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Sacred Heart Roman Catholic Church, Hindsford
Sacred Heart Church is a Grade II listed redundant Roman Catholic church on Tyldesley Road, Hindsford, Atherton, Greater Manchester, Atherton in Greater Manchester, England. It has been designated by English Heritage as a Grade II listed building. History The Roman Catholic parish was established in the 19th century to serve Irish immigrant families who moved to the area to work in the cotton mills and coal mines. The church was built on a site donated by Thomas Powys, 4th Baron Lilford, Lord Lilford. John Holland of the Tyldesley Coal Company provided materials to build the church which was consecrated by the Bishop of Liverpool, Alexander Goss in 1869. A separate Rectory, presbytery, built around the same time, was linked to the church in matching materials by 1894. Sacred Heart School opened in 1888. It was demolished by 2000. The church closed for worship in 2004. Sacred Heart's parish together with St Richard's in Atherton which opened in 1928, Holy Family in Boothsto ...
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Hindsford
Hindsford is a suburb of Atherton in the Metropolitan Borough of Wigan, Greater Manchester, England. It is situated to the west of the Hindsford Brook, an ancient boundary between the townships of Atherton and Tyldesley cum Shakerley, and east of the Chanters Brook in the ancient parish of Leigh. History Historically in Lancashire, Hindsford developed in the middle of the 19th century when large cotton mills were built on both sides of the Hindsford Brook in Hindsford and Tyldesley by James Burton and Sons. Rows of terraced housing were built for the influx of workers, many from Ireland. Field Mill, Lodge Mill and Westfield Mill were on the Hindsford bank. Lodge Mill and Westfield Mill closed in the 1920s but the site of Atherton Mill was used by Ward and Goldstone who made electrical items. The Fletchers owned a coal mine at Chanters Colliery from the 1850s but coal had been mined in that area for centuries. The company became Fletcher, Burrows and Company in 1874 and in 1875 t ...
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Margaret Clitherow
Margaret Clitherow (1556 – 25 March 1586) was an English saint and martyr of the Roman Catholic Church, known as "the Pearl of York". She was pressed to death for refusing to enter a plea to the charge of harbouring Catholic priests. She was canonised in 1970 by Pope Paul VI. Life Margaret Clitherow was born in 1556, one of five children of Thomas and Jane Middleton. Her father was a respected businessman, a wax-chandlery, chandler and Sheriff#Great Britain and Ireland, Sheriff of York in 1564,Camm, Bede. "St. Margaret Clitherow." The Catholic Encyclopedia
Vol. 4. New York: Robert Appleton Company, 1908. 27 March 2016
who died when Margaret was fourteen. In 1571, she married John Clitherow, a wealthy butcher and a chamberlain of the city, and bore him three children; the family lived at tod ...
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Bay (architecture)
In architecture, a bay is the space between architectural elements, or a recess or compartment. The term ''bay'' comes from Old French ''baie'', meaning an opening or hole."Bay" ''Online Etymology Dictionary''. http://www.etymonline.com/index.php?allowed_in_frame=0&search=bay&searchmode=none accessed 3/10/2014 __NOTOC__ Examples # The spaces between posts, columns, or buttresses in the length of a building, the division in the widths being called aisles. This meaning also applies to overhead vaults (between ribs), in a building using a vaulted structural system. For example, the Gothic architecture period's Chartres Cathedral has a nave (main interior space) that is '' "seven bays long." '' Similarly in timber framing a bay is the space between posts in the transverse direction of the building and aisles run longitudinally."Bay", n.3. def. 1-6 and "Bay", n.5 def 2. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009 # Where there a ...
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Baptistery
In Christian architecture the baptistery or baptistry (Old French ''baptisterie''; Latin ''baptisterium''; Greek , 'bathing-place, baptistery', from , baptízein, 'to baptize') is the separate centrally planned structure surrounding the baptismal font. The baptistery may be incorporated within the body of a church or cathedral, and provided with an altar as a chapel. In the early Church, the catechumens were instructed and the sacrament of baptism was administered in the baptistery. Design The sacramental importance and sometimes architectural splendour of the baptistery reflect the historical importance of baptism to Christians. The octagonal plan of the Lateran Baptistery, the first structure expressly built as a baptistery, provided a widely followed model. The baptistery might be twelve-sided, or even circular as at Pisa. In a narthex or anteroom, the catechumens were instructed and made their confession of faith before baptism. The main interior space centered upon the b ...
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Cinquefoil
''Potentilla'' is a genus containing over 300Guillén, A., et al. (2005)Reproductive biology of the Iberian species of ''Potentilla'' L. (Rosaceae).''Anales del Jardín Botánico de Madrid'' 1(62) 9–21. species of annual, biennial and perennial herbaceous flowering plants in the rose family, Rosaceae. Potentillas may also be called cinquefoils in English, but they have also been called five fingers and silverweeds. Some species are called tormentils, though this is often used specifically for common tormentil (''P. erecta''). Others are referred to as barren strawberries, which may also refer to '' P. sterilis'' in particular, or to the closely related ''Waldsteinia fragarioides''. Several other cinquefoils formerly included here are now separated in distinct genera - notably the popular garden shrub ''P. fruticosa'', now ''Dasiphora fruticosa''. Potentillas are generally found throughout the northern continents of the world (holarctic), though some occur in montane biomes ...
