Santa Petronilla, Siena
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Santa Petronilla, Siena
Santa Petronilla is a 17th-century Roman Catholic church and former convent located near the start of via Camillo Benzo Cavour, corner with via Santa Petronilla 1, in the city of Siena, region of Tuscany, Italy. It is located outside the medieval walls of Siena, near the Porta Camollia, Siena, antiporta of Camollia. History A church, convent and hospital stood at the site since the 13th-century, but the convent of Clarissan nuns was destroyed during one of the sieges of Siena during the years 1554–1559. The nuns had relocated into the city to the Convent of the Umiliati; the republic of Siena had converted the convent into a fort before the forces of Cosimo I de Medici destroyed it. The church, dedicated to Saint Petronilla. That small church fell into ruin, and was finally razed in 1895. Construction of the present church and convent was commissioned in 1622–1632 by the Capuchin Order of monks. Until 1537, the Capuchins owned a convent in Monte Celso near Siena. But because o ...
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Alessandro Casolani
Alessandro Casolani (1552–1606), also called Alessandro della Torre, was an Italian painter of the late-Renaissance period, active mainly in Siena. Casolani was born at Siena in 1552, and was the pupil of Ventura Salimbeni and of Cristoforo Roncalli. His works are principally in the churches of Siena, but are also found in Naples and Genoa. He also etched one plate, a Madonna. His son, Ilario Casolani was also a painter. Among the pupils of Casolani are Bernardino Capitelli, Sebastiano Folli, and Giovanni Biliverti. Works *Frescoes at Certosa di Pavia The Certosa di Pavia is a monastery complex in Lombardy, Northern Italy, situated near a small village of the same name in the Province of Pavia, north of Pavia. Built from 1396 to 1495, it was once located at the end of the Visconti Park a l ... with Pietro Sorri References * * 1552 births 1606 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Siena ...
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17th-century Roman Catholic Church Buildings In Italy
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French '' Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expande ...
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Baroque Architecture In Siena
The Baroque ( , , ) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, it had evolved into an even more flamboyant style, called ''rocaille'' or ''Rococo'', which appeared in France and Central Europe until the mid to late 1 ...
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Roman Catholic Churches In Siena
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of Roman civilization *Epistle to the Romans, shortened to Romans, a letter written by Paul, found in the New Testament of the Christian Bible * Ar-Rum (), the 30th sura of the Quran. Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *"Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), ...
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Cathedral Of Siena
Siena Cathedral () is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary. Since the early 13th-century the Siena Cathedral has been an important part of the Sienese identity. One way to see this is the continuous building projects constantly surrounding the cathedral from its earliest days, aiming at reinforcing and expanding this site. Indeed, it was the community of citizens that continually advocated for the cathedral to become one of the largest churches in Europe. For centuries the Cathedral acted as more than just a place of worship - it was the center of the city and a place to express civic pride. The cathedral was designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The dome was completed i ...
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Piccolomini Library, Siena
The House of Piccolomini (pronounced ) is the name of an Italian noble family, Patricians of Siena, who were prominent from the beginning of the 13th century until the 18th century. The family achieved the recognized titles of Pope of the Catholic Church, Prince of the Holy Roman Empire, Grandee of Spain, and Duke of Amalfi. The family is also featured in Florentine Histories, a book written by Niccolò Machiavelli, where he describes the reign of Pope Pius II, who had allied himself with the Venetians and Prince Vlad Dracula, to wage a war against the Sultan of the Ottoman Empire. History In 1220, Engelberto d'Ugo Piccolomini received the fief of Montertari in Val d'Orcia from the Holy Roman Emperor Frederick II as a reward for the services rendered. The family acquired houses and towers in Siena as well as castles and territories in the republic, including Montone and Castiglione; the latter sold to the comune in 1321. They obtained great wealth through trade, and establ ...
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Pinturicchio
Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname (meaning "little painter") because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries."PINTURICCHIO." ''Benezit Dictionary of Artists''. ''Oxford Art Online''. Oxford University Press. Web. 14 February 2017. http://www.oxfordartonline.com/subscriber/article/benezit/B00142364 . Biography Early years Pinturicchio was born the son of Benedetto or Betto di Biagio, in Perugia. In his career, he may have trained under lesser-known Perugian painters such as Benedetto Bonfigli, Bonfigli and Fiorenzo di Lorenzo. According to Giorgio Vasari, Vasari, Pinturicchio was a paid assistant of Pietro Perugino, Perugino. The works of the Perugian Renaissance school are very similar and often paintings by Perugino, Pinturicchio, Lo S ...
