Henry Mayhew

Henry Mayhew (25 November 1812 – 25 July 1887) was an English journalist, playwright, and advocate of reform. He was one of the co-founders of the satirical magazine ''Punch'' in 1841, and was the magazine's joint editor, with Mark Lemon, in its early days. He is also known for his work as a social researcher, publishing an extensive series of newspaper articles in the ''Morning Chronicle'' that was later compiled into the book series ''London Labour and the London Poor'' (1851), a groundbreaking and influential survey of the city's poor.

Biography

Early life

He was born in London, the thirteenth of 17 children of Joshua Mayhew. He was educated at Westminster School before running away from his studies to sea. He then served with the East India Company as a midshipman on a ship bound for Calcutta. He returned after several years, in 1829, becoming a trainee lawyer in Wales.Taithe (1996), p. 9 He left this and became a freelance journalist. He contributed to ''The Thief'', a readers' digest, followed quickly by editing a weekly journal – ''Figaro in London''. Mayhew reputedly fled his creditors and holed up at the Erwood Inn, a small public house in the village of Erwood, south of Builth Wells in Wales.

Paris and writing

In 1835, Mayhew found himself in a state of debt and, along with a fellow writer, escaped to Paris to avoid his creditors. He spent his time writing and in the company of other writers including William Thackeray and Douglas Jerrold. Mayhew spent over 10 years in Paris, returning to England in the 1850s, whereby he was involved in several literary adventures, mostly the writing of plays. Two of his plays – ''But, However'' and the ''Wandering Minstrel'' – were successful, whilst his early work ''Figaro in London'' was less successful.Taithe (1996), p. 10

''Punch'' magazine

On 17 July 1841, Mayhew cofounded ''Punch ''magazine. At its founding, the magazine was jointly edited by Mayhew and Mark Lemon. The two men hired a group of writers and also illustrators to aid them. These included Douglas Jerrold, Angus Reach, John Leech, Richard Doyle, and Shirley Brooks. Initially, it was subtitled ''The London Charivari'', this being a reference to a satirical humour magazine published in France under the title ''Le Charivari'' (a work read often whilst Mayhew was in Paris). Reflecting their satiric and humorous intent, the two editors took for their name and masthead the anarchic glove puppet Mr. Punch.

''Punch'' was an unexpected success, selling about 6,000 copies a week in the early years. However, sales of as many as 10,000 issues a week were required to cover all costs of the magazine. In December 1842, the magazine was sold to Bradbury and Evans; Mayhew resigned as joint editor, and he continued at the magazine as "suggestor in chief" with Mark Lemon reappointed as editor. Mayhew eventually severed his connection with the magazine, writing his last article in February 1845. His brother Horace stayed on the board of Punch until his own death.

The ''Punch'' years gave Mayhew the opportunity to meet talented illustrators whom he later employed to work from daguerreotypes on ''London Labour and the London Poor''. Following ''Punch'', Mayhew launched ''Iron Times'', a railway magazine. However, this venture lost Mayhew so much money that he was forced to appear in a court of bankruptcy in 1846.

Formative work

In 1842, Mayhew contributed to the pioneering ''Illustrated London News''. By this time, he had become reasonably secure financially, had settled his debts, and married Jane Jerrold, the daughter of his friend Douglas Jerrold. She lived until 1880.

''London Labour and the London Poor''

The articles comprising ''London Labour and the London Poor'' were initially collected into three volumes in 1851; the 1861 edition included a fourth volume, co-written with Bracebridge Hemyng, John Binny, and Andrew Halliday, on the lives of prostitutes, thieves, and beggars. This extra volume took a more general and statistical approach to its subject than volumes one to three.

Mayhew wrote in volume one: "I shall consider the whole of the metropolitan poor under three separate phases, according as they ''will'' work, they ''can't'' work, and they ''won't'' work". He interviewed everyone – beggars, street-entertainers (such as Punch and Judy men), market traders, prostitutes, labourers, sweatshop workers, even down to the "mudlarks" who searched the stinking mud on the banks of the River Thames for wood, metal, rope, and coal from passing ships, and the "pure-finders" who gathered dog faeces to sell to tanners. He described their clothes, how and where they lived, their entertainments and customs, and made detailed estimates of the numbers and incomes of those practising each trade. The books show how marginal and precarious many people's lives were, in what, at that time, was the richest city in the world.

Mayhew's richly detailed descriptions give an impression of what the street markets of his day were like. An example from volume one:

Some of the London street traders did not like the way Mayhew wrote about them. In spring/summer 1851, they established a Street Trader's Protection Association to guard themselves against the journalist.

Family

Mayhew was the grandfather of Audrey Mayhew Allen (b. 1870), an author of a number of children's stories published in various periodicals, and of ''Gladys in Grammarland'', an imitation of Lewis Carroll's ''Wonderland'' books.

Influence

Mayhew's work was embraced by and was an influence on the Christian Socialists, such as Thomas Hughes, Charles Kingsley, and F. D. Maurice. Radicals also published sizeable excerpts from the reports in the '' Northern Star'', the '' Red Republican'', and other newspapers. The often sympathetic investigations, with their immediacy and unswerving eye for detail, offered unprecedented insights into the condition of the Victorian poor. Alongside the earlier work of Edwin Chadwick, they are also regarded as a decisive influence on the thinking of Charles Dickens.

Mayhew's work inspired the script of director Christine Edzard