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Santa Maria Zobenigo
The Chiesa di Santa Maria del Giglio is a church in Venice, Italy. The church, whose name translates into ''St. Mary of the Lily'' referring to the flower classically depicted as being presented by the Angel Gabriel during the Annunciation), is more commonly known as Santa Maria Zobenigo after the Jubanico family who founded it in the 9th century. The edifice is situated on the Campo Santa Maria Zobenigo, west of the Piazza San Marco. It was rebuilt by Giuseppe Sardi for Admiral Antonio Barbaro between 1678 and 1681 and has one of the finest Venetian Baroque facades in all of Venice. The church is now part of the parish of San Moisè. Exterior The exterior lacks any Christian image statues or reliefs. It shows the marble relief maps of various places in which Antonio Barbaro served, including Candia, Zadar, Padua, Rome, Corfu and Split. His own statue, as the chief benefactor, in the center, sculpted by Josse de Corte, is flanked by representations of Honour, Virtue, Fame an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Split, Croatia
)'' , settlement_type = List of cities and towns in Croatia, City , anthem = ''Marjane, Marjane'' , image_skyline = , imagesize = 267px , image_caption = Top: Nighttime view of Split from Mosor; 2nd row: Cathedral of Saint Domnius; City center of Split; 3rd row: View of the city from Marjan, Split, Marjan Hill; Night in Poljička Street; Bottom: ''Riva'' waterfront , image_flag = Flag of the City of Split.svg , flag_size = 150px , flag_link = Flag of Split , image_seal = , seal_size = , image_shield = Coat of arms of Split.svg , shield_size = 90px , shield_link = Coat of arms of Split , image_map = , mapsize = , map_caption = Map of the Split city area. , image_map1 = , mapsize1 = , map_caption1 = ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Vittoria
Alessandro Vittoria funerary monument - San Zaccaria, Venice Alessandro Vittoria (1525–1608) was an Italian Mannerist sculptor of the Venetian school, "one of the main representatives of the Venetian classical style" and rivalling Giambologna as the foremost sculptors of the late 16th century in Italy, producing works such as ''Annunciation'' (Art Institute of Chicago). Biography Vittoria was born Alessandro Vittoria di Vigilio della Volpa in Trento, in what is now northern Italy, and was the son of a tailor. Vittoria was trained in the atelier of the architect-sculptor Jacopo Sansovino; he was a contemporary of Titian whose influence can be detected in his compositions. He was a virtuoso in terracotta, often presented with gilded surfaces, marble and bronze. Like all Italian sculptors of his generation, Vittoria was influenced also by Michelangelo and by the Florentine Mannerist, Bartolomeo Ammanati. The closeness of his associations in projects by architects Sansovi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Meyring
Heinrich Meyring/ Heinrich Meiering (1628 – 11 February 1723) was a German sculptor, active mainly in Venice and the Veneto. He is also known as ''Enrico Merengo'' or ''Arrigo Merengo''. Meyring was born in Rheine, Westphalia. He is considered one of the main pupils of the Flemish sculptor (active in Venice) Josse de Corte 250px, ''Queen of Heaven expelling the Plague'', Main altar, Salute Josse de Corte (1627–1679) was a Baroque Flemish sculptor, born in Ypres, but mainly active in Venice after 1657. History He is also known as ''Giusto Le Court'' ''Giusto Co ... (or Giusto Le Court). Meyring appears to be active in Venice from 1679 to 1714. The statues of ''Annunciation'' in Santa Maria del Giglio are by Meyring. Further reading * Reinhard Karrenbrock, ''Zwei Generationen westfälischer Bildhauer: Heinrich Meiering - Bernd Meiering''. Stiftung Museumsdorf Cloppenburg 1992. Sources Dissertation by Silvia Wolff 1628 births 1723 deaths 17th-century Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Angeli
''Immaculate Conception with Saints'' (ca 1760) Giuseppe Angeli (Venice 1709- Venice, 1798) was an Italian painter of the late- Baroque, known for depicting both genre and religious subjects. Biography He trained in the studio of Giambattista Piazzetta. By 1741, he was enrolled in the guild of painters. In 1756, he began as an instructor at the Academy of Fine Arts of Venice; in 1772, he became president of the Academy. He is known for two canvases in the church of San Stae and for fresco murals at the Villa Widmann-Foscari at Mira, near Padua. His other works include an ''Immaculate Conception with Saints'' (ca. 1760) moved to sacristy of San Francesco della Vigna; two scenes of the Via Crucis for the church of Santa Maria Zobenigo; the altarpiece of ''St Pietro I Orseolo receives the monk's habit from St Romuald'' in the church of Santa Maria della Pietà; an ''Immaculate Conception with Saints'' in the basilica of Santa Maria Gloriosa dei Frari; an ''Ecstasy of St Francis'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Piazzetta
