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Robert William Buss
Robert William Buss (4 August 1804 – 26 February 1875) was a Victorian artist, etcher and illustrator perhaps best known for his painting ''Dickens' Dream''. He was the father of Frances Buss, a pioneer of girls' education. Early career Born in Bull and Mouth Street, Aldersgate in London in 1804, Buss served an apprenticeship with his father, a master engraver and enameller, and then studied painting under George Clint, a miniaturist, watercolour and portrait painter, and mezzotint engraver. At the start of his career Buss specialised in painting theatrical portraits, with many of the leading actors of the day sitting to him, including William Charles Macready, John Pritt Harley, and John Baldwin Buckstone. Later Buss painted historical and humorous subjects. He exhibited a total of 112 pictures between 1826 and 1859, 25 at the Royal Academy, 20 at the British Institution, 45 at the Suffolk Street gallery of the Society of British Artists, seven at the New Watercolour Socie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aldersgate
Aldersgate is a Ward of the City of London, named after one of the northern gates in the London Wall which once enclosed the City. The Ward of Aldersgate is traditionally divided into Aldersgate Within and Aldersgate Without, the suffix denoting whether the part was within the line of the wall or outside it. The ancient ward boundaries were redrawn in 2013; the names are preserved but their location only loosely approximates to their historic extent. The gate also gave its name to Aldersgate Street, which runs north from the former gate towards Clerkenwell. The street was wholly part of Aldersgate Without ward until a short section further north was renamed and so added to it. The gate The Wall was first built around the year 200, but Aldersgate was not one of the original Roman gates, being added later in the Roman period. The name ''Aldersgate'' is first recorded around 1000 in the form ''Ealdredesgate'', i.e. "gate associated with a man named Ealdrād"; the gate probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Luke Fildes - The Empty Chair (The Graphic, 1870)
Samuel ''Šəmūʾēl'', Tiberian: ''Šămūʾēl''; ar, شموئيل or صموئيل '; el, Σαμουήλ ''Samouḗl''; la, Samūēl is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Hebrew scriptures, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran (although Islamic texts do not mention him by name). He is also treated in the fifth through seventh books of ''Antiquities of the Jews'', written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9. Biblical account Family Samuel's mother was Hannah and his father was Elkanah. Elkanah lived at Ramathaim in the district of Zuph. His genealog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dickens' Dream
Robert William Buss (4 August 1804 – 26 February 1875) was a Victorian artist, etcher and illustrator perhaps best known for his painting ''Dickens' Dream''. He was the father of Frances Buss, a pioneer of girls' education. Early career Born in Bull and Mouth Street, Aldersgate in London in 1804, Buss served an apprenticeship with his father, a master engraver and enameller, and then studied painting under George Clint, a miniaturist, watercolour and portrait painter, and mezzotint engraver. At the start of his career Buss specialised in painting theatrical portraits, with many of the leading actors of the day sitting to him, including William Charles Macready, John Pritt Harley, and John Baldwin Buckstone. Later Buss painted historical and humorous subjects. He exhibited a total of 112 pictures between 1826 and 1859, 25 at the Royal Academy, 20 at the British Institution, 45 at the Suffolk Street gallery of the Society of British Artists, seven at the New Watercolour Societ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hablot Knight Browne
Hablot Knight Browne (10 July 1815 – 8 July 1882) was an English artist and illustrator. Well-known by his pen name, Phiz, he illustrated books by Charles Dickens, Charles Lever, and Harrison Ainsworth. Early life Of Huguenot ancestry, Hablot Knight Browne was born in England, in Lambeth (near London) on Kennington Lane. He was the fourteenth of Catherine and William Loder Browne's fifteen children. According to his biographer Valerie Browne Lester, Phiz was in fact the illegitimate son of his putative eldest sister Kate and Captain Nicholas Hablot of Napoleon's Imperial Guard. There is some uncertainty regarding the exact date of birth. 10 July 1815 is the date given by Valerie Browne Lester, his great-great-granddaughter. John Buchanan-Brown in his book ''Phiz!: Illustrator of Dickens' World'' says 12 July 1815. The date on his Christening record of 21 December 1815 at St Mary's Church, Lambeth, Surrey, England gives 11 June 1815, as does the ''Encyclopædia Britannica Elevent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morgan Library & Museum
