini was also a painter. Among his pupils was Bartolomeo Mercati.Guida del forestiere per la città di Bologna e suoi sobborghi
by Girolamo Bianconi; Bologna; 1820; page 516.


Partial anthology ...
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Ercole De Maria
Ercole de Maria (? – c. 1640) was an Italian painter of the Baroque period, active mainly in Bologna. He was a pupil of the painter Guido Reni. He was also known as Ercolino di Guido. He was awarded a knighthood by Urban VIII Pope Urban VIII ( la, Urbanus VIII; it, Urbano VIII; baptised 5 April 1568 – 29 July 1644), born Maffeo Vincenzo Barberini, was head of the Catholic Church and ruler of the Papal States from 6 August 1623 to his death in July 1644. As po ..., but died young. References * 1640s deaths 17th-century Italian painters Italian male painters Painters from Bologna Italian Baroque painters Year of birth unknown {{Italy-painter-17thC-stub ...
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Alessandro Tiarini
Alessandro Tiarini (20 March 1577 – 8 February 1668) was an Italian Baroque painter of the Bolognese School. Biography Alessandro Tiarini was born in Bologna. His mother died when he was a child, and he was raised by an aunt. Early on his family tried, unsuccessfully, to guide him towards becoming a cleric. He was the godson of painter Lavinia Fontana and initially apprenticed in Bologna under her father Prospero Fontana, and subsequently with Bartolomeo Cesi. He was not inducted into the Carracci Academy. Forced to flee from Bologna, due to what Malvasia and Amorini describe as a quarrel leading to the death of the other party, he moved to Florence, where he painted frescoes, façade decorations, and altarpieces (1599–1606) including an ''Adoration of the Shepherds'' (Pitti Palace). In Florence, he mainly worked under Domenico Passignano, but also Bernardino Poccetti and Jacopo da Empoli. He was lured back to Bologna and Reggio Emilia, by Ludovico Carracci. His ''Grieving ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Lucio Massari
Lucio Massari (22 January 1569 – 3 November 1633) was an Italian painter of the School of Bologna. He can be described as painting during both Mannerist and early-Baroque periods. Life and work He was born in Bologna, where he initially apprenticed with an unknown painter by the name of Spinelli, then the Mannerist painter Bartolomeo Passarotti, but also worked with Bartolomeo Cesi. In 1592, he joined the Carracci studio or the ''Academy of the Incamminati'', and remained attached to Ludovico Carracci for many years. In 1604, he worked with Ludovico to fresco ''Stories of San Mauro, San Benedetto and others'' in the cloister of San Michele in Bosco. In 1607, he collaborated with Lionello Spada and Francesco Brizio in frescoes for the Palazzo Bonfioli, in Bologna. In 1610, he visited Rome, remaining under the patronage of Cardinal Facchinetti, and befriended Domenichino. In 1612, he completed the frescoes left unfinished by Bernardino Poccetti in a chapel of the Certosa di ...
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Cajetan
Cajetan and Kajetan is the Anglicized and Germanized form of the Italian given name Gaetano. People with this name include: * Thomas Cajetan (1469–1534), Italian Dominican theologian, cardinal, and opponent of Martin Luther * Saint Cajetan (Gaetano dei Conti of Thiene), canonized saint who lived between 1480 and 1547 * Constantino Cajetan (1560–1650), Italian Benedictine scholar * Cajetan J. B. Baumann, O.F.B., Franciscan architect * Cajetan, pseudonym of the Austrian physician and illustrator Anton Elfinger (1821–1864) * Cajetan Tschink, Austrian writer and philosopher (1763–1813) * Baron Cajetan von Felder (1814–1894), Austrian lawyer, entomologist and liberal politician * Karl Kajetan von Gaisruck (1769–1846), Austrian archbishop * Kajetan Garbiński (1796–1847), Polish mathematician * Josef Kajetán Tyl (1808–1856), Czech dramatist and author of lyrics of the Czech anthem * Kajetan Kovič (1931–2014), Slovene poet, writer, translator, and journalist * Kajetan v ...
