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Sannazaro
Jacopo Sannazaro (; 28 July 1458 – 6 August 1530) was an Italian poet, humanist and epigrammist from Naples. He wrote easily in Latin, in Italian and in Neapolitan, but is best remembered for his humanist classic ''Arcadia'', a masterwork that illustrated the possibilities of poetical prose in Italian, and instituted the theme of Arcadia, representing an idyllic land, in European literature. Sannazaro's elegant style was the inspiration for much courtly literature of the 16th century, including Sir Philip Sidney's ''Arcadia''. Biography He was born in 1458 at Naples of a noble family of the Lomellina, that claimed to derive its name from a seat in Lombard territory, at San Nazaro near Pavia. His father died ''ca'' 1462, during the boyhood of Jacopo, who was brought up at Nocera Inferiore and at San Cipriano Piacentino (hosted at the home of Family Sabato, located in Via Santilli) whose rural atmosphere colored his poetry. In 1483–85 he campaigned twice with Alfonso against ...
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Arcadia (poem)
''Arcadia'' is a pastoral poem written around 1480 by Jacopo Sannazaro and published in 1504 in Naples. Sannazaro's ''Arcadia'' influenced the literature of the 16th and 17th centuries (e.g., William Shakespeare, Philip Sidney, Marguerite de Navarre, Jorge de Montemayor, Garcilaso de la Vega and John Milton). Form ''Arcadia'' by Sannazaro could be considered a prosimetrum – a combination of prose and verse. The alternation of prose and verse is consistent, but each varies considerably. Many portions of the prose are merely descriptive. Others sections, especially in the second half of the poem, are more narrative. Like the prose, the poetry is varied with a number of different poetical forms, including frottola, barzelletta, madrigal, and canzona. Because of the pastoral subject and the sections in prose, Arcadia could also be considered an example of the Pastoral novel genre. Sannazaro can be considered the founder of this literary genre, another well known example is ''L ...
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Pietro Summonte
Pietro Summonte (1463–1526) was an Italian Renaissance humanist of Naples, a member of the learned circle of friends in the Ciceronian manner that constituted Pontano's Accademia Pontaniana. Summonte's care in preserving his correspondence on artistic matters with the Venetian Marcantonio Michiel resulted in a precious archive mined by art historians. His major poem was the ''Canzone intitulata Aragonia''. To him Jacopo Sannazaro and Benedetto Cariteo addressed verses, in Latin and the vernacular, and Sannazaro entrusted his ''Arcadia'', which had circulated in manuscript since about 1485, but of which corrupt pirated editions appeared at Venice (1502) for a carefully corrected printing by Sigismondo Mayr (1504), in which Brian Richardson has detected revisions that brought the language closer to Boccaccio and Petrarch, so that it lost many of its southern dialect forms.Brian Richardson, ''Print Culture in Renaissance Italy: The Editor and the Vernacular Text, 1470-1600'' (1994 ...
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Pastoral
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, define ...
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Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Jovianus Pontanus
Giovanni Pontano (1426–1503), later known as Giovanni Gioviano ( la, Ioannes Iovianus Pontanus), was a humanist and poet from Cerreto di Spoleto, in central Italy. He was the leading figure of the Accademia Pontaniana after the death of Antonio Beccadelli in 1471, and the academy took his name. Biography Pontano was born at Cerreto in the Duchy of Spoleto, where his father was murdered in one of the frequent civic brawls which then disturbed the peace of Italian towns. His date of birth is given in various sources between 1421 and 1429; it is often given as 1426, but may have been 1429. His mother escaped with the boy to Perugia, and it was here that Pontano received his first instruction in languages and literature. Failing to recover his patrimony, he abandoned Umbria, and at the age of twenty-two established himself at Naples, which continued to be his chief place of residence during a long and prosperous career. He here began a close friendship with the distinguished scho ...