The Morgan Library & Museum, formerly the Pierpont Morgan Library, is a museum and research library in the Murray Hill neighborhood of Manhattan in New York City. It is situated at 225 Madison Avenue, between 36th Street to the south and 37th Street to the north. The Morgan Library & Museum is composed of several structures. The main building was designed by Charles McKim of the firm of McKim, Mead and White, with an annex designed by Benjamin Wistar Morris. A 19th-century Italianate brownstone house at 231 Madison Avenue, built by Isaac Newton Phelps, is also part of the grounds. The museum and library also contains a glass entrance building designed by Renzo Piano and Beyer Blinder Belle. The main building and its interior is a New York City designated landmark and a National Historic Landmark, while the house at 231 Madison Avenue is a New York City landmark. The site was formerly occupied by residences of the Phelps family, one of which banker J. P. Morgan had purchased in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Seymour (illustrator)
Robert Seymour (1798 – 20 April 1836) was a British illustrator known for his illustrations for ''The Pickwick Papers'' by Charles Dickens and for his caricatures. He committed suicide after arguing with Dickens over the illustrations for ''Pickwick''. Early years Seymour was born in Somerset, England in 1798, the second son of Henry Seymour and Elizabeth Bishop. Soon after moving to London Henry Seymour died, leaving his wife, two sons and daughter impoverished. In 1827 his mother died, and Seymour married his cousin Jane Holmes, having two children, Robert and Jane. After his father died, Robert Seymour was apprenticed as a pattern-drawer to a Mr. Vaughan of Duke Street, Smithfield, London, Smithfield, London. Influenced by painter Joseph Severn Royal Academy, RA, during frequent visits to his uncle Thomas Holmes of Hoxton, Robert's ambition to be a professional painter was achieved at the age of 24 when, in 1822, his painting of a scene from Torquato Tasso's ''Jerusalem De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pickwick Papers
''The Posthumous Papers of the Pickwick Club'' (also known as ''The Pickwick Papers'') was Charles Dickens's first novel. Because of his success with ''Sketches by Boz'' published in 1836, Dickens was asked by the publisher Chapman & Hall to supply descriptions to explain a series of comic "cockney sporting plates" by illustrator Robert Seymour (illustrator), Robert Seymour, and to connect them into a novel. The book became a publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller (character), Sam Weller joke books, and other merchandise. On its cultural impact, Nicholas Dames in ''The Atlantic'' writes, “'Literature' is not a big enough category for ''Pickwick''. It defined its own, a new one that we have learned to call “entertainment.” Published in 19 issues over 20 months, the success of ''The Pickwick Papers'' popularised Serial (literature), serialised fiction and cliffhanger endings. Seymour's widow claimed that the idea for the novel was or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapman And Hall
Chapman & Hall is an imprint owned by CRC Press, originally founded as a British publishing house in London in the first half of the 19th century by Edward Chapman and William Hall. Chapman & Hall were publishers for Charles Dickens (from 1840 until 1844 and again from 1858 until 1870), Thomas Carlyle, William Thackeray, Elizabeth Barrett Browning, Anthony Trollope, Eadweard Muybridge and Evelyn Waugh. History Upon Hall's death in 1847, Chapman's cousin Frederic Chapman began his progress through the ranks of the company and eventually becoming a partner in 1858 and sole proprietor on Edward Chapman's retirement from Chapman & Hall in 1866. In 1868 author Anthony Trollope bought a third of the company for his son, Henry Merivale Trollope. From 1902 to 1930 the company's managing director was Arthur Waugh. In the 1930s the company merged with Methuen, a merger which, in 1955, participated in forming the Associated Book Publishers. The latter was acquired by The Thomson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Institute Of Painters In Water Colours
The Royal Institute of Painters in Water Colours (RI), initially called the New Society of Painters in Water Colours, is one of the societies in the Federation of British Artists, based in the Mall Galleries in London. History In 1831 the society was founded as the ''New Society of Painters in Water Colours'', competing with the Royal Watercolour Society (RWS), which had been founded in 1804. The founding members were William Cowen, James Fudge, Thomas Maisey (treasurer), O. F. Phillips, Joseph Powell (president), W. B. S. Taylor, and Thomas Charles Wageman. The New Society differed from the RWS in policy, by exhibiting non-members' work also. Both societies challenged the Royal Academy's refusal to accept the medium of watercolours as appropriate for serious art. In 1839 Henry Warren (1794–1879) became president of the society and was re-elected for many years until he resigned due to failing eyesight. In 1863 there was a name change to the ''Institute of Painters in Wat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
