Samuel-Jacques Bernard (1686–1753)
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Samuel-Jacques Bernard (1686–1753)
Samuel-Jacques Bernard (19 May 1686 — 22 November 1753), comte de Coubert after the death of his father in 1739, was the son of the financier Samuel Bernard, a rich noble in France and his first wife, née (Anne)-Magdeleine Clergeau; he was superintendent of finance for Queen Maria Leszczyńska from 1725, a ''maître des requêtes'', ''conseiller du roi'' and ''Grand Croix'' and Master of Ceremonies of the Order of Saint-Louis. In 1715 Bernard married Elisabeth-Olive-Louise Frot er, daughter of the marquis de La Coste-Messelière. At his father's death he inherited a fortune estimated at 33,000,000 ''livres''. His sensational bankruptcy in 1751, which involved Voltaire in a loss of 80,000 ''livres'' representing 8,000 ''livres'' of income, did not interrupt his career as a ''grand seigneur'', though the estate at his death remained deeply in debt. His richly furnished ''hôtel particulier'' was designed by Germain Boffrand and built in 1741-45 at 46, rue du Bac, backing onto t ...
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Samuel Bernard
Samuel Bernard (1651 in Sancerre – January 18, 1739, in Paris), Count of Coubert (1725), was a French noble and financier. Life Of Dutch origin, Samuel Bernard was the son of the painter and engraver Samuel-Jacques Bernard (1615-1687). His family was Protestant, but his father, according to the apocryphal memoirs of the Marquise de Créquy, "had embraced the sect of Arminius ndhad been forced into exile." He created the French Guinea Company. Declared by Saint-Simon to be "the most famous and richest banker in Europe," he lent important funding to the Kingdom of France during the reigns of Louis XIV and Louis XV. Louis XIV, having exhausted his finances, notably turned to Bernard in 1708 to finance the War of the Spanish Succession. In order that the King would not have to stoop to receive the financier in an audience, the Controller-General of Finances, Nicolas Desmarets (1648-1721), carefully choreographed a meeting which took place at Marly. According to Saint-Sim ...
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Overdoor
An "overdoor" (or "Supraporte" as in German, or "sopraporte" as in Italian) is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, or was originally intended for this purpose. The overdoor is usually architectural in form, but may take the form of a cartouche in Rococo settings, or it may be little more than a moulded shelf for the placement of ceramic vases, busts or curiosities. An overmantel serves a similar function above a fireplace mantel. From the end of the 16th century, at first in interiors such as the Palazzo Sampieri, Bologna, where Annibale Carracci provided overdoor paintings, they developed into a minor genre of their own, in which the ''trompe-l'œil'' representations of stone bas-reliefs, or vases of flowers, in which Jean-Baptiste Monnoyer specialized, were heightened by ''sotto in su'' perspective, in which the light was often painted to reproduce the light, diffused from ...
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Converts To Roman Catholicism From Calvinism
Religious conversion is the adoption of a set of beliefs identified with one particular religious denomination to the exclusion of others. Thus "religious conversion" would describe the abandoning of adherence to one denomination and affiliating with another. This might be from one to another denomination within the same religion, for example, from Baptist to Catholic Christianity or from Sunni Islam to Shi’a Islam. In some cases, religious conversion "marks a transformation of religious identity and is symbolized by special rituals". People convert to a different religion for various reasons, including active conversion by free choice due to a change in beliefs, secondary conversion, deathbed conversion, conversion for convenience, marital conversion, and forced conversion. Proselytism is the act of attempting to convert by persuasion another individual from a different religion or belief system. Apostate is a term used by members of a religion or denomination to refer ...
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French Billionaires
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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Tribunal De Commerce
In France, the ''tribunal de commerce'' (plural ''tribunaux de commerce'', literally "commercial courts") are the oldest courts in the French judicial organization. They were created at the end of the Middle Ages. The commercial court has jurisdiction over commercial cases: disputes between merchants, disputes over commercial acts, controversies involving commercial corporations, and bankruptcy proceedings. The judges of the commercial courts are not career judges but elected traders. They are elected for terms of two or four years by an electoral college made up of current and former judges of the commercial courts and traders’ delegates (délégués consulaires), who are themselves traders elected in the area within the jurisdiction of the court. There are 134 commercial courts in France. See also *Justice in France * * Code pénal (France) (Penal code) - Distinguish from ''Code de procédure pénale'' (Code of penal procedure) * Court of Appeals - in common law jurisdic ...
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Israel Museum
The Israel Museum ( he, מוזיאון ישראל, ''Muze'on Yisrael'') is an art and archaeological museum in Jerusalem. It was established in 1965 as Israel's largest and foremost cultural institution, and one of the world’s leading encyclopaedic museums. It is situated on a hill in the Givat Ram neighborhood of Jerusalem, adjacent to the Bible Lands Museum, the Knesset, the Israeli Supreme Court, and the Hebrew University of Jerusalem. Its holdings include the world's most comprehensive collections of the archaeology of the Holy Land, and Jewish art and life, as well as significant and extensive holdings in the fine arts, the latter encompassing eleven separate departments: Israeli Art, European Art, Modern Art, Contemporary Art, Prints and Drawings, Photography, Design and Architecture, Asian Art, African Art, Oceanic Art, and Arts of the Americas. Among the unique objects on display are the Venus of Berekhat Ram, the interior of a 1736 Zedek ve Shalom synagogue from Sur ...
