|
Sanemori
''Sanemori'' (Kyūjitai: ; Shinjitai: ) is a Noh play by Zeami Motokiyo about a troubled warrior spirit, unusual because of the great age of the warrior in question. Theme was a samurai warrior who fought in the Genpei War, and died at the Battle of Shinohara when he was seventy-three years old. In Zeami’s play, a travelling monk encounters a ghost who reveals himself to be Sanemori, having spent the two centuries since his death dwelling “among the Asuras/ Enduring pains too horrible to tell”. Redeemed by prayers to Amida Buddha, the ghost then tells the story of his last fight, and how the dyed locks on his severed head moved his adversaries to respect and awe at his courage in fighting despite his advanced age: “Alas for the old warrior! Utterly spent with fighting, Like a dying tree storm-smitten...” Later echoes Matsuo Bashō, Bashō wittily quoted from the Noh play in an early haiku – “The old-lady cherry / Is blossoming, a remembrance / Of years ago – wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanemori
''Sanemori'' (Kyūjitai: ; Shinjitai: ) is a Noh play by Zeami Motokiyo about a troubled warrior spirit, unusual because of the great age of the warrior in question. Theme was a samurai warrior who fought in the Genpei War, and died at the Battle of Shinohara when he was seventy-three years old. In Zeami’s play, a travelling monk encounters a ghost who reveals himself to be Sanemori, having spent the two centuries since his death dwelling “among the Asuras/ Enduring pains too horrible to tell”. Redeemed by prayers to Amida Buddha, the ghost then tells the story of his last fight, and how the dyed locks on his severed head moved his adversaries to respect and awe at his courage in fighting despite his advanced age: “Alas for the old warrior! Utterly spent with fighting, Like a dying tree storm-smitten...” Later echoes Matsuo Bashō, Bashō wittily quoted from the Noh play in an early haiku – “The old-lady cherry / Is blossoming, a remembrance / Of years ago – wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genpei War
The was a national civil war between the Taira and Minamoto clans during the late Heian period of Japan. It resulted in the downfall of the Taira and the establishment of the Kamakura shogunate under Minamoto no Yoritomo, who appointed himself as ''Shōgun'' in 1192, governing Japan as a military dictator from the eastern city of Kamakura. It followed a ''coup d'état'' by the Taira in 1179 with the removal of rivals from all government posts, and subsequently banishing them, and a call to arms against the Taira, led by the Minamoto in 1180. The ensuing Battle of Uji took place just outside Kyoto, starting a five-year-long war, concluding with a decisive Minamoto victory in the naval Battle of Dan-no-ura. However, it has been pointed out that the Battle of Ōshū in 1189 was the last battle during this period of civil war, as it completed Yoritomo's nationwide domination through the annexation of Northeast Japan. The name "Genpei" (sometimes romanized as ''Gempei'') come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Shinohara
The Battle of Shinohara occurred in 1183 during the Genpei War in Japan, in what is now Kaga city, Ishikawa prefecture. History Following the Battle of Kurikara, Minamoto no Yoshinaka caught up with the retreating Taira no Munemori. An archery duel by champions on both sides preceded general fighting, which included several celebrated instances of single combat. Victory went to the Minamoto. However, Yoshinaka's old retainer Retainer may refer to: * Retainer (orthodontics), devices for teeth * RFA ''Retainer'' (A329), a ship * Retainers in early China, a social group in early China Employment * Retainer agreement, a contract in which an employer pays in advance for ..., Saito Sanemori, was a casualty. See also * Sanemori (Noh play) References 1180s in Japan 1183 in Asia Shinohara 1183 Shinohara {{Japan-battle-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyūjitai
''Kyūjitai'' ( ja, 舊字體 / 旧字体, lit=old character forms) are the traditional forms of kanji, Chinese written characters used in Japanese. Their simplified counterparts are ''shinjitai'' ( ja, 新字体, lit=new character forms, label=none). Some of the simplified characters arose centuries ago and were in everyday use in both China and Japan, but they were considered inelegant, even uncouth. After World War II, simplified character forms were made official in both these countries. However, in Japan fewer and less drastic simplifications were made: for example, "electric" is still written as "" in Japan, as it is also written in Hong Kong, Macau, South Korea and Taiwan, which continue to use traditional Chinese characters, but has been simplified to in mainland China. Prior to the promulgation of the ''tōyō'' kanji list in 1946, ''kyūjitai'' were known as ''seiji'' ( ja, 正字, lit=proper/correct characters, label=none) or ''seijitai'' (). Even after ''kyūjit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinjitai
are the simplified forms of kanji used in Japan since the promulgation of the Tōyō Kanji List in 1946. Some of the new forms found in ''shinjitai'' are also found in Simplified Chinese characters, but ''shinjitai'' is generally not as extensive in the scope of its modification. ''Shinjitai'' were created by reducing the number of strokes in ''kyūjitai'' ("old character form") or , which is unsimplified kanji (usually similar to Traditional Chinese characters). This simplification was achieved through a process (similar to that of simplified Chinese) of either replacing the ''onpu'' (, "sound mark") indicating the ''On'' reading with another ''onpu'' of the same ''On'' reading with fewer strokes, or replacing a complex component of a character with a simpler one. There have been a few stages of simplifications made since the 1950s, but the only changes that became official were the changes in the Jōyō Kanji List in 1981 and 2010. Background The following forms were establ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noh Play
