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San Gregorio Armeno
San Gregorio Armeno ("St. Gregory the Armenian") is a church and a monastery in Naples, Italy. It is one of the most important Baroque complexes in Naples. The church is located on a street of the same name just south of Via dei Tribunali and a few blocks south of the church of San Paolo Maggiore, Naples History In the 8th century, the iconoclast decrees in Greece caused a number of religious orders to flee the Byzantine empire and seek refuge elsewhere. San Gregorio Armeno in Naples was built in the 16th century over the remains of a Roman temple dedicated to Ceres, by a group of nuns escaping from the Byzantine Empire with the relics of St. Gregory, bishop of Armenia. During the Norman domination the monastery was united to that of the Salvatore and San Pantaleone, assuming the Benedictine rule. The construction of the church was begun in 1574, using designs by Giovanni Battista Cavagni, and consecrated five years later. A later consecration dates to 1674, and refurbishmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo-Normans
The Italo-Normans ( it, Italo-Normanni), or Siculo-Normans (''Siculo-Normanni'') when referring to Sicily and Southern Italy, are the Italian-born descendants of the first Norman conquerors to travel to southern Italy in the first half of the eleventh century. While maintaining much of their distinctly Norman piety and customs of war, they were shaped by the diversity of southern Italy, by the cultures and customs of the Greeks, Lombards, and Arabs in Sicily. History Normans first arrived in Italy as pilgrims, probably on their way to or returning from either Rome or Jerusalem, or from visiting the shrine at Monte Gargano, during the late tenth and early eleventh centuries. In 1017, the Lombard lords in Apulia recruited their assistance against the dwindling power of the Byzantine Catapanate of Italy. They soon established vassal states of their own and began to expand their conquests until they were encroaching on the Lombard principalities of Benevento and Capua, Saracen- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo De Matteis
Paolo de Matteis (also known as ''Paolo de' Matteis''; 9 February 1662 – 26 January 1728) was an Italian painter. Biography He was born in Piano Vetrale, a hamlet of Orria, in the current Province of Salerno, and died in Naples. He trained with Francesco di Maria in Naples, then with Luca Giordano. He served in the employ of the Spanish Viceroy of Naples. From 1702 to 1705, de' Matteis worked in Paris, Calabria, and Genoa. In Genoa, he painted an ''Immaculate Conception with St. Jerome Appearing to St. Sevrio''. Returning to Naples, he painted decorative schemes for Neapolitan churches, including the vault of the chapel of San Ignatius in the church of Gesù Nuovo in Naples. He also painted an ''Assumption of the Virgin'' for the Abbey at Monte Cassino. Between 1723 and 1725, de' Matteis lived in Rome, where he received a commission from Pope Innocent XIII. He had as pupils Filippo Falciatore, Francesco Peresi, and members of the Sarnelli family including Francesco, Gennaro, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionisio Lazzari
Dionisio Lazzari (17 October 1617 – 9 August 1689) was an Italian sculptor and architect. He was born in Naples in 1617, the son of Jacopo Lazzari and Caterina Papini. Jacopo was born in Florence, and his and Dionisio's work shows Tuscan influences. In Dionisio, these are combined with the style of the Neapolitan baroque, as exemplified by Cosimo Fanzago. One of Lazzari's pupils was Arcangelo Guglielmelli. His characteristic work was in marble inlaid with different coloured precious stones, often in abstract designs, though he also produced naturalistic works of vases, flowers and putti. Main works Most of the works of Dionisio Lazzari are found in Naples: *1642: Firrao chapel, San Paolo Maggiore *1654 (design): Church and Convent of the Girolamini *1662: Façade of San Lorenzo Maggiore (later redone by Ferdinando Sanfelice) *1646 (onwards): Multiple chapels and decorations of Naples Cathedral *1674 - 1691: Altar of San Teresa church * Santa Maria di Montesanto, Naples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spagnoletto
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Di Maria
Francesco di Maria (1623–1690) was an Italian painter of the Baroque period, active mainly in Naples. He was a pupil of the painter Domenichino. Maria was an early mentor of Francesco Solimena, Giacomo del Pò, and Paolo de Matteis Paolo de Matteis (also known as ''Paolo de' Matteis''; 9 February 1662 – 26 January 1728) was an Italian painter. Biography He was born in Piano Vetrale, a hamlet of Orria, in the current Province of Salerno, and died in Naples. He trained wit .... References * External links 1623 births 1690 deaths 17th-century Neapolitan people 17th-century Italian painters Italian male painters Painters from Naples Italian Baroque painters {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Malinconico
