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Sanjūsangen-dō
is a Buddhist temple of the Tendai sect in the Higashiyama district of Kyoto, Japan. The temple was founded in 1164 by Taira no Kiyomori for the cloistered Emperor Go-Shirakawa. It is officially known as and belongs to the Myōhō-in temple complex. Sanjūsangen-dō is most famous for its massively long ''hondō'' (main hall) dating from 1266 (Kamakura period) and designated a National Treasure of Japan, and the collection of sculptures it houses, including 1001 standing Thousand-armed Kannon, 28 standing attendants, a statue of Fūjin and a statue of Raijin, and the principal image of the temple, a big seated statue of Thousand-armed Kannon, all of them designated National Treasures in the category of sculptures, most of them dating to the Heian to Kamakura periods. History Sanjūsangen-dō was founded by the famous ''samurai'' and politician Taira no Kiyomori (1118-1181) in 1164 for the cloistered Emperor Go-Shirakawa. He built the temple in the emperor's own comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tōshiya
The or ''the arrows which hit the target'', was an archery exhibition contest held on the west veranda of Sanjūsangen-dō temple in Kyoto, Japan. History of the contest The contest originated in the late 16th century dating back to 1606 when a samurai named Asaoka Heibei is said to have shot 51 arrows in rapid succession down the length of the veranda. In the beginning, archers shot arrows from the southern end of the veranda to the northern end where a curtain-like ornament was erected as a target. The contest gained popularity during the Edo period and by the late 17th century competitions between participants from the Owari and Kishū provinces were drawing big crowds. The Tōshiya would later be used as a motif in stories and film. There were four distinct events at the competition: * The The archer who hit the target with the most out of 100 arrows was declared the winner. * The The archer who hit the target with the most out of 1000 arrows was declared the winner. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raijin
, also known as , , , and Kamowakeikazuchi-no-kami is a god of lightning, thunder and storms in Japanese mythology and the Shinto religion. He is typically depicted with fierce and aggressive facial expressions, standing atop a cloud, beating on den-den daiko drums with ''tomoe'' symbols drawn on them. Iconography of Raijin are often found in Japanese temples and shrines. He is usually depicted alongside Fūjin, the god of wind. Etymology The name "Raijin" is derived from the Japanese words and . Description Raijin is often depicted with a fierce, frightening face and a muscular figure with gravity-defying hair. He is surrounded by Taiko drums that he plays to create the sound of thunder. Raijin holds large hammers in his hands that he uses to play the drums. In some cases, Raijin is portrayed with three fingers which are said to represent the past, present and future. Two of the most notable sculptures of Raijin are located in the Sanjusangendo temple and the Taiy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto
Kyoto (; Japanese: , ''Kyōto'' ), officially , is the capital city of Kyoto Prefecture in Japan. Located in the Kansai region on the island of Honshu, Kyoto forms a part of the Keihanshin metropolitan area along with Osaka and Kobe. , the city had a population of 1.46 million. The city is the cultural anchor of a substantially larger metropolitan area known as Greater Kyoto, a metropolitan statistical area (MSA) home to a census-estimated 3.8 million people. Kyoto is one of the oldest municipalities in Japan, having been chosen in 794 as the new seat of Japan's imperial court by Emperor Kanmu. The original city, named Heian-kyō, was arranged in accordance with traditional Chinese feng shui following the model of the ancient Chinese capital of Chang'an/Luoyang. The emperors of Japan ruled from Kyoto in the following eleven centuries until 1869. It was the scene of several key events of the Muromachi period, Sengoku period, and the Boshin War, such as the Ōnin War, the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fūjin
or is the Japanese god of the wind and one of the eldest Shinto gods. He is portrayed as a terrifying wizardly demon, resembling a red-headed green-skinned humanoid wearing a leopard skin, carrying a large bag of winds on his shoulders. In Japanese art, the deity is often depicted together with Raijin, the god of lightning, thunder and storms. Myths Birth According to ''Kojiki'', Fūjin and his brother Raijin were born from Izanami after she died. When Izanagi went down to Yomi to retrieve his wife, he saw her as a decaying corpse covered with demons. Izanagi rejected her, making Izanami furious, leading her and a few monsters to chase after Izanagi. Izanagi then blocked the entrance to Yomi. However, a few demons and oni escaped the underworld through a crack in the boulder, including Fūjin and his brother Raijin. Depiction The iconography of Fūjin seems to have its origin in the cultural exchanges along the Silk Road. Starting with the Hellenistic period when Greec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannon
Guanyin () is a Bodhisattva associated with compassion. She is the East Asian representation of Avalokiteśvara ( sa, अवलोकितेश्वर) and has been adopted by other Eastern religions, including Chinese folk religion. She was first given the appellation of "Goddess of Mercy" or "Mercy Goddess" by Jesuit missionaries in China. Guanyin is short for Guanshiyin, which means " he One WhoPerceives the Sounds of the World." On the 19th day of the sixth lunar month, Guanyin's attainment of Buddhahood is celebrated. Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus, and then sent to the western pure land of Sukhāvatī. Guanyin is often referred to as the "most widely beloved Buddhist Divinity" with miraculous powers to assist all those who pray to her, as is mentioned in the ''Pumen chapter'' of ''Lotus Sutra'' and ''Kāraṇḍavyūha Sūtra''. Several large temples in East Asia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Main Hall (Japanese Buddhism)
