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San Giovanni Evangelista (Parma)
San Giovanni Evangelista is a church in Parma, northern Italy, part of a complex also including a Benedictine convent and grocery. History Works for the abbey and church were started in the 10th century over a pre-existing oratory associated with St. Colombanus. In 1477 the whole complex was damaged by a fire. The abbey basilica was rebuilt from around 1490, with the present design by Bernardino Zaccagni dating from 1510. The construction ended around 1519. The design included since the beginning a thoroughly painting decoration of the interior, and a contract had been signed with the young Correggio, who a had already worked in another Benedictine monastery, in the Camera della Badessa of San Paolo. Correggio executed five frescoes groups. The first includes the lunette with ''St. John and the Eagle'' (c. 1520), followed by the dome, with the ''Ascension of Christ'' and the drum and the four pendentives decoration. The third work was the decoration of the vault and the apse ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Magnani
Giovanni Battista Magnani (21 September 1571 – 1653) was an Italian architect working entirely in Parma in the first half of the 17th century. He was the most successful of a family of masons and architects that included his father Nicostrato and his son Carlo. He was trained in the workshop of Giovan Battista Aleotti, with whom he collaborated at the hexagonal church of Santa Maria del Quartiere, and which he completed after Aleotti's death, altering the design (1604–1610). He completed Aleotti's Teatro Farnese, indoor theatre for Ranuccio I Farnese, Duke of Parma, Ranuccio Farnese, the first theatre with changeable scenery. Among his early works on his own are the monument erected in the Duomo to his friend, the painter Agostino Carracci (died 1602), the altar to Saint Joseph in the Sanctuary of Santa Maria della Steccata (1608) and, in fulfilment of a vow, that for the Carmelites in Santa Maria Maddalena de' Pazzi (1611). In 1622 he was nominated architect to the city, in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Mazzola Bedoli
Girolamo Mazzola Bedoli (c. 1500–1569) was an Italian painter active in the Mannerist style. Biography Bedoli was born in Parma in a family coming from Viadana in Lombardy. He was a near contemporary of Parmigianino, and after the early death of the latter master, he completed some frescoes initially commissioned from Parmigianino. For example, he completed works in the apse of Santa Maria della Steccata.European Paintings:Keith Christiansen (1982) Notable Acquisitions (Metropolitan Museum of Art) p.39. He is known to have worked in the studio of the Parmigianino's uncles in the city of Parma. He married the daughter of Pier Ilaro Mazzola, a cousin of Parmigianino, hence he added to his name the better known ''Mazzola'' appellation. He painted along with his father in law the ''Immaculate Conception'' for the ''Oratorio della Concezione'' (now in Parma Gallery). Freedberg describes him in his masterpiece of the ''Annunciation'' as resembling Parmigianino in the same way Bron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral Of Cremona
Cremona Cathedral ( it, Duomo di Cremona, ''Cattedrale di Santa Maria Assunta''), dedicated to the Assumption of the Blessed Virgin Mary, is a Catholic cathedral in Cremona, Lombardy, northern Italy. It is the seat of the Bishop of Cremona. Its bell tower is the famous Torrazzo, symbol of the city and tallest pre-modern tower in Italy. Also adjoining is the baptistery, another important medieval monument. History Originally built in Romanesque style, the cathedral has been restored and extended several times, with Gothic, Renaissance and Baroque elements. Construction began in 1107, but the works were damaged and halted after an earthquake in 1117. Construction resumed in 1129, and the building was probably finished in 1160-1170. The main altar, dedicated to the city's patron saints Archelaus and Himerius, was consecrated in 1196. The current façade was probably built in the 13th and the early 14th century. In the same period the arms of the transept were also added: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Pordenone