Nicola Malinconico (16631721) was a Neapolitan painter of the late-Baroque. He is described as a follower of Luca Giordano, and painted mostly religious canvases. He painted the chapel altarpieces for the church of St Michele Arcangelo in Anacapri. He also painted still life paintings recalling work by Pietro Paolo Bonzi and Paolo Porpora and influenced by the Flemish still life painter David de Coninck. Around 1700, he was commissioned by bishop Oronzo Filomarino to decorate the cathedral of Gallipoli The Gallipoli peninsula (; tr, Gelibolu Yarımadası; grc, Χερσόνησος της Καλλίπολης, ) is located in the southern part of East Thrace, the European part of Turkey, with the Aegean Sea to the west and the Dardanelles ... in the province of Lecce. He completed large canvases of ''Christ clearing the moneylenders from the temple'' in the counter-facade; ''Entry into Jerusalem'', ''Miracle of the lame'', ''Burial of Saint Agatha''. On the ceiling he p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacecco De Rosa
Pacecco De Rosa (byname of Giovanni Francesco De Rosa; 17 December 1607 - 1656) was an Italian painter, active in Naples. Biography He was a contemporary of Massimo Stanzione or, according to others, a pupil of him. De Rosa was influenced by his father-in-law, Filippo Vitale, also a painter: this is shown in his earlier works, such as a ''Deposition'' now in the Museum of the Certosa di San Martino. Also in the Certosa is a ''St. Nicholas of Bari and Basilius'' (1636), showing influences of both Stanzione and Domenichino, who was in Naples from 1631. Attributed to De Rosa is a series portraying the ''Madonna with Child'' (one in Museum of the Certosa di San Martino; one in the church of Santa Marta, Naples; and one in the National Gallery of Prague). Of the 1640s is a painting, in collaboration with Vitale, of the ''Madonna with St. Charles Borromeo'' in the church of San Domenico Maggiore. His other works include an ''Annunciation'' in San Gregorio Armeno, ''St. Thomas of Aqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teodoro D'Errico
Dirck Hendricksz (Amsterdam, 1544 – Amsterdam, 1618) was a Dutch-Italian painter. In Italy he was known as Teodoro d'Errico or Dirk Hendrici. He was engaged in painting mainly altarpieces and for churches in Naples from 1574 to 1606. Although born in Holland, he is referred in texts as a ''Flemish'' painter. Biography His style shows the influence of Pieter Aertsen and Franz Floris. His presence in Rome is documented by 1568, where they likely met Jean Soens and Bartholomeus Spranger, who worked for the Zuccari brothers. By 1573, he had painted the ''Madonna delle Grazie and Saints'' for the church of San Severo all Sanita. He was a witness at the marriage of the Flemish painter Cornelis Smet. Dirck participated in the decoration of the ceiling of San Gregorio Armeno. In the 1580s he painted a ''Last Supper'' for the church of Sant'Eligio ai Vergini. In 1587–1589, he helps decorate the ceiling of the church of Donnaromita. His canvas of ''The Ascension'' for the church of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Carafa
The House of Carafa or Caraffa is the name of an old and influential Neapolitan aristocratic family of Italian nobles, clergy, and men of arts, known from the 12th century. History The House of Carafa is a cadet branch of the noble House of Caracciolo, one of the most prominent families of the Neapolitan nobility. The family rose to prominence in the Kingdom of Naples during the 14th century and established itself as one of the leading noble families of southern Italy in the 15th century. Across the time, the family split in many lines, the most important being the Princes of Roccella, the Dukes of Andria and Counts of Ruvo, the Princes of Stigliano, the Dukes of Maddaloni, the Dukes of Nocera and the Dukes of Noja. The family gave sixteen cardinals to the Catholic Church, including one pope, Paul IV. Notable members * Oliviero Carafa (1430 – 20 January 1511), cardinal * Giovanni Pietro Carafa (1476–1559), became Pope Paul IV from May 1555 until his death * Gianvincen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bernardo Lama
Giovanni Bernardo Lama (1508–1579) was an Italian painter of the Renaissance period, active mainly in Naples. He was the son of a generally unknown artist, Matteo Lama. He was the apprentice of Giovanni Antonio D’Amato, then Polidoro da Caravaggio who had fled Rome after the Sack of 1527. He worked in the style of his friend and contemporary Andrea di Salerno. A ''Madonna and child with saints'' is in the sacristy of San Luca Evangelista in Praiano. A ''Deposition from the Cross'' is found in the Royal Basilica of San Giacomo Spagnoli in Naples. Among other works in and around Naples are a ''Crucifixion'' and a ''Deposition'' for Santa Maria delle Grazie, the main altarpiece in Sant'Andrea, and stucco work in the church of the Annunziata, and a ''Transfiguration'' for the church of the town of San Marcellino, and a ''Martyrdom of St Stephen'' for the church of San Lorenzo San Lorenzo is the Italian and Spanish name for Lawrence of Rome, Saint Lawrence, the 3rd-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Gior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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