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Robert Seymour (illustrator)
Robert Seymour (1798 – 20 April 1836) was a British illustrator known for his illustrations for ''The Pickwick Papers'' by Charles Dickens and for his caricatures. He committed suicide after arguing with Dickens over the illustrations for ''Pickwick''. Early years Seymour was born in Somerset, England in 1798, the second son of Henry Seymour and Elizabeth Bishop. Soon after moving to London Henry Seymour died, leaving his wife, two sons and daughter impoverished. In 1827 his mother died, and Seymour married his cousin Jane Holmes, having two children, Robert and Jane. After his father died, Robert Seymour was apprenticed as a pattern-drawer to a Mr. Vaughan of Duke Street, Smithfield, London, Smithfield, London. Influenced by painter Joseph Severn Royal Academy, RA, during frequent visits to his uncle Thomas Holmes of Hoxton, Robert's ambition to be a professional painter was achieved at the age of 24 when, in 1822, his painting of a scene from Torquato Tasso's ''Jerusalem De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pickwick Papers
''The Posthumous Papers of the Pickwick Club'' (also known as ''The Pickwick Papers'') was Charles Dickens's first novel. Because of his success with ''Sketches by Boz'' published in 1836, Dickens was asked by the publisher Chapman & Hall to supply descriptions to explain a series of comic "cockney sporting plates" by illustrator Robert Seymour, and to connect them into a novel. The book became a publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books, and other merchandise. On its cultural impact, Nicholas Dames in ''The Atlantic'' writes, “'Literature' is not a big enough category for ''Pickwick''. It defined its own, a new one that we have learned to call “entertainment.” Published in 19 issues over 20 months, the success of ''The Pickwick Papers'' popularised serialised fiction and cliffhanger endings. Seymour's widow claimed that the idea for the novel was originally her husband's, but Dickens strenuously denied any specific inpu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Writings Of Charles Dickens V1 P4 (engraving)
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Richard Phillips
Sir Richard Phillips (13 December 1767 – 2 April 1840) was an English schoolteacher, author, publisher and vegetarianism activist. Life Phillips was born in London. Following some political difficulties in Leicester where he was a schoolteacher and bookseller (being imprisoned in 1792 for selling Thomas Paine's ''Rights of Man''), he returned to London, established premises in Paternoster Row, St. Paul's Churchyard, and founded '' The Monthly Magazine'' in 1796; its editor was Dr. John Aikin, and among its early contributors were fellow radicals William Godwin and Thomas Holcroft. He built up a prominent fortune based on the speculative commission of newly revised textbooks and their publication, in a competitive market that had been freed by the House of Lords' decision in 1777 to strike down the perpetual copyright asserted by a small group of London booksellers to standard introductory works. His ''Juvenile Library'' published in 1800–03 provided the steady returns of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series ''A Harlot's Progress'', ''A Rake's Progress'' and '' Marriage A-la-Mode''. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly sat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Grego
Joseph Grego (23 September 1843 – 24 January 1908) was an art collector and exhibitor, author and journalist, inventor and graphics expert. Family origins and company directorships He was born in 1843, at 23 Granville Square, Clerkenwell, London, the elder son of Joseph Grego (1817–1881) and his wife Louisa Emelia Dawley. His grandfather, Antonio Grego, a native of Como in Italy, settled in London before 1821 as a looking-glass manufacturer, the firm becoming Susan Grego and Sons in 1839, and Charles & Joseph Grego in 1845. Joseph Grego invented the 'Colour Photo-Copier', a system of reproducing 18th century colour prints in such exact facsimile that they have often been mistaken for originals. He was also Director of photo-engravers Carl Hentschel Ltd, 1899–1908. [1896 Patent: No 2013: “Improvements in the Production of Zink or other Metal Blocks for Printing Purposes.”] Grego was also a Director and substantial shareholder of Routledge, Kegan Paul & Co. from 1903 and '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Mayhew