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Lucarne
In general architecture a lucarne is a term used to describe a dormer window. The original term french: lucarne refers to a dormer window, usually set into the middle of a roof although it can also apply to a façade lucarne, where the gable of the lucarne is aligned with the face of the wall. This general meaning is also preserved in British use, particularly for small windows into unoccupied attic or spire spaces. Nikolaus Pevsner gives its meaning as "a small gabled opening in a roof or a spire". In industrial architecture the term lucarne is used to describe a feature of a warehouse, mill or factory where a window or opening high up on an outside wall supports a hoist above doors on the floors below. The simplest lucarne is no more than the extension of a roof beyond a gable wall, with a ridge timber strong enough to support a hoist. A gin wheel on this beam can provide a simple rope hoist, sufficient to lift a sack of grain. Any greater weights than this are likely to nee ...
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Chamfer
A chamfer or is a transitional edge between two faces of an object. Sometimes defined as a form of bevel, it is often created at a 45° angle between two adjoining right-angled faces. Chamfers are frequently used in machining, carpentry, furniture, concrete formwork, mirrors, and to facilitate assembly of many mechanical engineering designs. Terminology In machining the word '' bevel'' is not used to refer to a chamfer. Machinists use chamfers to "ease" otherwise sharp edges, both for safety and to prevent damage to the edges. A ''chamfer'' may sometimes be regarded as a type of bevel, and the terms are often used interchangeably. In furniture-making, a lark's tongue is a chamfer which ends short of a piece in a gradual outward curve, leaving the remainder of the edge as a right angle. Chamfers may be formed in either inside or outside adjoining faces of an object or room. By comparison, a ''fillet'' is the rounding-off of an interior corner, and a ''round'' (or ''radiu ...
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Quatrefoil
A quatrefoil (anciently caterfoil) is a decorative element consisting of a symmetrical shape which forms the overall outline of four partially overlapping circles of the same diameter. It is found in art, architecture, heraldry and traditional Christian symbolism. The word 'quatrefoil' means "four leaves", from the Latin , "four", plus , "leaf"; the term refers specifically to a four-leafed clover, but applies in general to four-lobed shapes in various contexts. In recent years, several luxury brands have attempted to fraudulently assert creative rights related to the symbol, which naturally predates any of those brands' creative development. A similar shape with three rings is called a trefoil. History The quatrefoil enjoyed its peak popularity during the Gothic and Renaissance eras. It is most commonly found as tracery, mainly in Gothic architecture, where a quatrefoil often may be seen at the top of a Gothic arch, sometimes filled with stained glass. Although the design is o ...
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Nikolaus Pevsner
Sir Nikolaus Bernhard Leon Pevsner (30 January 1902 – 18 August 1983) was a German-British art historian and architectural historian best known for his monumental 46-volume series of county-by-county guides, ''The Buildings of England'' (1951–74). Life Nikolaus Pevsner was born in Leipzig, Saxony, the son of Anna and her husband Hugo Pevsner, a Russian-Jewish fur merchant. He attended St. Thomas School, Leipzig, and went on to study at several universities, Munich, Berlin, and Frankfurt am Main, before being awarded a doctorate by Leipzig in 1924 for a thesis on the Baroque architecture of Leipzig. In 1923, he married Carola ("Lola") Kurlbaum, the daughter of distinguished Leipzig lawyer Alfred Kurlbaum. He worked as an assistant keeper at the Dresden Gallery between 1924 and 1928. He converted from Judaism to Lutheranism early in his life. During this period he became interested in establishing the supremacy of German modernist architecture after becoming aware of Le ...
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Finial
A finial (from '' la, finis'', end) or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the Apex (geometry), apex of a dome, spire, tower, roof, or gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. A finial is typically carved in stone. Where there are several such elements they may be called pinnacles. The very top of a finial can be a floral or foliated element called a bouquet. Smaller finials in materials such as metal or wood are used as a decorative ornament on the tops or ends of poles or rods such as tent-poles or curtain rods or any object such as a piece of furniture. These are frequently seen on top of bed posts or clocks. Decorative finials are also commonly used to fasten lampshades, and as an ornamental element at the end of the handles of souvenir spoons. The charm at the end of a pull chain ...
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Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ...
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Coping (architecture)
Coping (from ''cope'', Latin ''capa'') is the capping or covering of a wall. A splayed or wedge coping is one that slopes in a single direction; a saddle coping slopes to either side of a central high point. A coping may be made of stone (capstone), brick, clay or terracotta, concrete or cast stone, tile, slate, wood, thatch, or various metals, including aluminum, copper, stainless steel, steel, and zinc. In all cases it should be weathered (have a slanted or curved top surface) to throw off the water. In Romanesque work, copings appeared plain and flat, and projected over the wall with a throating to form a drip. In later work a steep slope was given to the weathering (mainly on the outer side), and began at the top with an astragal; in the Decorated Gothic style there were two or three sets off; and in the later Perpendicular Gothic these assumed a wavy section, and the coping mouldings continued round the sides, as well as at top and bottom, mitring at the angles, as ...
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