Main hall is the building within a Japanese Buddhist temple compound ('' garan'') which enshrines the main object of veneration.Kōjien Japanese dictionary Because the various denominations deliberately use different terms, this single English term translates several Japanese words, among them ''butsuden'', ''butsu-dō'', ''kondō'', ''konpon-chūdō'', and ''hondō''. ''Hondō'' is its exact Japanese equivalent, while the others are more specialized words used by particular sects or for edifices having a particular structure. Kondō (Asuka and Nara periods) The term started to be used during the Asuka and Nara periods. A ''kondō'' is the centerpiece of an ancient Buddhist temple's ''garan'' in Japan. The origin of the name is uncertain, but it may derive from the perceived preciousness of its content, or from the fact that the interior was lined with gold. This is the name used by the oldest temples in the country.Iwanami Nihonshi Jiten A ''kondō'', for example Hōryū-ji's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kei School
The was a Japanese school (style) of Buddhist sculpture which emerged in the early Kamakura period (c. 1200). Based in Nara, it was the dominant school in Buddhist sculpture in Japan into the 14th century, and remained influential until the 19th. Art historian Joan Stanley Baker cites the Kei school's early works as the last highpoint in the history of Japanese sculpture.Baker, Joan Stanley. ''Japanese Art''. London: Thames and Hudson, 1984. p109. Background and history The Kei school developed out of that led by the ''busshi'' (Buddhist sculptor) Jōchō's successor, Kakujō and Kakujō's son Raijō, the leading sculptors of the preceding generations. These artists are sometimes said to have founded the Kei school;Keiha 慶派 " ''Japanese Architecture and Art Users System (JAANUS).'' 2001. Accessed 17 November 2008. however, the sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Higashiyama-ku, Kyoto
is one of the eleven wards in the city of Kyoto, in Kyoto Prefecture, Japan. History It was created in 1929 when it was split off from Shimogyō-ku. During the years 1931 to 1976 it also covered the area of present-day Yamashina-ku, which was an independent town until its merger into the city in 1931. The name literally means "Eastern Mountain District". Due to the restrictions against urban development, the population inside the ward is continually decreasing. Higashiyama-ku has the lowest population of all the wards in Kyoto, and a disproportionate number of elderly people. Geography Interposed between the Kamo River and the Higashiyama mountain range, Higashiyama-ku is roughly bounded by the Sanjō street in the north, and the Jūjō street in the south. Historically, this area lay outside the official boundaries of the city of Kyoto. The western part consists mainly of residential areas, whereas the eastern part is covered by forests. In the north, between the Kamo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyūjutsu
("art of archery") is the traditional Japanese martial art of wielding a bow (yumi) as practiced by the samurai class of feudal Japan. Although the samurai are perhaps best known for their swordsmanship with a katana (''kenjutsu''), kyūjutsu was actually considered a more vital skill for a significant portion of Japanese history. During the majority of the Kamakura period through the Muromachi period (c.1185–c.1568), the bow was almost exclusively the symbol of the professional warrior, and way of life of the warrior was referred to as . History The beginning of archery in Japan is, as elsewhere, pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (ca. 500 BC–300 AD). The first written document describing Japanese archery is the Chinese chronicle ''Weishu'' (魏書; dated around 297 AD), which tells how in the Japanese isles people use "a wooden bow that is short from the bottom and long from the top."Yamada S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotus Sutra
The ''Lotus Sūtra'' ( zh, 妙法蓮華經; sa, सद्धर्मपुण्डरीकसूत्रम्, translit=Saddharma Puṇḍarīka Sūtram, lit=Sūtra on the White Lotus of the True Dharma, italic=) is one of the most influential and venerated Buddhist Mahāyāna sūtras. It is the main scripture on which the Tiantai, Tendai, Cheontae, and Nichiren schools of Buddhism were established. It is also influential for other East Asian Buddhist schools, such as Zen. According to the British Buddhologist Paul Williams, "For many Buddhists in East Asia since early times, the ''Lotus Sūtra'' contains the final teaching of Shakyamuni Buddha—complete and sufficient for salvation." The American Buddhologist Donald S. Lopez Jr. writes that the ''Lotus Sūtra'' "is arguably the most famous of all Buddhist texts," presenting "a radical re-vision of both the Buddhist path and of the person of the Buddha." Two central teachings of the ''Lotus Sūtra'' have been very i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor Go-Saga
was the 88th emperor of Japan, according to the traditional order of succession. This reign spanned the years 1242 through 1246. This 13th-century sovereign was named after the 8th-century Emperor Saga and ''go-'' (後), translates literally as "later"; and thus, he is sometimes called the "Later Emperor Saga". The Japanese word ''go'' has also been translated to mean the "second one;" and in some older sources, this emperor may be identified as "Saga, the second", or as "Saga II". Genealogy Before his ascension to the Chrysanthemum Throne, his personal name (his ''imina'') was . He was the second son of Emperor Tsuchimikado, and second cousin of his predecessor Emperor Shijō. *Empress: Saionji (Fujiwara) no Yoshi-ko (西園寺（藤原）姞子) Later Ōmiya-in (大宮院), Saionji Saneuji’s daughter **Fourth son: Imperial Prince Hisahito (久仁親王) later Emperor Go-Fukakusa **First daughter: Imperial Princess Osako (綜子内親王; 1247-1269）later Gekkamon-in (月 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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