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Vincenzo Dei
Vincenzo is an Italian male given name, derived from the Latin name Vincentius (the verb ''vincere'' means to win or to conquer). Notable people with the name include: Art *Vincenzo Amato (born 1966), Italian actor and sculptor * Vincenzo Bellavere (c.1540-1541 – 1587), Italian composer *Vincenzo Bellini (1801–1835), Italian composer *Vincenzo Camuccini (1771–1844), Italian academic painter *Vincenzo Catena (c. 1470 – 1531), Italian painter *Vincenzo Cerami (1940–2013), Italian screenwriter *Vincenzo Consolo (1933–2012), Italian writer *Vincenzo Coronelli (1650–1718), Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist *Vincenzo Crocitti (1949–2010), Italian cinema and television actor *Vincenzo Dimech (1768–1831), Maltese sculptor *Vincenzo Galilei (1520–1591), composer, lutenist, and music theorist, father of Galileo *Vincenzo Marra (born 1972), Italian filmmaker *Vincenzo Migliaro (1858–1938), Italian painter *Vincenzo Natali (b ...
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Giuseppe Nicola Nasini
Giuseppe Nicola Nasini (January 25, 1657 – July 3, 1736) was an Italian painter of the Baroque period and active in Rome and Tuscany. Biography Born in Castel del Piano, now known as Province of Grosseto, Giuseppe was the son of the painter Francesco Nasini and was one of the Tuscan pupils in the Medici-patronized Grand-Ducal Academy for the Arts located in Rome and directed by Ciro Ferri from 1673 to 1986. He was also sponsored in Rome by Agostino Chigi. From 1679 to 1680, Nasini completed over a dozen portraits of Chigi's family; some are copies of paintings by Jacob Ferdinand Voet and Alessandro Mattia da Farnese. On October 15, 1680, his paintings of the ''Judgement of Solomon'' and ''Elias meets a child and widow'' was awarded second prize for design in the first class of painting at the Accademia di San Luca contest. In July 1681, he completed a ''St Peter of Alcantara'' for the church in the Villa Medicea L'Ambrogiana, near Montelupo Fiorentino Nasini returned to ...
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Astolfo Petrazzi
Astolfo Petrazzi (1583–1665) was an Italian painter of the Baroque period, active mainly in his hometown of Siena, but also Spoleto and Rome. He was a pupil of mainly Francesco Vanni, but also worked under Ventura Salimbeni and Pietro Sorri. Biography Early life and education Petrazzi's art was entirely rooted in the artistic traditions of Siena. The influence of the Late Mannerism, Mannerist art of Francesco Vanni and Ventura Salimbeni is evident in the angular drapery and swift flickering colour of such early works as ''St. Francis Receiving the Stigmata'' (early 1600s; Siena, Palazzo Chigi-Saracini), while the sweetness of expression and domestic mood of the ''Virgin with Child and St. Catherine of Siena'' (Siena, Palazzo Chigi-Saracini) reveal his debt to the art of Alessandro Casolani and Vincenzo Rustici. Mature career Between 1610 and 1620 Petrazzi developed a new style, derived both from the Caravaggio, Caravaggesque naturalism of Rutilio di Lorenzo Manetti and Fr ...
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Raffaello Vanni
Raffaello Vanni (1595 - 29 November 1673) was an Italian painter of the Baroque. Biography He was born at Siena. He first trained with his father, Francesco Vanni, who died in 1610. He was afterwards sent to Rome, and recommended to the care of Antonio Carracci. He became a follower of the style of Pietro da Cortona. He painted a ''Birth of the Virgin'' for Santa Maria della Pace. He also painted two lunette paintings for Santa Maria del Popolo representing ''The royal ancestors of the Virgin'' and ''The sacerdotal ancestors of the Virgin'' in 1653.Christina Strunck: Bellori und Bernini rezipieren Raffael. Unbekannte Dokumente zur Cappella Chigi in Santa Maria del Popolo, Marburger Jahrbuch für Kunstwissenschaft 30. Bd. (2003), p. 149 These oil on wood panels were placed above the tombs of Agostino and Sigismondo Chigi in the Chigi Chapel. In Santa Croce in Gerusalemme he painted ''A Dream of the Saint Robert's mother''. A ''Marriage of S. Catharine'' by him is in the Pitti ...
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