Henry Mayhew (25 November 1812 – 25 July 1887) was an English journalist, playwright, and advocate of reform. He was one of the co-founders of the satirical magazine ''Punch'' in 1841, and was the magazine's joint editor, with Mark Lemon, in its early days. He is also known for his work as a social researcher, publishing an extensive series of newspaper articles in the ''Morning Chronicle'' that was later compiled into the book series ''London Labour and the London Poor'' (1851), a groundbreaking and influential survey of the city's poor. Biography Early life He was born in London, the thirteenth of 17 children of Joshua Mayhew. He was educated at Westminster School before running away from his studies to sea. He then served with the East India Company as a midshipman on a ship bound for Calcutta. He returned after several years, in 1829, becoming a trainee lawyer in Wales.Taithe (1996), p. 9 He left this and became a freelance journalist. He contributed to ''The Thief'', a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert Abbott à Beckett
Gilbert Abbott à Beckett (9 January 1811 – 30 August 1856) was an English humorist. Biography He was born in London, the son of a lawyer, and belonged to a family claiming descent from Thomas Becket. He was educated at Westminster School and was called to the bar at Gray's Inn in 1841. He edited the comic paper ''Figaro in London'' and was one of the original staff of ''Punch'' and a contributor until his death. He was an active journalist on ''The Times'' and ''The Morning Herald'', contributed a series of light articles to the ''Illustrated London News'', conducted in 1846 ''The Almanack of the Month'' and found time to produce some fifty or sixty plays, among them dramatized versions of Charles Dickens's shorter stories, written in collaboration with Mark Lemon. He is perhaps best known as the author of ''The Comic History of England'' (1847–48), '' The Comic History of Rome'' (1852) and a ''Comic Blackstone'' (1846). He wrote the book for two operas with music compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punch (magazine)
''Punch, or The London Charivari'' was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term " cartoon" in its modern sense as a humorous illustration. From 1850, John Tenniel was the chief cartoon artist at the magazine for over 50 years. After the 1940s, when its circulation peaked, it went into a long decline, closing in 1992. It was revived in 1996, but closed again in 2002. History ''Punch'' was founded on 17 July 1841 by Henry Mayhew and wood-engraver Ebenezer Landells, on an initial investment of £25. It was jointly edited by Mayhew and Mark Lemon. It was subtitled ''The London Charivari'' in homage to Charles Philipon's French satirical humour magazine ''Le Charivari''. Reflecting their satiric and humorous intent, the two editors took for their name and masthead the anarchic glove puppet, Mr. Punch, of Punc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figaro In London
''Figaro in London'' was an English comic paper of the early nineteenth century. Founded as a weekly on 10 December 1831, it ran until 31 December 1838. The French connection The paper's original editor was Gilbert Abbott à Beckett and it was mostly written by him, then by Henry Mayhew, who took over as editor between 1835 and 1836, after which à Beckett took over again. The reason for the choice of name was announced in the opening editorial as building on the success of the French satirical daily ''Le Figaro'', founded five years before. The allusion there had been to the hero of Pierre-Augustin Caron de Beaumarchais' play, ''Le Mariage de Figaro'', which poked fun at privilege. The preface to the first collected volume congratulated itself on the fact that “Ever since we made our first appearance in London, we have been ''Figaro here! Figaro there! Figaro everywhere!'' We did not presume to hope for a more favourable reception than our prototype in Paris, but we have the fla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Heath (artist)
William Heath (1794 – 7 April 1840) was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life. Heath was born in Northumberland. His early works often dealt with military scenes, including colour plates for ''The Martial Achievements'', ''The Wars of Wellington'', etc., but from about 1820 on he focused on satire. Between 1827 and 1829, many of his works were published under the pseudonym "Paul Pry" (the name of an overly inquisitive stage character in a popular 1825 stage comedy by John Poole ); also used the pseudonym Argus. He was described by Dr John Brown, biographer of John Leech as "poor Heath, the ex-Captain of Dragoons, facile and profuse, unscrupulous and clever". Heath helped found an early caricature magazines, ''The Glasgow Looking Glass'' (renamed to ''The Northern Looking Glass'' after five issues). Heath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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