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San Carlo De' Catinari
San Carlo ai Catinari, also called Santi Biagio e Carlo ai Catinari ("Saints Blaise and Charles at the Bowl-Makers") is an early-Baroque style church in Rome, Italy. It is located on Piazza Benedetto Cairoli, 117 just off the corner of Via Arenula and Via dei Falegnami, a few blocks south of the church of Sant'Andrea della Valle. The attribute ''ai Catinari'' refers to the presence, at the time of its construction, of the many makers of wooden basins (Italian ''catini'') who worked in the area. The church was commissioned by the Order of the Barnabites and funded by the Milanese community in Rome to honour their fellow Milanese St. Charles Borromeo (Italian: ''San Carlo''). It is one of at least three Roman churches dedicated to him, including San Carlo al Corso and San Carlo alle Quattro Fontane (San Carlino). History The Barnabites in Milan had had close ties to Cardinal Borromeo. He had helped draft the order's constitutions, and they had assisted in ministering during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Leni
Giambattista Leni (1573–1627) was a Roman Catholic cardinal.on consistory of November 24, 1608 was created cardinal by Pope Paul V Biography On 20 Jul 1608, he was consecrated bishop by Ottavio Paravicini, Cardinal-Priest of Santi Bonifacio ed Alessio, Sant'Alessio, with Marco Cornaro (1557–1625), Marco Cornaro, Bishop of Padua, and Diego Alvarez (theologian), Diego Alvarez, Archbishop of Trani, serving as co-consecrators. Wikipedia:SPS, Much of the initial construction of the Barnabite's church in Rome, San Carlo ai Catinari, was done at Leni's personal expense. Episcopal succession While bishop, he was the principal consecrator of: and the principal co-consecrator of: *Michelangelo Tonti, Titular Archbishop of Nazareth (1608). References 1573 births 1627 deaths 17th-century Italian cardinals 17th-century Italian Roman Catholic bishops {{Italy-RC-cardinal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Sacchi
Andrea Sacchi (30 November 159921 June 1661) was an Italian painter of High Baroque Classicism, active in Rome. A generation of artists who shared his style of art include the painters Nicolas Poussin and Giovanni Battista Passeri, the sculptors Alessandro Algardi and François Duquesnoy, and the contemporary biographer Giovanni Bellori. Early training Sacchi was born in Rome. His father, Benedetto, was an undistinguished painter. According to the biographer Giovanni Pietro Bellori (who was also a great friend of Sacchi's), Andrea initially entered the studio of Cavalier d'Arpino. These are Bellori's words: Sacchi later entered Francesco Albani's workshop and spent most of his time in Rome where he eventually died. Much of his early career was helped by the regular patronage by Cardinal Antonio Barberini, who commissioned art for the Capuchin church in Rome and the Palazzo Barberini. Mature style A contemporary rival of Pietro da Cortona, Sacchi studied the paintings of Raphael ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacinto Brandi
Giacinto Brandi (1621 – 19 January 1691) was an Italian painter from the Baroque era, active mainly in Rome and Naples. left, 250px, ''Christ in Gesthemane'', Pinacoteca Vaticana left, 250px, Dome of the church of San Carlo al Corso Biography Born in Rome, he was part of the studio of Alessandro Algardi, a noted sculptor who noted that Brandi was more suited to painting. He joined the studio of Giovanni Giacomo Sementi. He traveled to Naples from 1638, and by 1647 had returned to Rome to work under Giovanni Lanfranco, where Brandi befriended Mattia Preti. The two artists would later on, often collaborate. His works are well distributed among baroque Churches of Rome including San Carlo al Corso ceiling frescoes (1670–1671), San Silvestro in Capite, Sant'Andrea al Quirinale, a canvas of ''Sant'Andrea'' (1650) in Santa Maria in Via Lata, a painting of ''Martyrdom of the Forty'' (1660) for the Chiesa delle Santissima Stimmate di San Francesco, a ''Coronation of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria In Trastevere
The Basilica of Santa Maria in Trastevere ( it, Basilica di Santa Maria in Trastevere); en, Our Lady in Trastevere) is a titular minor basilica in the Trastevere district of Rome, and one of the oldest churches of Rome. The basic floor plan and wall structure of the church date back to the 340s, and much of the structure to 1140–43. The first sanctuary was built in 221 and 227 by Pope Callixtus I and later completed by Pope Julius I. The church has large areas of important mosaics from the late 13th century by Pietro Cavallini. History The inscription on the episcopal throne states that this is the first church in Rome dedicated to Mary, mother of Jesus, although some claim that privilege belongs to the Basilica di Santa Maria Maggiore. It is certainly one of the oldest churches in the city. A Christian house-church was founded here about 220 by Pope Callixtus I (217–222) on the site of the ''Taberna meritoria'', a refuge for retired soldiers. The area was made avail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Gherardi