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Carle Van Loo
Carle or Carlé is a surname. Notable people with the name include: *Andrea Cosima Carle, whose stage name is Maggie Mae (1960 – 2021), German singer *Barbara Carle (born 1958), French-American poet, critic, translator and Italianist *David Carle (born 1989), American ice hockey coach *Derek Carle (born 1973), Zimbabwean cricketer *Eric Carle (1929–2021), American designer, illustrator, and writer of children's books *Erwin Carlé, know by the pseudonym Erwin Rosen (1876 - 1923), German author and journalist *Frankie Carle (1903–2001), American pianist and bandleader *Jerry Carle (1923–2014), American football, basketball, and baseball player and coach *Gabrielle Carle (born 1998), Canadian soccer forward *Gilles Carle (1928–2009), French Canadian director, screenwriter and painter *Glenn Carle, American writer and former intelligence officer *Jean Carle (born 1962), Canadian former civil servant, business executive, and Liberal Party operative *Jean-Claude Carle (1948 ...
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Charles Restout
The Restout family was a French dynasty of painters from Normandy, including the painters: * Marguerin Restout and his sons: ** Marc Restout (1616–1684) and his sons: *** Jacques Restout (1650–1701) *** Eustache Restout (1655–1743), also an architect and engraver *** Thomas Restout (1671–1754) ** Jean I Restout (1666–1702), and his sons: *** Jean II Restout (1692–1768) **** Jean-Bernard Restout Jean-Bernard Restout (22 February 1732 – 18 July 1797) was a French painter. Life Restout was born and died in Paris. A son of Jean II Restout and like him a member of the Académie de Rouen, he won the Prix de Rome in 1758 and was aggrega ... (1732–1797) {{Surnames 17th-century French painters French male painters 18th-century French painters French families Surnames of Norman origin 18th-century French male artists ...
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Charles-Joseph Natoire
Charles-Joseph Natoire (3 March 1700 – 23 August 1777) was a French painter in the Rococo manner, a pupil of François Lemoyne and director of the French Academy in Rome, 1751–1775. Considered during his lifetime the equal of François Boucher, he played a prominent role in the artistic life of France. He is remembered above all for the series of the ''History of Psyche'' for Germain Boffrand's oval ''salon de la Princesse'' in the Hôtel de Soubise, Paris, and for the tapestry cartoons for the series of the ''History of Don Quixote'', woven at the Beauvais tapestry manufacture, most of which are present at the Château de Compiègne. First Roman stay (1723–1729) He was born in Nîmes. His sister, Jeanne, was a pastellist.Profile of Jeanne Natoire
in the ''Dictionary of Pastellists Before 1800''. Natoire's father Florent ...
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Jacques Dumont Le Romain
Jacques Dumont called "le Romain" (10 May 1704 — 1781), was a French history and portrait painter, called "the Roman" from his youthful residence at Rome and to distinguish him from other artists named Dumont, notably his fellow-academician Jean-Joseph Dumont. His father, Pierre, was a court sculptor to the Duke of Lorraine and his elder brother, François (1687/88—1726), was also a sculptor. In addition to his paintings he practiced etching, in which medium he reproduced some of his paintings and, for example, Servandoni's view of the fireworks celebrating the marriage of the dauphin, 1730. Though comparatively unknown today, he enjoyed celebrity and a long, successful career. Pierre-Jean Mariette, who knew him well, reported that in his youth le Romain made his way to Rome by camping out; Mariette makes errors about his teacher in Rome, however. Dumont returned to Paris in 1725. In 1727, he first showed at the Paris Salon and in 1728 he was received as a member of the Aca ...
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Aubusson Tapestry
Aubusson tapestry is tapestry manufactured at Aubusson, in the upper valley of the Creuse in central France. The term often covers the similar products made in the nearby town of Felletin, whose products are often treated as "Aubusson". The industry had probably developed since soon after 1300 in looms in family workshops, perhaps already run by the Flemings that are noted in documents from the 16th century. Aubusson tapestry of the 18th century managed to compete with the royal manufacture of Gobelins tapestry and the privileged position of Beauvais tapestry, although generally regarded as not their equal. In 2009 "Aubusson tapestry" was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity by UNESCO. At that time the industry supported three workshops, and ten or so freelance weavers. Felletin is identified as the source from which came the Aubusson tapestries in the inventory of Charlotte of Albret, Duchess of Valentinois and widow of ...
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Cartoon
A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a '' cartoonist'', and in the second sense they are usually called an '' animator''. The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in ''Punch'' magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animate ...
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