Andrea Previtali
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Andrea Previtali
Andrea Previtali (c. 1480 –1528) was an Italian painter of the Renaissance period, active mainly in Bergamo. He was also called Andrea Cordelliaghi. Biography Previtali was a pupil of the painter Giovanni Bellini. In Bergamo, he painted a ''John the Baptist preaching with other saints'' (1515) for the church of Santo Spirito, a ''San Benedetto and other saints'' for Bergamo Cathedral, and a ''Deposition from the Cross'' for Sant'Andrea. Other works of his are in the Accademia Carrara. and the National Gallery, London ('' Salvator Mundi'' and '' The Virgin and Child with a Shoot of Olive'', both left to the gallery in 1910). Previtali gained notice in 1937 in the United Kingdom for "not being Giorgione". Kenneth Clark, then Director of the National Gallery, bought two small panels of his from a dealer in Vienna, each with two rustic scenes. He paid £14,000 for them, a high price at the time, despite opposition from his curators. The authoritative ascription of them ...
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Lament Over The Dead Christ (Previtali)
''Lament over the Dead Christ'' is a 1524 or 1525 oil on canvas painting by Andrea Previtali, produced for the church of Sant’Andrea, Bergamo, where it still hangs. One of the artist's last works, it was painted after his return to his birthplace of Bergamo, a phase during which he was heavily influenced by Albrecht Dürer, Albrecht Altdorfer and other German art, as also seen in ''The Crossing of the Red Sea'' and ''Crucifixion''. It is considered one of his most intense paintings. It seems to be linked with the recited mystery plays popular at the time of its production Mauro Zanchi, ''Andrea Previtali il colore prospettico di maniera belliniana'', Ferrari Editrice, 2001, p 57-58. as well as Lament over the Dead Christ (Lotto), the work of the same title by Previtali's friend Lorenzo Lotto in Sant'Alessandro in Colonna, also in Bergamo - Lotto and Previtali's studios were next-door to each other near the church of San Michele al Pozzo Bianco, enabling them to compare and study ...
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Andrea Previtali The Annunciation Ca 1508
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is one of the Italian male names ending in ''a'', with others being Elia (Elias), Enea (Aeneas), Luca (Lucas), Mattia (Matthias), Nicola (Nicholas), Tobia (Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where it is consid ...
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Vittorio Veneto
Vittorio Veneto is a city and ''comune'' situated in the Province of Treviso, in the region of Veneto, Italy, in the northeast of Italy, between the Piave and the Livenza rivers, borders with the following municipalities: Alpago ( BL), Belluno (BL), Cappella Maggiore, Colle Umberto, Conegliano, Fregona, Limana (BL), Revine Lago, San Pietro di Feletto, Tarzo. Name The city is an amalgamation of two former ''comuni'', Cèneda and Serravalle, which were joined into one municipality in 1866 and named Vittorio after the King of Italy, Vittorio Emanuele II. The battle fought nearby in November 1918 became generally known as the Battle of Vittorio Veneto, and the city's name was officially changed to Vittorio Veneto in July 1923. Starting from the end of the nineteenth century, new neighborhoods were created around the road that connected the two towns, the current Viale della Vittoria, so that the union was also physical, and the town hall itself was placed halfway. However, the city ...
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1528 Deaths
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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Italian Renaissance Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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Painters From Bergamo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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15th-century Italian Painters
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world ...
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Madonna And Child With Saint Sebastian And Saint Vincent Ferrer
''Madonna and Child with Saint Sebastian and Saint Vincent Ferrer'' or ''Madonna and Child with Saint Sebastian and Saint Thomas Aquinas'' oil on panel painting by Andrea Previtali. It was produced in 1506 in Venice while he was still in the studio of Giovanni Bellini and is contemporary with the same artist's ''Madonna and Child'' (Museum of Fine Arts (Budapest)). It is now in the Accademia Carrara in Bergamo, to which it passed from Guglielmo Lochis's collection in 1866. The saint on the right is not definitively identified and lacks the traditional attributes of either St Thomas Aquinas or St Vincent Ferrer. The work is signed ''ANDREAS, NERGOMENSIS. DISSIPULUS IOVA.BELINI.P.XIT'' and dated ''MCCCCCVI'', both on the base of the Madonna's marble throne. The signature is followed by a palm branch and an olive branch bound by a ribbon, a symbol which also appears on the artist's '' St John the Baptist with Four Saints'' (church of Santo Spirito, Bergamo), the picture cycle for p ...
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Madonna And Child With Saint Dominic And Saint Martha Of Bethany
''Madonna and Child with Saint Dominic and Saint Martha of Bethany'' is a 1517-1520 oil on canvas painting by Andrea Previtali produced for the monastery of Santa Marta (dedicated to Saint Martha) in Bergamo and since 2010 in the collections of the UBI Banca in Bergamo. No record of the work's commissioner survives, but other information on the work strongly suggests it was for the cell of a monk of the monastery of Santa Marta near the church of San Leonardo, such as its dimensions, too large for an ordinary private devotional altarpiece but too small for one commissioned by a church. Saint Martha has her usual attributes (a Tarasque and the bowl of holy water with which she tamed it) and wears a Dominican habit, whilst Saint Dominic on the left holds a model of a large three-naved 15th-century-style church, possibly representing the church of Santo Stefano in the city. This includes two figures in its doorway, possibly St Dominic himself and Saint Stephen in the red dalmatic ...
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Baglioni Madonna
The Baglioni Madonna or ''Madonna and Child with Saint Jerome and Saint Anne'' is an oil on panel painting by Andrea Previtali, executed ''c.'' 1512–1513, now in the art gallery of the Accademia Carrara in Bergamo. His earliest surviving work, it is signed ''ANDREAS.BER.PIN''. Since 1900 it has been named after its last private owner Francesco Baglioni, who gave it to its present home. It belongs to the sacra conversazione genre. It was restored in 2011 by Amalia Pacia of the Sovraintendenza per i Beni Storici Artistici ed Etnoatropologici di Mialno and Maria Cristina Rodeschini from the Accademia Carrara Additional images References Bibliography

* * {{16C-painting-stub Paintings by Andrea Previtali Paintings of the Madonna and Child Paintings of Jerome Paintings of Saint Anne Collections of the Accademia Carrara ...
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