Salvator Mundi
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Salvator Mundi
, Latin for Saviour of the World, is a subject in iconography depicting Christ with his right hand raised in blessing and his left hand holding an orb (frequently surmounted by a cross), known as a . The latter symbolizes the Earth, and the whole composition has strong eschatological undertones. Background The theme was made popular by Northern painters such as Jan van Eyck, Hans Memling, and Albrecht Dürer. There are also several versions of the theme attributed to Titian, notably the one in the Hermitage Museum. One painting of the subject, simply titled , was attributed or reattributed to Leonardo da Vinci in 2011. This painting disappeared from 1763 until 1900 when it was acquired from Sir Charles Robinson. It was at the time thought to be a work by Leonardo's follower, Bernardino Luini, and was purchased for the Doughty House in Richmond, London by Sir Francis Cook. By this time Christ's face and hair had been extensively repainted. A photograph taken in 1912 records ...
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Salvator Mundi (Leonardo Da Vinci)
''Salvator Mundi'' () is a painting attributed in whole or in part to the Italian High Renaissance artist Leonardo da Vinci, dated to . Long thought to be a copy of a lost artworks, lost original veiled with overpainting, it was rediscovered, restored, and included in a major exhibition of Leonardo's work at the National Gallery, London, in 2011–2012. Christie's claimed just after selling the work that most leading scholars consider it to be an original List of works by Leonardo da Vinci, work by Leonardo, but this attribution has been disputed by other leading specialists, some of whom propose that he only contributed certain elements; and others who believe that the extensive damage prevents a definitive attribution. The painting depicts Jesus, Christ in an anachronism, anachronistic blue Renaissance dress, making the sign of the cross with his right hand, while holding a transparent, non-refracting calcite, crystal orbuculum, orb in his left, signaling his role as ''Salvator ...
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Salvator Mundi (Leonardo)
''Salvator Mundi'' () is a painting attributed in whole or in part to the Italian High Renaissance artist Leonardo da Vinci, dated to . Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in a major exhibition of Leonardo's work at the National Gallery, London, in 2011–2012. Christie's claimed just after selling the work that most leading scholars consider it to be an original work by Leonardo, but this attribution has been disputed by other leading specialists, some of whom propose that he only contributed certain elements; and others who believe that the extensive damage prevents a definitive attribution. The painting depicts Christ in an anachronistic blue Renaissance dress, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signaling his role as ''Salvator Mundi'' and representing the 'celestial sphere' of the heavens. Approximately thirty co ...
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Gerard David
Gerard David (c. 1460 – 13 August 1523) was an Early Netherlandish painter and manuscript illuminator known for his brilliant use of color. Only a bare outline of his life survives, although some facts are known. He may have been the Meester gheraet van brugghe who became a master of the Antwerp guild in 1515. He was very successful in his lifetime and probably ran two workshops, in Antwerp and Bruges.Campbell, 116 Like many painters of his period, his reputation diminished in the 17th century until he was rediscovered in the 19th century. Life He was born in Oudewater, now located in the province of Utrecht. His year of birth is approximated as c. 1450–1460 on the basis that he looks to be around 50 years in the 1509 self-portrait found in his ''Virgin among the Virgins''.Hand, 63 He is believed to have spent time in Italy from 1470 to 1480, where he was influenced by the Italian Renaissance. He formed his early style under Albert van Oudewater in Haarlem, and moved to ...
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Menino Jesus Salvador Do Mundo (séc
Menino is a surname. Notable people with the surname include: * Alexandre Divanei Menino (born 1984), Brazilian futsal player * Gabriel Menino (born 2000), Brazilian footballer * Thomas Menino Thomas Michael Menino (December 27, 1942 – October 30, 2014) was an American politician who served as the 53rd mayor of Boston, from 1993 to 2014. He was the city's longest-serving mayor. He was elected mayor in 1993 after first serving three ...
(1942–2014), American politician {{surname ...
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Doughty House
Doughty House is a large house on Richmond, London, Richmond Hill in Richmond, London, England, built in the 18th century, with later additions. It has fine views down over the Thames, and both the house and gallery are Grade II listed buildings. The house was named after Elizabeth Doughty, who lived there from about 1786 and provided funds to build St Elizabeth of Portugal Church in The Vineyard, Richmond. It was the residence of the Cook baronets from when it was bought in 1849 by Francis Cook, 1st Viscount of Monserrate, and passed in his family by descent until after World War II. A was added in 1885 for his very important art collection. The first Lady Cook, the American suffragist Tennessee Claflin, was mistress of Doughty House from 1885 until her death. In 1870, she became the first woman, along with her sister Victoria Woodhull, to open a Wall Street broker, brokerage firm. The house and its collection became famous when the 3rd baronet Herbert Cook wrote his catalogu ...