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Et In Arcadia Ego
''Et in Arcadia ego'' (also known as ''Les bergers d'Arcadie'' or ''The Arcadian Shepherds'') is a 1637–38 painting by Nicolas Poussin (1594–1665), the leading painter of the classical French Baroque style. It depicts a pastoral scene with idealized shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb that includes this inscription. It is held in the Louvre. Poussin painted two versions of the subject under the same title. His earlier version, painted in 1627, is held at Chatsworth House. An earlier treatment of the theme was painted by Guercino circa 1618–1622, also titled ''Et in Arcadia ego''. Inspiration A tomb with a memorial inscription (to Daphnis) amid the idyllic settings of Arcadia is first described in Virgil's ''Eclogues'' V 42 ff. Virgil took the idealized Sicilian rustics included in the ''Idylls'' of Theocritus and set them in the primitive Greek region of Arcadia (see Eclogues VII and X). The idea was tak ...
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Diana (pastoral Romance)
''The Seven Books of the Diana'' (Spanish: ''Los siete libros de la Diana'') is a pastoral romance written in Spanish by the Portuguese author Jorge de Montemayor. The romance was first published in 1559, though later editions expanded upon the original text. A sixteenth-century bestseller, the ''Diana'' helped launch a vogue for stories about shepherds, shepherdesses, and their experiences in love. One of its most famous readers was William Shakespeare, who seems to have borrowed the Proteus-Julia-Sylvia plot of ''The Two Gentlemen of Verona'' from Felismena's tale in the ''Diana''. Plot The ''Diana'' begins with a summary of previous events, telling us that the shepherd Sireno is in love with the shepherdess Diana. She once returned his love, but when Sireno was called away from their village, she was married to another shepherd named Delio. The story begins with Sireno's return after a year's absence, having already learned of Diana's marriage. Over the course of the first ...
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Arcadia (utopia)
Arcadia ( gr, Αρκαδία) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word ''Arcadia'' to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires. The inhabitants were often regarded as having continued to live after the manner of the Golden Age, without the pride and avarice that corrupted other regions. It ...
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Nemesianus
Marcus Aurelius Olympius Nemesianus was a Roman poet thought to have been a native of Carthage and flourished about AD 283. He was a popular poet at the court of the Roman emperor Carus (Historia Augusta, ''Carus'', 11). Works The works below are by, or sometimes attributed to, Nemesianus Didactic poetry Nemesianus wrote poems on the arts of fishing (''Halieutica''), aquatics (''Nautica'') and hunting ('' Cynegetica''), but only a fragment of the last, 325 hexameter lines, has been preserved. It is neatly expressed in good Latin, and was used as a school textbook in the 9th century AD. Two fragments exist of a poem about bird catching (''De aucupio''), which are sometimes attributed to Nemesianus, although this attribution is considered doubtful.Hornblower, S. and Spawforth, A. (eds) (1996), the Oxford Classical Dictionary, 3rd ed. p 1033 The Eclogues Four eclogues, formerly attributed to Titus Calpurnius Siculus, are now generally considered to be by Nemesianus. The Prais ...
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1602 Bogardus Duaci Opera Iacobi Sannazarii 12,7 X 7,2 Cm
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Hi ...
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Virgil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the ''Eclogues'' (or ''Bucolics''), the ''Georgics'', and the epic ''Aeneid''. A number of minor poems, collected in the ''Appendix Vergiliana'', were attributed to him in ancient times, but modern scholars consider his authorship of these poems as dubious. Virgil's work has had wide and deep influence on Western literature, most notably Dante's ''Divine Comedy'', in which Virgil appears as the author's guide through Hell and Purgatory. Virgil has been traditionally ranked as one of Rome's greatest poets. His ''Aeneid'' is also considered a national epic of ancient Rome, a title held since composition. Life and works Birth and biographical tradition Virgil's biographical tradition is thought to depend on a lost biography by the Roman ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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