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Santa Maria Del Faro
Santa Maria del Faro is a church in the quartiere of Posillipo of Naples, Italy. A church was founded here in the 13th century, and restored in the 18th century using designs by Ferdinando Sanfelice and under the patronage of the Mazza family. The Baroque church incorporates small fragments of Roman sarcophagi. It contains fragments of the Roman Villa of ''Pausylipon'', which was the site of a Roman lighthouse; hence the name ''Santa Maria del Faro'', "Saint Mary Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of ... of the lighthouse". Bibliography *''Napoli e dintorni'', Touring club Italia, Touring Editore, 2001.Exterior of Church References Churches in Naples Baroque architecture in Naples 18th-century Roman Catholic church buildings in Italy {{Italy-RC-church-st ...
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Posillipo
Posillipo (; nap, Pusilleco ) is an affluent residential quarter of Naples, southern Italy, located along the northern coast of the Gulf of Naples. From the 1st century BC the Bay of Naples witnessed the rise of villas constructed by elite Romans along the most panoramic points of the coast, who had chosen the area as a favourite vacation spot. The remains of some of these, around the imperial pleasure villa of the Roman emperors, as well as the Tunnel of Sejanus can be seen today in the ''Parco archeologico del Pausilypon'', or Pausilypon Archaeological Park, and elsewhere. Geography Posillipo is a rocky peninsula about 6 km long surrounded by cliffs with a few small coves with breakwaters at the western end of the Bay of Naples. These small harbours are the nuclei for separate, named communities such as Gaiola Island and Marechiaro. History Antiquity Posillipo is mentioned in ancient Greek and Roman sources. As part of Magna Graecia, the Ancient Greeks first named ...
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Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Santa Maria Del Faro (Napoli)
Santa Maria del Faro is a church in the quartiere of Posillipo of Naples, Italy. A church was founded here in the 13th century, and restored in the 18th century using designs by Ferdinando Sanfelice and under the patronage of the Mazza family. The Baroque church incorporates small fragments of Roman sarcophagi. It contains fragments of the Roman Villa of ''Pausylipon'', which was the site of a Roman lighthouse; hence the name ''Santa Maria del Faro'', "Saint Mary Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of ... of the lighthouse". Bibliography *''Napoli e dintorni'', Touring club Italia, Touring Editore, 2001.Exterior of Church References Churches in Naples Baroque architecture in Naples 18th-century Roman Catholic church buildings in Italy {{Italy-RC-church-s ...
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Ferdinando Sanfelice
Ferdinando Sanfelice (1675 – 1 April 1748) was an Italian late Baroque architect and painter. Sanfelice was born in Naples and died there. He was one of the principal architects in Naples in the first half of the 18th century. He was a student of Francesco Solimena. Sanfelice was known primarily for temporary displays and his secular architecture. The former involved displays such as those set up for royal visits and births as well as for religious celebrations; the latter included a large number of family dwellings in Naples, including his own Palazzo Sanfelice, built between 1723 and 1728, and the Palazzo Serra di Cassano, finished around 1730. Most notable in Sanfelice's architecture are the staircases; rather than being incidental features set off to the side of a courtyard, he gave them central and prominent positions so that they became important architectural features in their own right, often as double staircases. Sanfelice also worked on churches in Naples, inclu ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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History Of Lighthouses
The history of lighthouses refers to the development of the use of towers, buildings, or other types of structure, as an aid to navigation for maritime pilots at sea or on inland waterways. Premodern era Before the development of clearly defined ports, mariners were guided by fires built on hilltops. Since raising the fire would improve the visibility, placing the fire on a platform became a practice that led to the development of the lighthouse. In antiquity, the lighthouse functioned more as an entrance marker to ports than as a warning signal for reefs and promontories, unlike many modern lighthouses. Excavation at Kuntasi on the coast of what is now India has revealed a square watch tower with a ramp which would have originally been 10–12 meters which was used to guide boats coming to Kuntasi from Rann of Kutch, possibility of it being lighthouse cannot be ruled out. If so, the lighthouse would date from about 2000 BCE. Greek-Roman period According to Homeric legend, Palamed ...
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Mary, Mother Of Jesus
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jews, Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under titles of Mary, various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern Orthodox Church, Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Theotokos, Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Holy Bible, Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God in Christianity, God to annunciation, conceive Jesus through the Holy Spirit ...
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Footnotes
A note is a string of text placed at the bottom of a page in a book or document or at the end of a chapter, volume, or the whole text. The note can provide an author's comments on the main text or citations of a reference work in support of the text. Footnotes are notes at the foot of the page while endnotes are collected under a separate heading at the end of a chapter, volume, or entire work. Unlike footnotes, endnotes have the advantage of not affecting the layout of the main text, but may cause inconvenience to readers who have to move back and forth between the main text and the endnotes. In some editions of the Bible, notes are placed in a narrow column in the middle of each page between two columns of biblical text. Numbering and symbols In English, a footnote or endnote is normally flagged by a superscripted number immediately following that portion of the text the note references, each such footnote being numbered sequentially. Occasionally, a number between brack ...
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Churches In Naples
Christianity and religion in general has always been an important part of the social and cultural life of Naples. It is the seat of the Archdiocese of Naples, and the Catholic faith is highly important to the people of Naples and there are hundreds of historic churches in the city (about five hundred, 1000 in total). The Cathedral of Naples is the most important place of worship in the city, each year on September 19 it hosts the ''Miracle of Saint Januarius'', the city's patron saint. In the miracle which thousands of Neapolitans flock to witness, the dried blood of Januarius is said to turn to liquid when brought close to relics said to be of his body: this is one of the most important traditions for Neapolitans. Churches and their styles The cathedral of San Gennaro (Saint Januarius), was built under the patronage of Charles of Anjou in 1272, on the site of the ancient Stefania cathedral of the 8th century, and completed in 1341, the work of Nicolò Pisano, Maglione, and ...
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Baroque Architecture In Naples
The Baroque (, ; ) is a Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the s ...
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