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San Francesco Al Prato Resurrection
The ''San Francesco al Prato Resurrection'' is a painting by the Italian Renaissance painter Pietro Perugino, dating to c. 1499. It is housed in the Pinacoteca Vaticana, Rome. History The work takes its name from the church of San Francesco al Prato of Perugia, where it was originally located. It was commissioned in 1499 and finished presumably around 1501. During the artworks spoliations following the French Napoleonic invasion of Italy, it was brought to Paris. It returned to Italy in 1815, and thenceforth it has been exhibited at the Vatican Museums' art gallery. According to art historian Giovanni Battista Cavalcaselle, Raphael, then an assistant of Perugino, had a major role in the execution of the ''Resurrection''. This opinion is however generally rejected by most other art historians. Description The work follows a typical scheme of Perugino's art. The divinity, in this case the resurrected Jesus, is depicted within a mandorla occupying the upper part of the painting, a ...
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Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Giorgio Vasari, Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of th ...
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Collegio Del Cambio
The Collegio del Cambio, is the historic seat of the exchange guild in the Palazzo dei Priori in the city of Perugia Perugia (, , ; lat, Perusia) is the capital city of Umbria in central Italy, crossed by the River Tiber, and of the province of Perugia. The city is located about north of Rome and southeast of Florence. It covers a high hilltop and part o ..., Italy. It was built between 1452 and 1457 and now houses a number of artistic masterpieces. Sources * NY Time External links * Perugi Buildings and structures in Perugia Tourist attractions in Umbria Museums in Perugia {{Italy-struct-stub ...
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Paintings By Pietro Perugino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas re ...
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1490s Paintings
149 may refer to: *149 (number), a natural number *AD 149, a year in the 2nd century AD *149 BC, a year in the 2nd century BC *British Airways Flight 149, a flight from LHR to Kuwait City International Airport; the aircraft flying this flight was destroyed by Iraqi troops See also * List of highways numbered 149 The following highways are numbered 149: Canada * Prince Edward Island Route 149 Costa Rica * National Route 149 (Costa Rica), National Route 149 India * National Highway 149 (India) Japan * Japan National Route 149 United States * Alabama St ...
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Geometrical Perspective
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Francesca and Lu ...
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Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ...
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Madonna In Glory With Saints
The ''Madonna in Glory with Saints'' is a painting by the Italian Renaissance painter Pietro Perugino, dating to c. 1500–1501. It is housed in the Pinacoteca Nazionale of Bologna, Italy. It was originally located in the Scarani Chapel of the church of San Giovanni in Monte. Description The scheme of the composition, typical of Perugino's mature works (based on the lost ''Assumption'' of the Sistine Chapel and used in numerous works of the period, such as the ''San Francesco al Prato Resurrection'' and the Vallombrosa Altarpiece), includes two different levels. The Madonna with Child, depicted within an almond in the upper part; and a group of four saints above a hilly landscape in the lower one. The saints are, from the left: the Archangel Michael (with a decorated armor), Catherine of Alexandria (with her traditional attributed of the torture wheel), Apollonia (with the pincer of her martyrdom) and John the Evangelist, who has the Tetramorph eagle). Perugino's signature ('' ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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Giovanni Battista Cavalcaselle
Giovanni Battista Cavalcaselle (22 January 1819 – 31 October 1897) was an Italian writer and art critic, best known as part of "Crowe and Cavalcaselle", for the many works in English on art history he co-authored with Joseph Archer Crowe. Their multi-volume ''A New History of Painting in Italy'' continued to be revised and republished until 1909, after both were dead. Though now outdated, these are still often cited by modern art historians. Biography Cavalcaselle was born in Legnago, Veneto. He studied at the Academy of Fine Arts in Venice. Cavalcaselle participated in the Revolution of 1848 and in the Roman Republic, and was sentenced to death ''in absentia''. After the fall of the republic he lived in England for several years. There he published, together with Joseph A. Crowe, their first joint work, ''Early Flemish Painters'' (1856), later followed by the ''History of Painting in Italy'' (3 volumes, 1864-1866). Other important works by Crowe and Cavalcaselle are ''The ...
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Vatican Museums
The Vatican Museums ( it, Musei Vaticani; la, Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most well-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments. Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling and altar wall decorated by Michelangelo, and the Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums. In 2020, due to the COVID-19 pandemic, the Vatican Museums were visited by only 1,300,000 persons, a drop of 81 percent from the number of visitors in 2019, but still enough to rank the museums fourth among th ...
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