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Palma Vecchio
Palma Vecchio (c. 1480 – 30 July 1528), born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian ("Palma the Elder") to distinguish him from Palma il Giovane ("Palma the Younger"), his great-nephew, who was also a painter. Life Palma was born at Serina Alta near Bergamo, a dependency of the Republic of Venice, but his recorded career all took place in or near Venice. He is first recorded in Venice in 1510, but had probably already been there for some time. He was perhaps apprenticed to Andrea Previtali, who also came from Bergamo, and who returned there in 1511. Palma's earlier works show the influence of Giovanni Bellini, Previtali's master and by then the aged ''doyen'' of Venetian painting, but Palma came to follow the new style and subjects pioneered by Giorgione and Titian. After the deaths of Bellini and Giorgione, and the removal from Venice o ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds ...
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Andrea Previtali
Andrea Previtali (c. 1480 –1528) was an Italian painter of the Renaissance period, active mainly in Bergamo. He was also called Andrea Cordelliaghi. Biography Previtali was a pupil of the painter Giovanni Bellini. In Bergamo, he painted a ''John the Baptist preaching with other saints'' (1515) for the church of Santo Spirito, a ''San Benedetto and other saints'' for Bergamo Cathedral, and a ''Deposition from the Cross'' for Sant'Andrea. Other works of his are in the Accademia Carrara. and the National Gallery, London ('' Salvator Mundi'' and '' The Virgin and Child with a Shoot of Olive'', both left to the gallery in 1910). Previtali gained notice in 1937 in the United Kingdom for "not being Giorgione". Kenneth Clark, then Director of the National Gallery, bought two small panels of his from a dealer in Vienna, each with two rustic scenes. He paid £14,000 for them, a high price at the time, despite opposition from his curators. The authoritative ascription of them ...
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Philadelphia Museum Of Art
The Philadelphia Museum of Art (PMoA) is an art museum originally chartered in 1876 for the Centennial Exposition in Philadelphia. The main museum building was completed in 1928 on Fairmount, a hill located at the northwest end of the Benjamin Franklin Parkway at Eakins Oval. The museum administers collections containing over 240,000 objects including major holdings of European, American and Asian origin. The various classes of artwork include sculpture, paintings, prints, drawings, photographs, armor, and decorative arts. The Philadelphia Museum of Art administers several annexes including the Rodin Museum, also located on the Benjamin Franklin Parkway, and the Ruth and Raymond G. Perelman Building, which is located across the street just north of the main building. The Perelman Building, which opened in 2007, houses more than 150,000 prints, drawings and photographs, along with 30,000 costume and textile pieces, and over 1,000 modern and contemporary design objects including fu ...
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Christ In Majesty
Christ in Majesty or Christ in Glory ( la, Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part ...
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Musée Des Beaux-Arts De Strasbourg
The Musée des Beaux-Arts de Strasbourg (Museum of Fine Arts of Strasbourg) is the old masters paintings collection of the city of Strasbourg, located in the Alsace region of France. The museum is housed in the first and second floors of the baroque Palais Rohan, Strasbourg, Palais Rohan since 1898. The museum displays works by non-Upper Rhine, Upper Rhenish artists from between the 14th century and 1871 and by Upper Rhenish artist from between 1681 and 1871. The museum owned 1,934 works as of 31 December 2015, this number has substantially increased since (see below). The old masters from the upper-Rhenish area until 1681 are exhibited in the neighboring Musée de l’Œuvre Notre-Dame. Historical overview The first municipal art collection of the city of Strasbourg was the result of the French Revolution, and was a consequence of the expropriation of churches and cloisters. Through the years, the collection, which was founded in 1801, grew by private donations, as well as g ...
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Earthly Vanity And Divine Salvation (Memling)
''Earthly Vanity and Divine Salvation'' is a 1480s painting by the German-born citizen of Bruges, Hans Memling. It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 185. Overview The work consists of six isolated panels which had originally been arranged recto-verso as pairs and were sawn apart at some point before 1890. Neither the order of the panels from left to right, nor the coupling of the pairs of paintings, is known with certainty; and because of the work's theological content, it is disputed if it was designed as a triptych or as a polyptych. ''Earthly Vanity and Divine Salvation'' has generally risen and still raises more questions among art historians than almost any other work of its century, or any century. As it exists now, ''Earthly Vanity and Divine Salvation'' consists of a narrative sequence (Vanity is followed by Death, which is followed either by Hell or by the Redemption through Jesus; this is framed by a general ''me ...
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