Antonio Gherardi (''Il Reatino'') (20 September 1638 – 10 May 1702) was an Italian painter, architect, and sculptor (stuccoist) of the Baroque style, active mainly in and near Rome and his native city of Rieti. Life Antonio was born in Rieti to Stefano and Giulia Poggi Tatoti, but when he moved to Rome (c. 1656) he changed his name. His father, a middle-class craftsman, died when Antonio was only eight years old. In 1656, Monsignor Bulgarino Bulgarini, Governor of Rieti, became his patron. Two years later Bulgarini sponsored his travel to Rome, and introduced him to his future mentors, Pier Francesco Mola and Pietro da Cortona. In the large workshops organized by the latter, he developed skills in both painting and stucco decoration. The influence of Cortona on Gherardi was so significant that many of his first paintings were attributed to the old master. Between 1667 and 1669 Gherardi travelled extensively in northern Italy. Upon his return to Rome, he painted the vulted ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mattia Preti
Mattia Preti (24 February 1613 – 3 January 1699) was an Italian Baroque artist who worked in Italy and Malta. He was appointed a Member of the Order of Saint John. Life Born in the small town of Taverna in Calabria, Preti was called ''Il Cavalier Calabrese'' (the Calabrian Knight) after appointment as a Knight of the Order of St. John (Knights of Malta) in 1660. His early apprenticeship is said to have been with the " Caravaggist" Giovanni Battista Caracciolo, which may account for his lifelong interest in the style of Caravaggio. Probably before 1630, Preti joined his brother Gregorio (also a painter), in Rome, where he became familiar with the techniques of Caravaggio and his school as well as with the work of Guercino, Rubens, Guido Reni, and Giovanni Lanfranco. In Rome, he painted fresco cycles in the churches of Sant'Andrea della Valle and San Carlo ai Catinari. Between 1644 and 1646, he may have spent time in Venice, but remained based in Rome until 1653, returning later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martino Longhi The Younger
Martino Longhi the Younger (March 18, 1602– December 15, 1660) was an Italian architect of the Baroque period active in Rome, in a milieu when the most prominent competition for commissions came from no less than Gian Lorenzo Bernini, Francesco Borromini, Carlo Rainaldi and Pietro da Cortona. He was born in Rome to a family of architects. His grandfather Martino Longhi the Elder had completed many buildings in Rome. His father Onorio Longhi was also a prominent architect, and Martino inherited the work at San Carlo al Corso upon the death of his father in 1619. The church itself may have been designed by his grandfather. By 1625, Martino publishes a treatise on architecture. By 1625, he is a member of the Accademia di San Luca. In the 1630s he also began working in the construction of Sant'Antonio dei Portoghesi. In 1644, he designed the façade for San Giovanni Calibita. In 1645, he began construction on the striking vertical façade of Santi Vincenzo e Anastasio a Trevi. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini was bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Lanfranco
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian painter of the Baroque period. Biography Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.Williamson, George. "Giovanni Lanfranco." The Catholic Encyclopedia Vol. 8. New York: Robert Appleton Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Cropper
Marjorie Elizabeth Cropper (born 11 August 1944) is a British-born art historian with a special interest in Italian and French Renaissance and Baroque art and art literature. Dean of the National Gallery of Art’s Center for Advanced Study in the Visual Arts (CASVA) since December 2000, she previously held positions as Professor of Art History at Johns Hopkins University and director of the university’s Charles S. Singleton Center for Italian Studies at Villa Spelman in Florence. Early life Born on 11 August 1944, Cropper was educated at Wakefield Girls' High School, winning a place at Newnham College, Cambridge. After studying History (Part I) and Architecture and Fine Arts (Part II) she graduated with a BA (Hons), subsequently converted to an MA. She was awarded an English Speaking Union and Fulbright Fellowship for graduate study at Bryn Mawr College, Pennsylvania, where, in 1972, she completed her Ph.D dissertation on the Italian printmaker and draftsman Pietro Testa. C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Giacomo Semenza
Giovanni Giacomo Semenza (18 July 1580 – 1638) was an Italian painter of the early Baroque period. Born in Bologna and also known as ''Giacomo Sementi''. He was a pupil of the painter Denis Calvaert, then of Guido Reni. Among his pupils were Giacinto Brandi. He painted a ''Christ the Redeemer'' for the church of St. Catherine in Bologna. References * *Featured in the Vite.. of Giovanni Baglione Giovanni Baglione (1566 – 30 December 1643) was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious and damaging involvement with the slightly younger artist Caravaggio and .... p. 230. *Cyclopedia of Painters and Paintings edited by John Denison Champlin, Charles Callahan Perkins, Volume IV, Scribner and Sons (1887): page 169. 1580 births 1638 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Bologna Italian Baroque painters {{Italy- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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