Giovanni Battista Piazzetta (also called Giambattista Piazzetta or Giambattista Valentino Piazzetta) (February 13, 1682 or 1683 – April 28, 1754) was an Italian Rococo painter of religious subjects and genre scenes. Biography Piazzetta was born in Venice, the son of a sculptor Giacomo Piazzetta, from whom he had early training in wood carving. Starting in 1697 he studied with the painter Antonio Molinari. By Piazzetta's account, he studied under Giuseppe Maria Crespi while living in Bologna in 1703–05, although there is no record by Crespi of formal tutelage. Thanks to Crespi, Carlo Cignani's influence reached Piazzetta. Piazzetta did find inspiration in Crespi's art, in which the chiaroscuro of Caravaggio was transformed into an idiom of graceful charm in his pictures of common folk. He was also greatly impressed by the altarpieces created by another Bolognese painter of a half-century earlier, Guercino. Around 1710, he returned to Venice. There he won recognition a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Marieschi
Jacopo Marieschi (1711–1794) was a Venetian history painter. Formerly he was confused with the prominent vedute painter, Michele Marieschi, his close contemporary.Martineau, Jane, and Robison, Andrew, ''The Glory of Venice: Art in the Eighteenth Century'', p. 466, 1994, Yale University Press/ Royal Academy of Arts, (Catalogue for exhibition in London and Washington) He was also called ''Giacomo Marieschi''. He painted allegorical figures of Faith, Hope, and Charity at San Francesco della Vigna San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy. History Along with Santa Maria Gloriosa dei Frari, this is one of two Franciscan churches in Venice. The site, originally a vineyard (''v .... References * 18th-century Italian painters Italian male painters Painters from Venice 1711 births 1794 deaths 18th-century Italian male artists {{Italy-painter-18thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspare Diziani
Gaspare Diziani (1689 – 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. The artist's canvas is the largest painting of the Hermitage Museum in St. Petersburg. Biography His earliest training was in his native town of Belluno with Antonio Lazzarini. He then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. His career largely overlapped with Lazzarini and Ricci's fellow pupil, Giambattista Tiepolo, who was seven years his elder. Between 1710-1720, he painted a group of eight pictures that included the ''Mary Magdalene'' for the church of Santo Stefano in Belluno, and ''Entry into Jerusalem'' for San Teodoro in Venice. He also painted three frescoes on the ''Life of Saint Helena'' in the Scuola del Vin next to the church of San Silvestro. Diziani's celerity and technical assurance are evident from preparatory oil sketches, where color has been applied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianbattista Crosato
Giovanni Battista Crosato (1686 – July 15, 1758) was an Italian painter of quadratura, active in the 18th century in Piedmont. He was born in Venice, where he had likely his first training. By 1733 he had moved to Turin, where he was recruited to fresco in the Palazzina of Stupinigi. From 1736 to 1752, he was a member of the painter's guild in Venice, but had returned in 1740 to Turin to work in various churches including the church of the Visitazione di Pinerolo. He also worked as a scenic designer in Turin. He worked with Giovanni Francesco Costa in the Teatro Regio of Turin. In 1749, he collaborated with Gerolamo Mengozzi Colonna in the decorations for the Carnaval of Turin. In 1752, he painted along with Pietro Visentini in the Palazzo Pesaro. He was inducted in the Accademia of Venice in 1756. He also painted in some palaces. Among his pupils was Bernardino Galliari Bernardino Galliari (1707–1794) was an Italian painter, active mainly as a scenic designer and decorat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Zugno
Francesco Zugno ( c. 1708–1787) was an Italian painter of the Rococo period who had a successful career in Venice. Life Francesco Zugno was born in Venice in 1709 and probably died there in 1787. The Zugno were an ancient Venetian family and its members included artists such as the fifteenth century painter Giambattista Zugno. The Brescia branch of the Zugno family also includes a Zugno Francesco (1574-1621) with whom the artist who is the subject of this entry is sometimes confused. Few details about his life are known. He trained at the Academy of Painting and Sculpture of Venice. When he entered, on the advice of his father Zugno Faustin, in the workshop of Giambattista Tiepolo around 1730, Francesco already had a solid training as a painter. As a disciple and collaborator of Tiepolo, he realized between 1730 and 1737 several paintings. Amongst others, he collaborated with Tiepolo on the frescoes for the Palazzo Labia. He received his first commission for paintings for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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