is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and '' nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of two Noh plays with one ''kyōgen'' piece has become common today. Optionally, the ritual performance ''Okina'' may be presented in the very beginning of ''nōgaku'' presentation. Noh is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami Motokiyo
(c. 1363 – c. 1443), also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a love affair with him. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mixed a variety of Classical and Modern themes in his writing, and made use of Japanese and Chinese traditions. He incorporated numerous themes of Zen Buddhism into his works and lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asura
Asuras (Sanskrit: असुर) are a class of beings in Indian religions, Indic religions. They are described as power-seeking clans related to the more benevolent Deva (Hinduism), Devas (also known as Suras) in Hinduism. In its Buddhism, Buddhist context, the word is sometimes translated "Titan (mythology), titan", "demigod", or "antigod". According to Hindu texts, Hindu scriptures, the asuras are in constant battle with the devas. Asuras are described in Indian texts as powerful superhuman demigods with good or bad qualities. In early Vedic literature, the good Asuras are called ''Adityas'' and are led by Varuna, while the malevolent ones are called ''Danava (Hinduism), Danavas'' and are led by Vritra. In the earliest layer of Vedic texts Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are call ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amida Buddha , 6th century medical writer
{{dab, geo ...
Amida can mean : Places and jurisdictions * Amida (Mesopotamia), now Diyarbakır, an ancient city in Asian Turkey; it is (nominal) seat of : ** The Chaldean Catholic Archeparchy of Amida ** The Latin titular Metropolitan see of Amida of the Romans ** The Armenian Catholic titular see Amida of the Armenians ** The Syrian Catholic (Antiochian Rite) titular Metropolitan see Amida of the Syriacs * Mount Amida, mountain in Saeki-ku, Hiroshima, Japan Other * Amitābha Buddha, in Japanese * ''Amida'' (beetle), a beetle genus * ''Amida'', a ladder climbing puzzle video game See also * Amidah, the central prayer of Jewish worship * Amidakuji, a way of drawing lots * Aëtius of Amida Aëtius of Amida (; grc-gre, Ἀέτιος Ἀμιδηνός; Latin: ''Aëtius Amidenus''; fl. mid-5th century to mid-6th century) was a Byzantine Greek physician and medical writer, particularly distinguished by the extent of his erudition. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsuo Bashō
born then was the most famous poet of the Edo period in Japan. During his lifetime, Bashō was recognized for his works in the collaborative '' haikai no renga'' form; today, after centuries of commentary, he is recognized as the greatest master of haiku (then called hokku). He is also well known for his travel essays beginning with '' Records of a Weather-Exposed Skeleton'' (1684), written after his journey west to Kyoto and Nara. Matsuo Bashō's poetry is internationally renowned, and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. He is quoted as saying, "Many of my followers can write hokku as well as I can. Where I show who I really am is in linking haikai verses." Bashō was introduced to poetry at a young age, and after integrating himself into the intellectual scene of Edo (modern Tokyo) he quickly became we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makoto Ueda (poetry Critic)
was a professor emeritus of Japanese literature at Stanford University. Education and career He earned a Ph.D. in comparative literature in 1961. In 2004–2005 he served as the honorary curator of the American Haiku Archives at the California State Library in Sacramento, California. He was given that honor "in recognition of Ueda’s many decades of academic writing about haiku and related genres and his leading translations of Japanese haiku." The library added that "Ueda has been our most consistently useful source for information on Japanese haiku, as well as our finest source for the poems in translation, from Bashô to the present day." His work on female poets and 20th century poets "had an enormous impact". Bibliography He is an author of numerous books about Japanese literature and in particular Haiku, Senryū, Tanka, and Japanese poetics. *''The Old Pine Tree'' (1962) *''Literary and Art Theories in Japan'' (1967) *''Matsuo Bashō: The Master Haiku Poet'' (1970) *''Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heike Monogatari
is an epic account compiled prior to 1330 of the struggle between the Taira clan and Minamoto clan for control of Japan at the end of the 12th century in the Genpei War (1180–1185). Heike () refers to the Taira (), ''hei'' being the ''on'yomi'' reading of the first ''kanji'' and "ke" () means family. Note that in the title of the Genpei War, "hei" is in this combination read as "pei" and the "gen" () is the first kanji used in the Minamoto (also known as "Genji" which is also pronounced using ''on'yomi'', for example as in '' The Tale of Genji'') clan's name. It has been translated into English at least five times, the first by Arthur Lindsay Sadler in 1918–1921. A complete translation in nearly 800 pages by Hiroshi Kitagawa & Bruce T. Tsuchida was published in 1975. Also translated by Helen McCullough in 1988. An abridged translation by Burton Watson was published in 2006. In 2012, Royall Tyler completed his translation, which seeks to be mindful of the performance styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