Pordenone, Il Pordenone in Italian, is the byname of Giovanni Antonio de’ Sacchis (c. 1484 – 14 January 1539), an Italian Mannerist painter, loosely of the Venetian school. Vasari, his main biographer, wrongly identifies him as Giovanni Antonio Licinio. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock". He appears to have visited Rome, and learnt from its High Renaissance masterpieces, but lacked a good training in anatomical drawing. Like Polidoro da Caravaggio, he was one of the artists often commissioned to paint the exteriors of buildings; of such work at most a shadow survives after centuries of weather. Michelangelo is said to have approved of one palace facade in 1527; it is now only known from a preparatory drawing. Much of his work was lost when the Doge's Palace in Venice was largely destroyed by fires in 1574 and 1577. A number of fresco cycles survive, for example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes ''Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous ''Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Michele Colonna
Angelo Michele Colonna (21 September 1604 - 1687) was an Italian painter of the Baroque period, active in Bologna, northern and central Italy and Spain. He is sometimes referred to as Michelangelo Colonna. Biography He was born in Rovenna. As a boy in Como, he worked with a painter by the name of Caprera. By 1617, he travelled to Bologna to apprentice with Gabriello Ferrantino or ''il Occhiale'', and then the early ''quadratura'' master, Girolamo Curti, called ''il Dentone''. He painted frescoes for the Palazzo Albergati in Bologna. He would have been known by the biographer of Bolognese artists, Cesare Malvasia, for whom Colonna frescoed the Villa Malvasia in Trebbo in 1624, along with Curti and Domenico Ambrogi. The following year, Curti and Colonna frescoed parts of the Villa Paleotti (now Villa Monari-Sardè). Also in 1625, along with Ambrogi, he carried out frescoes in the Villa Malvezzi-Campeggi in Bagnarola and after being recommended by Alessandro Tiarini, he helped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Anselmi, San Nicola Di Bari
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Anselmi
Michelangelo Anselmi (c. 1492 – c. 1554) was an Italian Renaissance-Mannerist painter active mostly in Parma. Biography He was born, apparently in Tuscany, perhaps in Lucca, from a Parmesan family of ancient Langobard origin, known as Anselmi di Cardano. He moved to Siena around 1500, where he is mentioned as painter for the first time in 1511. He was a pupil of Il Sodoma and Domenico Beccafumi. He arrived in Parma around 1515. There, he painted frescoes including several decorations in San Giovanni Evangelista, and an altarpiece for the Duomo. In about 1530, he painted ''Madonna with Saint Sebastian and Saint Roch'' (now in the National Gallery at Parma). He painted a ''Baptism of Christ'' for the Church of San Prospero in Reggio Emilia. Together with his contemporary Rondani he painted a narrative fresco series on the ''Life of the Virgin'' for the ''Oratorio della Concezione'' in Parma. Anselmi also painted ''Holy Family with Saint Barbara'' (c. 1540; now in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parma Cathedral
Parma Cathedral ( it, Duomo di Parma; Cattedrale di Santa Maria Assunta) is a Roman Catholic cathedral in Parma, Emilia-Romagna (Italy), dedicated to the Assumption of the Blessed Virgin Mary. It is the episcopal seat of the Diocese of Parma. It is an important Italian Romanesque cathedral: the dome, in particular, is decorated by a highly influential illusionistic fresco by Renaissance painter Antonio da Correggio. History The construction was begun in 1059 by bishop Cadalo, later antipope with the name of Honorius II, and was consecrated by Paschal II in 1106. A basilica existed probably in the 6th century, but was later abandoned; another church had been consecrated in the rear part of the preceding one in the 9th century by the count-bishop Guibodo. The new church was heavily damaged by an earthquake in 1117 and had to be restored. Of the original building, remains can be seen in the presbytery, the transept, the choir and the apses, and in some sculpture fragments. The wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crossing (architecture)
A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east. The crossing is sometimes surmounted by a tower or dome. A large crossing tower is particularly common on English Gothic cathedrals. With the Renaissance, building a dome above the crossing became popular. Because the crossing is open on four sides, the weight of the tower or dome rests heavily on the corners; a stable construction thus required great skill on the part of the builders. In centuries past, it was not uncommon for overambitious crossing towers to collapse. Sacrist Alan of Walsingham's octagon, built between 1322 and 1328 after the collapse of Ely's nave crossing on 22 February 1322, is the "... greatest individual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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