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Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ...
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Ubaldo Gandolfi
Ubaldo Gandolfi (1728–1781) was an Italian painter of the late-Baroque period, mainly active in and near Bologna. Biography He was born in San Matteo della Decima and enrolled by the age of 17 at the Clementine Academy, where he apprenticed with Ercole Graziani the Younger, Felice Torelli, and Ercole Lelli. He was from a large family of prolific artists, including his sons Giovanni Battista and Ubaldo Lorenzo, as well as his brother Gaetano and nephews Mauro, Democrito (who became a pupil of Antonio Canova), and niece Clementina. Together, they are considered among the last representatives of the grand manner of painting characteristic of the Bolognese school, that had risen to prominence nearly two centuries earlier with the Carracci. Gandolfi's work ranges from Baroque to Neoclassic styles, and specifically recalls the style of Ludovico Carracci. He completed, in 1770–75, a series of canvases on mythological narratives for the Palazzo Marescalchi in Bologna (two are ...
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Paolo Buralli
Paolo Burali d'Arezzo (1511 – 17 June 1578) was an Italian priest of the Theatine Order, a bishop, and cardinal of the Roman Catholic Church. His legal skills made him a prominent figure in the law courts of Naples, and then in the councils of government as a defender of the rights of citizens. He abandoned his career to pursue a calling to the religious state, where he became a leader in the Theatine Order. Pope Pius V elevated him to the cardinalate in 1570. He was considered as a candidate for the Papacy in 1572, but his stern character did not recommend him to the electors. The new Pope, Gregory XIII, then promoted him to be the Archbishop of Naples, where he served from 1576 to 1578. After his death he was recognized as beatified and worthy of official recognition by the Church. Biography Early life Born in Itri, south of Rome, near Gaeta, in 1511, with the baptismal name of Scipione Burali d’Arezzo, he was the second son of Paolo Burali d’Arezzo and his wife Vit ...
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Antonio Rolli
Antonio Rolli or Roli (1643–1695) is an Italian painter active painting quadrature during the Baroque period, mainly in his native Bologna. Biography He trained with Angelo Michele Colonna and worked alongside his brother ''Giuseppe'' or ''Gioseffo Maria Rolli'' (1645-1727), who painted the figures. He painted the ceiling (1695) for the church of San Paolo Maggiore, Bologna. He died from a fall from a scaffold while completing this work. Paolo Guidi and his brother Gioseffo (or Giuseppe) helped complete the work. He helped decorate the oratory of Santa Maria della Neve, Bologna. Giuseppe Antonio Caccioli Giuseppe Antonio Caccioli (October 18, 1672 – July 20, 1740) was an Italian painter of the Baroque period. Biography Giuseppe Antonio Caccioli was born in Bologna. When he was three, his father the painter Giovanni Battista Caccioli died, ... trained with the Rolli brothers. He is said to have died by jumping off a bridge near the church of San Paolo de' Barnab ...
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Giuseppe Rolli
Giuseppe Maria Rolli or Roli (1645 – 17 November 1727) is an Italian painter and engraver active during the Baroque period, mainly in his native Bologna. Biography He was sent by his father to work along with Giuseppe Antonio Caccioli and later under Domenico Maria Canuti. He worked alongside his brother ''Antonio'' (1643-1695), who painted the quadratura. Together the brothers painted for the Casa Ranuzzi in Bologna, Casa Miti in Imola Imola (; rgn, Jômla or ) is a city and ''comune'' in the Metropolitan City of Bologna, located on the river Santerno, in the Emilia-Romagna region of northern Italy. The city is traditionally considered the western entrance to the historical re ..., at the Camaldolese church of Monte d'Alvernia, at the church of the Scalzi and the Refectory of the Canons Lateranensi in Bologna, and at the cupoletta of San Lionardo in Bologna. By himself, Giuseppe painted the ceiling of the church of the Barnabites, the Oratory of San Giovanni Battista de ...
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